Now showing items 1-16 of 16

    • Afterword: acts of care 

      Bissell, Laura; González, Laura; Heddon, Dee; Murray, Simon (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • CD review: Dichroic light: music for soloists, chamber ensembles and electronic, by Matthew Whiteside 

      Hammond, Drew (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item
      CD review of: Dichroic light: music for soloists, chamber ensembles and electronic, by Matthew Whiteside
    • Discussion etiquette: (inspired by Lois Weaver’s Long Table) 

      The Art of Care-full Practice Symposium (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • Editorial: Scottish Journal of Performance, Vol 1, Issue 1 

      Whiteside, Bethany; Fletcher-Watson, Ben (The Royal Conservatoire of Scotland, 2013-12-13) - Journal item
      The genesis of the Scottish Journal of Performance sprang from a wish amongst doctoral students based at the Royal Conservatoire of Scotland and the University of St Andrews to create an academic platform for Scotland’s ...
    • Editorial: Scottish Journal of Performance, Vol 1, Issue 2 

      Whiteside, Bethany; Fletcher-Watson, Ben (The Royal Conservatoire of Scotland, 2014-06-13) - Journal item
      This second issue of the Scottish Journal of Performance explores the past, present and future of performance, with papers addressing the legacy of Pina Bausch, the production of a performative iPad experience aimed at ...
    • Editorial: Scottish Journal of Performance, Vol 2, Issue 1 

      Fletcher-Watson, Ben; Kay, Kirsty (The Royal Conservatoire of Scotland, 2014-12) - Journal item
      The third issue of the Scottish Journal of Performance presents a diverse selection of papers on the theme of ‘New Reflective Routes’. This issue presents contrasting journeys made by three scholars as they unpick familiar ...
    • Editorial: Scottish Journal of Performance, Vol 2, Issue 2 

      Fletcher-Watson, Ben; Kay, Kirsty (The Royal Conservatoire of Scotland, 2015-06-26) - Journal item
      This fourth issue of the Scottish Journal of Performance presents a selection of papers addressing the theme of ‘scholar as interloper’. Three researchers provide differing subversions, both of their identities within the ...
    • Editorial: Scottish Journal of Performance, Vol 3, Issue 1  

      Kay, Kirsty; Williams, Bede (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item
    • Editorial: Scottish Journal of Performance, Vol 4, Issue 1   

      Kay, Kirsty; Redman, Benjamin (The Royal Conservatoire of Scotland, 2017-09-17) - Journal item
    • Editorial: Scottish Journal of Performance, Vol 5, Issue 2 

      Redman, Benjamin (The Royal Conservatoire of Scotland, 2018-09-30) - Journal item
    • Interview: Tony Reekie 

      Fletcher-Watson, Ben (The Royal Conservatoire of Scotland, 2016-06-28) - Journal item
      In 2015, Tony Reekie stood down as Director of Imaginate, Scotland’s national art-form development organisation for theatre for young audiences. Tony had programmed the annual Imaginate Festival of performing arts for ...
    • Long table 

      The Art of Care-full Practice Symposium (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • Lunch 

      The Art of Care-full Practice Symposium (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • Performance review: Hinterland, by NVA 

      Berger, Cara (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item
      Performance review of: Hinterland, by NVA
    • Salad lunch and gift instructions 

      The Art of Care-full Practice Symposium (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • Symposium abstracts: Thresholds and permeability in performance 

      Fletcher-Watson, Ben; Ong, Adelina; Rush, Adam; Fielding, Rosie; Zezulka, Kelli; Graham, Katherine; Venn, Jonathan; Dumitriu, Silvia; Shyldkrot, Yaron; Finbow, Acatia; Willett, Jennifer; Slator, Sarah; Moore, Bridie; Murphy, Laura; Shoji, Moe; Milburn, Laura; Smith, Eve; Surgey, Kirsty (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item