Now showing items 71-90 of 93 starting with L∨der=ASC

    • Negotiating care: an exploration of non-place within a deafblind performance project 

      Stringer, Will (The Royal Conservatoire of Scotland, 2018-04-06) - Journal article
      This article brings together diverse theories on disability, place, non-place and care to explore a process involving deafblind performers. The article is based upon work within a five-month residency with a performance ...
    • Performance review: Hinterland, by NVA 

      Berger, Cara (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item
      Performance review of: Hinterland, by NVA
    • Practitioner report: Calton Hill Constellations 

      Joyner, Siriol; Smith, Phil (The Royal Conservatoire of Scotland, 2016-06-29) - Journal article
      Artist and choreographer Siriol Joyner (Aberystwyth, Cymru) and writer and mythogeographer Phil Smith (Exeter, England) worked together with overlaps and collisions of place, dance, description, objects and narratives as ...
    • Practitioner report: Composing interaction: performativity in Mechanical 

      Cooper, Timothy (The Royal Conservatoire of Scotland, 2018-09-30) - Journal article
      This paper explores the creation of Mechanical (2016), an interactive sound installation that explores the sound and physicality of old, worn and broken bicycle parts. In the paper I examine the question: what is the nature ...
    • Practitioner report: I Gladly Strained My Eyes to Follow You: a guided tour of Pollok House 

      McMullan, Shauna (The Royal Conservatoire of Scotland, 2018-09-30) - Journal article
      I Gladly Strained My Eyes to Follow You took the form of a guided tour of Pollok House focusing on a selection of portraits of women from the house's historically significant collection of art and artefacts. The tours, led ...
    • Practitioner report: Play between worlds: Inchcolm Project 

      Bozdog, Mona; Galloway, Dayna (The Royal Conservatoire of Scotland, 2017-09-17) - Journal article
      Inchcolm Project was a proof of concept that aimed to make apparent the connections between video games and performance, and to blur the lines between physical and virtual worlds and bodies. In designing the two-hour ...
    • Practitioner report: running walls: the performance of the limit in prison 

      Maccagno, Paolo (The Royal Conservatoire of Scotland, 2015-06-26) - Report
      The limit to freedom, represented by the wall of the prison, is the limit to run to reach the finish-line of the marathon: run the limit! Training prisoners to run a marathon as a practice of the limit. Inside and outside ...
    • Practitioner report: SHINE 

      Williams, Bede; Weijmans, Anne-Marie; McGuire, Eddie; Fitzpatrick, Tim (The Royal Conservatoire of Scotland, 2016-06-29) - Report
    • Practitioner report: The burning circle: (pre)history, performance and public engagement 

      Berger, Cara; Robertson-Kirkland, Brianna E. (The Royal Conservatoire of Scotland, 2017-09-17) - Journal article
      In recent years, there has been a change of culture in the academic environment: researchers are now strongly encouraged to collaborate across disciplines and develop strategies to engage non-specialist publics with the ...
    • Re-constructing heritage: the National Theatre of Scotland’s Calum’s Road 

      Carner, Niccole (The Royal Conservatoire of Scotland, 2016-06-29) - Journal article
      David Harrower’s adaptation of Roger Hutchinson’s novel, Calum’s Road (2011, 2013) tells the real-life story of Calum MacLeod, and his quest to build a road from Arnish to South Arnish on the island of Raasay in the Inner ...
    • Re-reading Mary Wigman's Hexentanz II (1926): the influence of the non-Western 'Other' on movement practice in early modern 'German' dance 

      Tsitsou, Lito; Weir, Lucy (The Royal Conservatoire of Scotland, 2013-12) - Journal article
      This paper provides a re-reading of Mary Wigman’s Hexentanz II (‘Witch Dance’, 1926), emphasising the social and aesthetic conditions in which she created dance works. A renewed interest in the idea of a return to nature ...
    • A reciprocity of care: a dialogical reflection on the artwork Winter 

      Hammersley, John Mark; Davies, Rachel; Saul, Daniel (The Royal Conservatoire of Scotland, 2018-04-06) - Journal article
    • Relaxed performance: audiences with autism in mainstream theatre 

      Fletcher-Watson, Ben (The Royal Conservatoire of Scotland, 2015-06-26) - Journal article
      Emerging less than a decade ago, ‘relaxed performances’ now take place at many theatres in the UK and USA. These events encourage attendance at mainstream productions by hitherto neglected audiences, particularly those ...
    • Representational tactics: approaching two Scottish performances of mental illness through the work of Michel de Certeau 

      Dingwall-Jones, Christopher (The Royal Conservatoire of Scotland, 2013-12) - Journal article
      This article uses the ideas of ‘strategy’ and ‘tactics’ drawn from Michel de Certeau’s The Practice of Everyday Life in order to examine two specific Scottish performances and determine their conception of mental illness, ...
    • Salad lunch and gift instructions 

      The Art of Care-full Practice Symposium (The Royal Conservatoire of Scotland, 2018-04-06) - Journal item
    • Symposium abstracts: Pace, penalty and pirouette: the sociology of physical culture 

      Palmer, Victoria; Whiteside, Bethany; Tulle, Emmanuelle; Burger, Ursula M.; Thomson, Elaine; Theodoraki, Elani; Bowness, James; Heffernan, Conor; Bissell, Laura; Overend, David; coffey, Vanessa; Tsitsou, Lito; Kay, Kirsty; Smith, Sue; Amsden, Lucy; Güzel, Hande; Christofidou, Andria; Leask, Josephine (The Royal Conservatoire of Scotland, 2014-12-16) - Conference item
      Pace, penalty and pirouette: the sociology of physical culture was an event organised and hosted by PhD students Victoria Palmer (Glasgow Caledonian University) and Bethany Whiteside (Royal Conservatoire of Scotland). ...
    • Symposium abstracts: The making of performance: stories of performing physicalities 

      Christofidou, Andria; Tsitsou, Lito; Birch, Anna; Murray, Simon; Whiteside, Bethany; Weir, Lucy; Burt, Ramsay; Dear, Romany; Paterson, Dominic (The Royal Conservatoire of Scotland, 2013-12-13) - Conference item
      The making of performance: stories of performing physicalities was a symposium organised by Andria Christofidou (PhD Candidate, Sociology, University of Glasgow) and Dr Lito Tsitsou (Teaching Assistant in Sociology and ...
    • Symposium abstracts: Thresholds and permeability in performance 

      Fletcher-Watson, Ben; Ong, Adelina; Rush, Adam; Fielding, Rosie; Zezulka, Kelli; Graham, Katherine; Venn, Jonathan; Dumitriu, Silvia; Shyldkrot, Yaron; Finbow, Acatia; Willett, Jennifer; Slator, Sarah; Moore, Bridie; Murphy, Laura; Shoji, Moe; Milburn, Laura; Smith, Eve; Surgey, Kirsty (The Royal Conservatoire of Scotland, 2016-06-29) - Journal item
    • Towards a queer theatre for very young audiences in Scotland and the United States 

      Amer, Lindsay (The Royal Conservatoire of Scotland, 2016-06-29) - Journal article
      Queer performance practice and production has emerged over the past four decades as an increasingly visible if contentious modality, particularly in relation to theatre for children and teenagers. Kathryn Bond Stockton and ...
    • The trombone as portrayed in Portuguese iconography during the sixteenth and early seventeenth centuries 

      de Oliveira Alves, Rui Pedro (The Royal Conservatoire of Scotland, 2014-12-16) - Journal article
      This article studies eleven sixteenth and seventeenth century iconographical sources depicting slide brass instruments, by both Portuguese and foreign artists active in Portugal, as well as foreign artists depicting ...