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Art History (School of) >
Inferno: School of Art History Postgraduate Journal [Pilot service] >
Inferno: Journal of Art History Volume 7 (2003) >
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10023/609
| Title: | Tamara de Lempicka 1898-1980 |
| Authors: | Hodge, Kim. |
| Editors: | University of St Andrews. School of Art History. |
| Keywords: | Tamara De Lempicka
Polish art
French art
Paris
Neo-cubism
Lhote |
| Issue Date: | 2003 |
| Citation: | Inferno: Journal of Art History Vol. 7 Article 3 2003 |
| Abstract: | Tamara de Lempicka’s fusion of artistic influences from 16th & 17th century Italy with the exuberant modernity of 1920’s Parisian society made her a leading figure in the world of Art Deco’s painters. Lempicka’s accomplishments and renown came from a mixture of innate design skills, her study of art and the inventiveness of her vision. This article examines the development of her work and its later reception. |
| Version: | Postprint |
| Description: | Article 3 of 7 in an issue devoted to the visual culture of Poland and Eastern Europe.
Previously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive/00000385/ |
| URI: | http://hdl.handle.net/10023/609 |
| ISSN: | 1355-5596 |
| Type: | Journal article |
| Publication Status: | Published |
| Status: | Peer reviewed |
| Publisher: | School of Art History, University of St Andrews |
| Appears in Collections: | Inferno: Journal of Art History Volume 7 (2003)
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