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Art History (School of) >
Inferno: School of Art History Postgraduate Journal [Pilot service] >
Inferno: Journal of Art History Volume 7 (2003) >
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http://hdl.handle.net/10023/608
| Title: | Body and space: discovering the compositions of Paul Burman |
| Authors: | Burman, Kristi |
| Editors: | University of St Andrews. School of Art History. |
| Keywords: | art history painting Estonian art Paul Burman phenomenology visual culture |
| Issue Date: | 2003 |
| Citation: | Inferno: Journal of Art History Vol. 7 Article 2 2003 |
| Abstract: | This article will discuss some aspects of Paul Burman's compositions. The creative endeavour of Paul Burman (1888-1934) belongs to the earliest period of Estonian art history. Born into a Baltic-German family, living mainly in Estonia, he received his art education in the Art Academies of Russia. Burman therefore belonged simultaneously to the Baltic-German, Estonian and Russian culture spheres and connected them in his art. Burman's creation reveals a complicated, many-faceted art concept. The article applies phenomenological and visual theories to Burman's work, discussing the role of body and space in his compositions of nude riders which develop from the creative imagination. Burman's compositions can be interpreted as an expression of an inner Ulysses, a constant wandering on horseback, passing through the rectangular space of the picture. The beholder is only witnessing a pause on this inner journey, painted with the suggestivity of a reverie. |
| Version: | Postprint |
| Description: | Article 2 of 7 in an issue devoted to the visual culture of Poland and Eastern Europe Previously in the University eprints HAIRST pilot service at http://eprints.st-andrews.ac.uk/archive/00000386/ |
| URI: | http://hdl.handle.net/10023/608 |
| ISSN: | 1355-5596 |
| Type: | Journal article |
| Publication Status: | Published |
| Status: | Peer reviewed |
| Publisher: | School of Art History, University of St Andrews |
| Appears in Collections: | Inferno: Journal of Art History Volume 7 (2003)
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