Now showing items 1-6 of 6
The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage
(University of St Andrews, 2010-06-24) - Thesis,
This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for ...
White of Mckim, Mead and White
(University of St Andrews, 1980) - Thesis,
Stanford White, and Charles Follen McKim were the two major design contributors within the firm of McKim, Mead and White, and William Rutherford Mead was an invaluable organizer and administrator. There are major individual ...
Saint Peter and Paul Church (Sinan Pasha Mosque), Famagusta: a forgotten Gothic moment in Northern Cyprus.
(School of Art History, University of St Andrews, 2004) - Journal article,
This article presents a very brief historical overview, and contemporary description, of the Church of Saint Peter and Saint Paul, Famagusta, Northern Cyprus. In the light of the changing political situation in that island ...
Words and deeds: national style versus modernity in Finnish architecture 1890-1916 : the writings and work of Vilho Penttilä and the architecture of financial institutions
(University of St Andrews, 2007-03) - Thesis,
This thesis examines the question of the extent to which the concept of a National Style dominated architectural production in Finland between 1890 and 1916. The thesis maintains that National Style ideas should be ...
The medieval art and architecture of Scottish collegiate churches
(University of St Andrews, 2017-06-22) - Thesis,
Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how important material and aesthetic enrichments were in regards to ...
Furnishing Britain : Gothic as a national aesthetic, 1740–1840
(University of St Andrews, 2012-09) - Thesis,
Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the ...