http://hdl.handle.net/10023/103 Thu, 20 Jun 2013 00:33:11 GMT 2013-06-20T00:33:11Z http://hdl.handle.net/10023/3569 Abstract: The research of Emmanuel de Martonne (1873–1955) in the field of physical goegraphy, in its many forms, made him the leading geographer, not only in France, but on an international level. His immense body of work also covers human geography : La Valachie, a doctoral thesis published in 1902, remains a model of the Vidalian regional monograph. But it must be pointed out that de Martonne’s work is not limited to a strictly scientific and disinterested domain. By its very nature, his geographical work is bound up with history, and therefore political circumstances, something which is clearly displayed in his long and passionate relationship with Romania. It is before the Great War, on the frontier between Hungary and Romania, that Emmanuel de Martonne begins his work as a geographer. Enamoured of a landscape and a people, this eminent scholar will serve the cause of ‘Greater Romania’ : firstly as a supporter of Romanian intervention in the European conflict, then as a ‘drawer of frontiers’ at the Versailles Peace Conference. Here we see how geography can be used in political projects, rivalries over territories and debates on identity. Sat, 01 Jan 2011 00:00:00 GMT http://hdl.handle.net/10023/3569 2011-01-01T00:00:00Z Bowd, Gavin Philip The research of Emmanuel de Martonne (1873–1955) in the field of physical goegraphy, in its many forms, made him the leading geographer, not only in France, but on an international level. His immense body of work also covers human geography : La Valachie, a doctoral thesis published in 1902, remains a model of the Vidalian regional monograph. But it must be pointed out that de Martonne’s work is not limited to a strictly scientific and disinterested domain. By its very nature, his geographical work is bound up with history, and therefore political circumstances, something which is clearly displayed in his long and passionate relationship with Romania. It is before the Great War, on the frontier between Hungary and Romania, that Emmanuel de Martonne begins his work as a geographer. Enamoured of a landscape and a people, this eminent scholar will serve the cause of ‘Greater Romania’ : firstly as a supporter of Romanian intervention in the European conflict, then as a ‘drawer of frontiers’ at the Versailles Peace Conference. Here we see how geography can be used in political projects, rivalries over territories and debates on identity. http://hdl.handle.net/10023/3520 Abstract: In 1848, the South Australian Library and Mechanics’ Institute came into existence. It was the first stable library in South Australia. In 1856 its books passed to the library of the South Australian Institute, whose holdings continued to grow until 1883, when many of the books were transferred to the fledgling Public Library, forerunner of today’s State Library. Between 1848 and 1883 the two early libraries built up a collection of nearly 20,000 works of which a little over 500 were by French authors, and almost half of those books were in French. This paper follows the growth of the collection of French books and examines the nature of the books that were acquired. In doing so it highlights the place which French culture continued to occupy within the intellectual life of early South Australia and illustrates the gradual change of taste as an elite culture was displaced by the demands of a more popular readership. Thu, 01 Jan 2009 00:00:00 GMT http://hdl.handle.net/10023/3520 2009-01-01T00:00:00Z Culpin, David John In 1848, the South Australian Library and Mechanics’ Institute came into existence. It was the first stable library in South Australia. In 1856 its books passed to the library of the South Australian Institute, whose holdings continued to grow until 1883, when many of the books were transferred to the fledgling Public Library, forerunner of today’s State Library. Between 1848 and 1883 the two early libraries built up a collection of nearly 20,000 works of which a little over 500 were by French authors, and almost half of those books were in French. This paper follows the growth of the collection of French books and examines the nature of the books that were acquired. In doing so it highlights the place which French culture continued to occupy within the intellectual life of early South Australia and illustrates the gradual change of taste as an elite culture was displaced by the demands of a more popular readership. http://hdl.handle.net/10023/3519 Tue, 01 Nov 2011 00:00:00 GMT http://hdl.handle.net/10023/3519 2011-11-01T00:00:00Z Bowd, Gavin Philip http://hdl.handle.net/10023/3484 Abstract: Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry. Thu, 01 Jul 2010 00:00:00 GMT http://hdl.handle.net/10023/3484 2010-07-01T00:00:00Z Evans, David Elwyn Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry. http://hdl.handle.net/10023/1995 Sat, 01 Mar 2008 00:00:00 GMT http://hdl.handle.net/10023/1995 2008-03-01T00:00:00Z Morisi, Eve Celia