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dc.contributor.authorVitaglione, Daniel
dc.coverage.spatial410 p.en_US
dc.date.accessioned2018-07-06T15:13:40Z
dc.date.available2018-07-06T15:13:40Z
dc.date.issued1990-07
dc.identifier.urihttp://hdl.handle.net/10023/15069
dc.description.abstractThe thesis is a comparative study of George Eliot and George Sand. Numerous references to Sand in Eliot's correspondence, as well as in Lewes's criticism, show that the link between the two female authors was more profound than suspected. Lewes and Sand met and corresponded for a few years and his art theory is greatly indebted to Sand's novels. Sand also exerted a profound influence on Eliot's intellectual and artistic development before Eliot met Lewes. Sand was her "divinity." However, it is Lewes who encouraged Eliot to follow in Sand's footsteps. The thesis is thematic and compares first the impact of Sand's religious novels such as Spiridion and Lélia. Then their social thought is examined, with novels such as Le pêche de Monsieur Antoine and Felix Holt, the Radical. The third part deals with their conception of art, with special attention to the doctrine of Realism and to Sand's rustic novels. Their conception of women is also examined as well as their position on the question of woman's liberation. Finally, I compare their views of the complex relationship between femaleness and literature, in the light of recent feminist criticism.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subject.lccPR4683.S2V5
dc.subject.lcshEliot, George, 1819-1880en
dc.subject.lcshSand, George, 1804-1876en
dc.titleGeorge Eliot and George Sand : a comparative studyen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US


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