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Calvinism and the arts
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dc.contributor.author | Hardman Moore, Susan | |
dc.date.accessioned | 2014-11-11T14:43:00Z | |
dc.date.available | 2014-11-11T14:43:00Z | |
dc.date.issued | 2009-12-01 | |
dc.identifier.citation | Hardman Moore, S. (2009). Calvinism and the arts. Theology in Scotland, 16(2), pp. 75-92. | en_US |
dc.identifier.issn | 1465-2862 | en_US |
dc.identifier.uri | http://ojs.st-andrews.ac.uk/index.php/TIS/article/view/43 | en_US |
dc.identifier.uri | https://hdl.handle.net/10023/5733 | |
dc.description.abstract | Susan Hardman Moore's article is a study of the wider impact of Calvin's theological approach to signs and signifieds, i.e., his steady insistence on words and the Word. In this paper, she draws our attention to the nature of the intellectual transformation this insistence brought about in aspects of the thought of Northern Europe. | en_US |
dc.language.iso | en | en_US |
dc.publisher | St Mary's College, University of St Andrews | en_US |
dc.relation.ispartof | Theology in Scotland | en_US |
dc.rights | This is an open access article published in Theology in Scotland. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 License (http://creativecommons.org/licenses/by-nc/4.0/) | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | |
dc.subject | Calvin | en_US |
dc.subject | Calvinism | en_US |
dc.subject | Reformation | en_US |
dc.subject | arts | en_US |
dc.subject | literature | en_US |
dc.subject | visual arts culture | en_US |
dc.subject.lcc | BR1.S3T5 | en_US |
dc.subject.lcsh | Theology--Study and teaching--Scotland | en_US |
dc.subject.lcsh | Theology, Doctrinal--Scotland | en_US |
dc.title | Calvinism and the arts | en_US |
dc.type | Journal article | en_US |
dc.description.version | Publisher PDF | en_US |
dc.publicationstatus | Published | en_US |
dc.status | Peer reviewed | en_US |
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