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Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/329
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Title: Divine reckonings in profane spaces: towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar
Authors: Khovacs, Ivan Patricio Morillo
Supervisors: Hart, Trevor
Keywords: Theology
Theatre
Drama
Theo-Drama
Hans Urs von Balthasar
Theological aesthetics
Aesthetic theology
Theological dramaturgy
Christianity and theatre
Performance aesthetics
Augustine / theatre
Tertullian / theatre
Calderón de la Barca
Quem quaeritis
Kevin Vanhoozer
Aristotle / Poetics
Issue Date: 2007
Abstract: If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘drama’, however, have been limited to its most literary/metaphorical aspects; less attention has been paid to the potentialities in theology’s exchange with the performance aesthetics of live theatre. Pressed to its logical ends, however, von Balthasar’s idea of a ‘theological dramatics’ and its advances made in contemporary theology, suggest the need for sustained engagement with other modes of dramaturgy, including performance theory and the stage. This thesis attempts to instantiate this theological engagement through the aesthetics of theatrical performance.
URI: http://hdl.handle.net/10023/329
Type: Thesis
Publisher: University of St Andrews
Appears in Collections:Divinity Theses



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