http://hdl.handle.net/10023/29 2013-04-24T15:48:17Z http://hdl.handle.net/10023/3485 Abstract: This article takes as its subject a nineteenth-century detective story: S.A. Panov’s Murder in Medveditsa Village (1872). Panov’s work is remarkable amongst its contemporaries for the way in which it interrogates the relative authority of the written and the spoken word in the criminal investigation and, in so doing, foregrounds the role and status that detective fiction assigns to language. The aim of the present article is to discuss the ambiguously nuanced illustration Panov provides of the relative power of written, spoken and non-verbal language in the particular context of the functioning of the law and the pursuit of the ‘truth’, two cornerstones of detective fiction. Language, and especially the written word, is thus shown to play the decisive role in structuring the various networks of authority operating in and around the fictional world. 2011-01-01T00:00:00Z Whitehead, Claire Eugenie This article takes as its subject a nineteenth-century detective story: S.A. Panov’s Murder in Medveditsa Village (1872). Panov’s work is remarkable amongst its contemporaries for the way in which it interrogates the relative authority of the written and the spoken word in the criminal investigation and, in so doing, foregrounds the role and status that detective fiction assigns to language. The aim of the present article is to discuss the ambiguously nuanced illustration Panov provides of the relative power of written, spoken and non-verbal language in the particular context of the functioning of the law and the pursuit of the ‘truth’, two cornerstones of detective fiction. Language, and especially the written word, is thus shown to play the decisive role in structuring the various networks of authority operating in and around the fictional world. http://hdl.handle.net/10023/3484 Abstract: Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry. 2010-07-01T00:00:00Z Evans, David Elwyn Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry. http://hdl.handle.net/10023/3482 Abstract: The present work is concerned with some aspects of the phonology of Modern Standard Arabic. The thesis is divided into two parts: Part I, dealing with the theoretical background, consists of three chapters, and each chapter sub-branches into a number of smaller units. Chapter I is concerned with the Axiomatic Functionalism principle of maintaining a strict distinction between the linguistic theory, linguistic descriptions, and the speech-phenomena; it also deals with the 'hypothetico-deductive method' which sets out to explain the philosophical principles underlying the 'Axiomatic Functionalist' approach. This chapter is divided into three sections, the first deals with the 'structure of the theory', the second concerns 'linguistic description and the speech-phenomena', followed by the 'criterion for evaluating the linguistic description and theory'. Chapter II treats the classification of semiotic systems in Axiomatic Functionalism as well as explaining the definition of 'Language' as "a semiotic system with a double articulation" (Mulder 1968, 'b'). Though this is a type of definition found in most functionalist approaches (Martinet 1962 1nd 1964), in Axiomatic Functionalism it has a unique interpretation. Chapter III, which deals with a brief explanation of the phonological system as a whole, comprises two sections, the first of which discusses 'phonematics and phonotactics', and the second introduces some of the main theoretical notions of the phonological theory, such as the notions "phoneme", "distinctive feature", "archi-phoneme", "position", "distributional unit", "archi-position", which is relevant for the phonological description of Modern Standard Arabic. This introduction to the phonological sub-component of the theory is important because description cannot take place without the knowledge of a theory, since a description is "the application of a particular linguistic theory to a selected field of linguistic-phenomena" (Mulder 1980, b). Part II, dealing with the phonological description, consists of five chapters (Chaps. IV-VIII). Chapter IV treats the distributional unit(s) and archi-position of Modern Standard Arabic. Chapter V deals with the consonantal phonemes, their identities and distinctive functions, as well as their realisations. Chapter VI explains the types of neutralisation and the consonantal archi-phonemes. Chapter VII deals with the vowel and semi-vowel phonemes, their identities and distinctive function as well as their realisations. Chapter VIII deals with the neutralisation and vocalic archi-phonemes. 1981-01-01T00:00:00Z Sitrak, Sami J. The present work is concerned with some aspects of the phonology of Modern Standard Arabic. The thesis is divided into two parts: Part I, dealing with the theoretical background, consists of three chapters, and each chapter sub-branches into a number of smaller units. Chapter I is concerned with the Axiomatic Functionalism principle of maintaining a strict distinction between the linguistic theory, linguistic descriptions, and the speech-phenomena; it also deals with the 'hypothetico-deductive method' which sets out to explain the philosophical principles underlying the 'Axiomatic Functionalist' approach. This chapter is divided into three sections, the first deals with the 'structure of the theory', the second concerns 'linguistic description and the speech-phenomena', followed by the 'criterion for evaluating the linguistic description and theory'. Chapter II treats the classification of semiotic systems in Axiomatic Functionalism as well as explaining the definition of 'Language' as "a semiotic system with a double articulation" (Mulder 1968, 'b'). Though this is a type of definition found in most functionalist approaches (Martinet 1962 1nd 1964), in Axiomatic Functionalism it has a unique interpretation. Chapter III, which deals with a brief explanation of the phonological system as a whole, comprises two sections, the first of which discusses 'phonematics and phonotactics', and the second introduces some of the main theoretical notions of the phonological theory, such as the notions "phoneme", "distinctive feature", "archi-phoneme", "position", "distributional unit", "archi-position", which is relevant for the phonological description of Modern Standard Arabic. This introduction to the phonological sub-component of the theory is important because description cannot take place without the knowledge of a theory, since a description is "the application of a particular linguistic theory to a selected field of linguistic-phenomena" (Mulder 1980, b). Part II, dealing with the phonological description, consists of five chapters (Chaps. IV-VIII). Chapter IV treats the distributional unit(s) and archi-position of Modern Standard Arabic. Chapter V deals with the consonantal phonemes, their identities and distinctive functions, as well as their realisations. Chapter VI explains the types of neutralisation and the consonantal archi-phonemes. Chapter VII deals with the vowel and semi-vowel phonemes, their identities and distinctive function as well as their realisations. Chapter VIII deals with the neutralisation and vocalic archi-phonemes. http://hdl.handle.net/10023/3413 Abstract: This thesis aims to provide the first complete study of the poetics of Pierre Reverdy, who, although famous and influential during his lifetime, has not been widely published or researched. This thesis hopes to change this, as his complete works are just now being republished. The first chapter lays the basis for his conception of reality as something in which man is trapped, and which calls for a distance that, in Reverdy’s eyes, only poetry can offer. His association of the image and lyricism, is presented and analysed. The second chapter aims to provide a linguistic understanding of the poetic image called for and devises the new concept of “illumination”, to give an account of the phenomenon at work in his verse. The third chapter focuses on lyricism, as Reverdy tries to reinvent it for the twentieth century: independent of the self, dealing only with expressing the affective tonalities of the poet and acting as a catalyst for the image. The last chapter defines the visual qualities of Reverdy’s poetry by first re-examining the title of cubist poet that had been attached to him, before focussing on the many forms that the image takes in his work (imagery, but also typography, mental imagery), and finally providing the first analysis of the relationship between paintings and poems in the famous Livres d’artistes that the poet created, in collaboration with Picasso, Matisse, Juan Gris and others. It establishes that while the poems can indeed be read without the illustrations with which they were conceived, these editions deprive the reader of the opportunity to remind himself that poetry is an experience rather than a quest for meaning and also of an introduction to the unique visual qualities of Reverdy’s poetry. 2013-06-01T00:00:00Z Brogly, Marie-Noëlle This thesis aims to provide the first complete study of the poetics of Pierre Reverdy, who, although famous and influential during his lifetime, has not been widely published or researched. This thesis hopes to change this, as his complete works are just now being republished. The first chapter lays the basis for his conception of reality as something in which man is trapped, and which calls for a distance that, in Reverdy’s eyes, only poetry can offer. His association of the image and lyricism, is presented and analysed. The second chapter aims to provide a linguistic understanding of the poetic image called for and devises the new concept of “illumination”, to give an account of the phenomenon at work in his verse. The third chapter focuses on lyricism, as Reverdy tries to reinvent it for the twentieth century: independent of the self, dealing only with expressing the affective tonalities of the poet and acting as a catalyst for the image. The last chapter defines the visual qualities of Reverdy’s poetry by first re-examining the title of cubist poet that had been attached to him, before focussing on the many forms that the image takes in his work (imagery, but also typography, mental imagery), and finally providing the first analysis of the relationship between paintings and poems in the famous Livres d’artistes that the poet created, in collaboration with Picasso, Matisse, Juan Gris and others. It establishes that while the poems can indeed be read without the illustrations with which they were conceived, these editions deprive the reader of the opportunity to remind himself that poetry is an experience rather than a quest for meaning and also of an introduction to the unique visual qualities of Reverdy’s poetry. http://hdl.handle.net/10023/3366 2006-01-01T00:00:00Z San Roman, Gustavo Francisco http://hdl.handle.net/10023/3196 Abstract: This research focuses on the study of Mexican comics and films from 1969 to 1976. It uses the language of humour to understand how these media expressed contemporary social and political concerns. After reviewing theories of humour and proposing an eclectic theory to analyse visual sources, three different comic books and four films were examined in order to gain an understanding of the issues that troubled the society at the time. This eclectic theory considered academic approaches from a variety of disciplines, including philosophy, sociology, linguistics, psychology, and others. The theory of humour proposed in this thesis can be used to study humorous visual expressions from other cultures and historical times. Thus, one of the novelties of this research is the proposal of an eclectic theory of humour to study visual culture. A second original contribution of this thesis is that it proposes an approach to social history through the analysis of two relevant cultural manifestations: humour and visual culture. This work also invites us to reflect on Mexican society during the presidency of Luis Echeverría Álvarez, as well as the circumstances of the mass media and the arts, both of which enjoyed some freedom in what was called the apertura democrática. Nevertheless, since some topics were still prickly and difficult, humour helped society discuss them, kept them on the social agenda, and acted as a safety valve to express the discomfort of the members of society. Finally, this thesis considers social manifestations, such as humour, as sources through which to study culture and history; it highlights the relevance of the cultural legacy of comics which have been considered as a sub-cultural product; and it shows how we can use films to discover something new about a specific time and social group. 2012-06-21T00:00:00Z Neria, Leticia This research focuses on the study of Mexican comics and films from 1969 to 1976. It uses the language of humour to understand how these media expressed contemporary social and political concerns. After reviewing theories of humour and proposing an eclectic theory to analyse visual sources, three different comic books and four films were examined in order to gain an understanding of the issues that troubled the society at the time. This eclectic theory considered academic approaches from a variety of disciplines, including philosophy, sociology, linguistics, psychology, and others. The theory of humour proposed in this thesis can be used to study humorous visual expressions from other cultures and historical times. Thus, one of the novelties of this research is the proposal of an eclectic theory of humour to study visual culture. A second original contribution of this thesis is that it proposes an approach to social history through the analysis of two relevant cultural manifestations: humour and visual culture. This work also invites us to reflect on Mexican society during the presidency of Luis Echeverría Álvarez, as well as the circumstances of the mass media and the arts, both of which enjoyed some freedom in what was called the apertura democrática. Nevertheless, since some topics were still prickly and difficult, humour helped society discuss them, kept them on the social agenda, and acted as a safety valve to express the discomfort of the members of society. Finally, this thesis considers social manifestations, such as humour, as sources through which to study culture and history; it highlights the relevance of the cultural legacy of comics which have been considered as a sub-cultural product; and it shows how we can use films to discover something new about a specific time and social group. http://hdl.handle.net/10023/3099 Abstract: The pronunciamiento was a political practice with its origins in early nineteenth-century Spain. It was a form of political petitioning usually undertaken by coalitions of military and civilian actors to make demands against regional and national governments and negotiate political change. The petitions were generally accompanied with the threat of the use of military force should the demands not be met. As such, pronunciamientos have been defined by Will Fowler as “forceful negotiations.” The pronunciamiento developed as a political practice in a context of institutional disarray and contested legitimacy as a response to the constitutional crisis in Spain (1812-1820), and it became a particularly popular political tool in early independent Mexico (1821-1876) in a context in which successive governments experimented with new political systems. The fact that the institutions these governments created needed to acquire a political legitimacy that was stable enough to replace that of the Ancien Regime would prove problematic. It would be this context of uncertain legitimacies that would allow the pronunciamiento to develop a legitimacy of its own. It was an extra-constitutional, subversive form of political participation. It was used as a last resort by political actors who believed that, in the particular circumstance of having constitutional routes closed to them or of the government having broken the social pact, they had a right to insurrection to protect the people from the abuses of unjust or tyrannical government. As it developed in early independent Mexico, the pronuciamiento became one of the most used practices for effecting political change. Pronunciamientos were used at one time or another by political actors of all social classes and political persuasions. They preceded most of the major political changes of the period on both a regional and national scale, be they changes in government, the introduction of new laws or a change of political system. Pronunciamientos have often been referred to in the historiography of early independent Mexico as military revolts or coups. The pronunciamiento has thus been seen as a cause of instability and evidence of praetorianism in the political life of nineteenth-century Spain and independent Mexico. However, recent and current research on the subject, including the project at the University of St Andrews “The Pronunciamiento in Independent Mexico 1821 – 1876” of which this PhD is a part, has resulted in a revision of this narrow view of pronunciamientos as revolts and coups. The project and its affiliated researchers have developed a picture of the pronunciamiento as a political practice which was much more intimately involved with the newly developing constitutional institutions than previously thought. This PhD is a contribution to that revision which uses regional history to analyse the nature and evolution of the pronunciamiento. It is a study of the dynamics of and political actors involved in pronunciamientos in the state of Jalisco in western Mexico between 1821 and 1852. Jalisco in the early national period was a geopolitically important state and a popular place from which to launch pronunciamientos. Many political actors from within and without the state chose to launch pronunciamientos from Jalisco some of which had a significant impact on regional and national politics. To date there has been no thoroughgoing study of the phenomenon of the pronunciamiento as it developed in Jalisco. This analysis of the pronunciamientos which took place in Jalisco shows that pronunciamientos were used by all political actors to effect political change and had a very real effect on the lives of those directly involved as well as those of the general public who witnessed pronunciamientos on the streets of their towns and cities. It shows how pronunciamientos became closely interconnected with the newly developing constitutional institutions and how, while most pronunciamientos were recognized by all political actors as potential bearers of instability, the pronunciamiento was also considered to be a legitimate form of political participation given the extraordinary circumstance of a lack of recognised or legitimate government. The research demonstrates that pronunciamientos launched in Jalisco had a central part to play in the development of the new political order in the “age of democratic revolutions” and during the transition Mexico underwent from having a traditional corporate society and polity to acquiring a modern liberal one. The findings of this study provide an insight into the way in which political culture developed in Jalisco in the early national period. Alongside regional studies into the pronunciamientos launched in the San Luis Potosí and Yucatán in a similar period carried out by Kerry McDonald and Shara Ali, this research helps to develop a picture of how Mexican pronunciamientos worked at a local level allowing for more accurate generalisations to be made regarding the pronunciamiento as a practice on a national scale. The study also contributes to an understanding of how politics worked in Mexico in periods of institutional disarray, uncertain legitimacy and political transition and how insurrectionary political forms became legitimised. 2012-06-21T00:00:00Z Doyle, Rosie The pronunciamiento was a political practice with its origins in early nineteenth-century Spain. It was a form of political petitioning usually undertaken by coalitions of military and civilian actors to make demands against regional and national governments and negotiate political change. The petitions were generally accompanied with the threat of the use of military force should the demands not be met. As such, pronunciamientos have been defined by Will Fowler as “forceful negotiations.” The pronunciamiento developed as a political practice in a context of institutional disarray and contested legitimacy as a response to the constitutional crisis in Spain (1812-1820), and it became a particularly popular political tool in early independent Mexico (1821-1876) in a context in which successive governments experimented with new political systems. The fact that the institutions these governments created needed to acquire a political legitimacy that was stable enough to replace that of the Ancien Regime would prove problematic. It would be this context of uncertain legitimacies that would allow the pronunciamiento to develop a legitimacy of its own. It was an extra-constitutional, subversive form of political participation. It was used as a last resort by political actors who believed that, in the particular circumstance of having constitutional routes closed to them or of the government having broken the social pact, they had a right to insurrection to protect the people from the abuses of unjust or tyrannical government. As it developed in early independent Mexico, the pronuciamiento became one of the most used practices for effecting political change. Pronunciamientos were used at one time or another by political actors of all social classes and political persuasions. They preceded most of the major political changes of the period on both a regional and national scale, be they changes in government, the introduction of new laws or a change of political system. Pronunciamientos have often been referred to in the historiography of early independent Mexico as military revolts or coups. The pronunciamiento has thus been seen as a cause of instability and evidence of praetorianism in the political life of nineteenth-century Spain and independent Mexico. However, recent and current research on the subject, including the project at the University of St Andrews “The Pronunciamiento in Independent Mexico 1821 – 1876” of which this PhD is a part, has resulted in a revision of this narrow view of pronunciamientos as revolts and coups. The project and its affiliated researchers have developed a picture of the pronunciamiento as a political practice which was much more intimately involved with the newly developing constitutional institutions than previously thought. This PhD is a contribution to that revision which uses regional history to analyse the nature and evolution of the pronunciamiento. It is a study of the dynamics of and political actors involved in pronunciamientos in the state of Jalisco in western Mexico between 1821 and 1852. Jalisco in the early national period was a geopolitically important state and a popular place from which to launch pronunciamientos. Many political actors from within and without the state chose to launch pronunciamientos from Jalisco some of which had a significant impact on regional and national politics. To date there has been no thoroughgoing study of the phenomenon of the pronunciamiento as it developed in Jalisco. This analysis of the pronunciamientos which took place in Jalisco shows that pronunciamientos were used by all political actors to effect political change and had a very real effect on the lives of those directly involved as well as those of the general public who witnessed pronunciamientos on the streets of their towns and cities. It shows how pronunciamientos became closely interconnected with the newly developing constitutional institutions and how, while most pronunciamientos were recognized by all political actors as potential bearers of instability, the pronunciamiento was also considered to be a legitimate form of political participation given the extraordinary circumstance of a lack of recognised or legitimate government. The research demonstrates that pronunciamientos launched in Jalisco had a central part to play in the development of the new political order in the “age of democratic revolutions” and during the transition Mexico underwent from having a traditional corporate society and polity to acquiring a modern liberal one. The findings of this study provide an insight into the way in which political culture developed in Jalisco in the early national period. Alongside regional studies into the pronunciamientos launched in the San Luis Potosí and Yucatán in a similar period carried out by Kerry McDonald and Shara Ali, this research helps to develop a picture of how Mexican pronunciamientos worked at a local level allowing for more accurate generalisations to be made regarding the pronunciamiento as a practice on a national scale. The study also contributes to an understanding of how politics worked in Mexico in periods of institutional disarray, uncertain legitimacy and political transition and how insurrectionary political forms became legitimised. http://hdl.handle.net/10023/3098 Abstract: This thesis explores how women’s writing in mid-twentieth century Uruguay enables a reconsideration of the intertwined hegemonic practices of literary canon formation and national identity in this seminal period. Within a national history and a cultural tradition conceived of as patriarchal, progressive and homogeneous, in correspondence to a European/Eurocentric concept of time and historicism, women writers struggled to find a recognised position from which to speak. Nevertheless, like other marginal groups, women writers have challenged the hegemonic discourses of modernity in Uruguay, as elsewhere in Latin America, producing what can be described, following Elaine Showalter, as a double-voiced textual strategy that replicates as well as subverts the dominant order. In this respect, Concepción Silva Bélinzon (Montevideo, 1900-1987) offers a remarkable case study to show how women’s poetry destabilises and renegotiates the great discourses of modernity. Socially and culturally marginalised, Silva Bélinzon’s life demonstrates the failures and limitations of a patriarchal/paternalistic society, while her poetry problematises the homogeneous national discourses of modern Uruguay, exposing the discontinuity inherent to a national history conceived of as masculine, linear and teleological. Silva Bélinzon’s poetry has been defined as a synthesis of Modernismo and Surrealism, and described as a combination of free associations, biblical references and metaphysical concerns, all expressed within conventional metric forms, notably, the sonnet. Her poetry has been considered incoherent and bizarre, and has thus received little critical attention. However, one of the most interesting characteristics of her poetry has been overlooked. That is, the juxtaposition of different artistic trends and the dialectical tension that exists between the use of random, discontinuous and disconnected images within strict traditional poetic forms. The theoretical approach of this thesis is predominantly framed by postcolonial, feminist and gender theories, including those of Homi K. Bhabha and Judith Butler. In addition, drawing on Henri Bergson’s work, Matière et mémoire (1896) and Marcel Proust’s well-known idea of mémoire involontaire, I interpret Silva Bélinzon’s elliptical poetry as a virtual journey through layers of the personal and national pasts that thereby deterritorialises the national, hegemonic discourses of the modern nation. Thus, using Silva Bélinzon’s poetry as a case study, the thesis aims to demonstrate how women writers ‘overlap in the act of writing the nation’ (Bhabha 2003: 292). 2012-01-20T00:00:00Z Montañez Morillo, María Soledad This thesis explores how women’s writing in mid-twentieth century Uruguay enables a reconsideration of the intertwined hegemonic practices of literary canon formation and national identity in this seminal period. Within a national history and a cultural tradition conceived of as patriarchal, progressive and homogeneous, in correspondence to a European/Eurocentric concept of time and historicism, women writers struggled to find a recognised position from which to speak. Nevertheless, like other marginal groups, women writers have challenged the hegemonic discourses of modernity in Uruguay, as elsewhere in Latin America, producing what can be described, following Elaine Showalter, as a double-voiced textual strategy that replicates as well as subverts the dominant order. In this respect, Concepción Silva Bélinzon (Montevideo, 1900-1987) offers a remarkable case study to show how women’s poetry destabilises and renegotiates the great discourses of modernity. Socially and culturally marginalised, Silva Bélinzon’s life demonstrates the failures and limitations of a patriarchal/paternalistic society, while her poetry problematises the homogeneous national discourses of modern Uruguay, exposing the discontinuity inherent to a national history conceived of as masculine, linear and teleological. Silva Bélinzon’s poetry has been defined as a synthesis of Modernismo and Surrealism, and described as a combination of free associations, biblical references and metaphysical concerns, all expressed within conventional metric forms, notably, the sonnet. Her poetry has been considered incoherent and bizarre, and has thus received little critical attention. However, one of the most interesting characteristics of her poetry has been overlooked. That is, the juxtaposition of different artistic trends and the dialectical tension that exists between the use of random, discontinuous and disconnected images within strict traditional poetic forms. The theoretical approach of this thesis is predominantly framed by postcolonial, feminist and gender theories, including those of Homi K. Bhabha and Judith Butler. In addition, drawing on Henri Bergson’s work, Matière et mémoire (1896) and Marcel Proust’s well-known idea of mémoire involontaire, I interpret Silva Bélinzon’s elliptical poetry as a virtual journey through layers of the personal and national pasts that thereby deterritorialises the national, hegemonic discourses of the modern nation. Thus, using Silva Bélinzon’s poetry as a case study, the thesis aims to demonstrate how women writers ‘overlap in the act of writing the nation’ (Bhabha 2003: 292). http://hdl.handle.net/10023/2976 Abstract: The present work is mainly concerned with a description of the morphological and syntactic analyses of the predicative aspectual phenomena in Modern Standard Arabic using Axiomatic Functionalism as its theoretical framework. The thesis consists of an introduction, three major parts, and a conclusion. The introduction deals with a brief overview of the Axiomatic Functionalist theory. Part one, which comprises four chapters, offers a brief account of the theoretical background of this work as well as presenting the predicative (verbal and non-verbal) aspectual phenomena in MSA. Chapter I discusses the term 'aspect', and the relation between lexical and grammatical aspect. Chapter II discusses the Arabic language, particularly the category of 'aspect'. Chapter III discusses the interaction between punctuality and aspect. Chapter IV is exclusively devoted to methodology; it explains an explanation of the essential and relevant theoretical notions in grammar, uniting the description to the theory. It also provides a step-by-step application of successive criteria for discriminating between morphological complexes and syntactic complexes. The second part (Chaps. V & VI), deals with morphological analysis. Chapter V analyses the category of verb in Arabic. For this purpose the following paradigms are set up: Verb-root, Aspect, Voice, Person, Gender, and Number. Each of these contains monemes which which are constituents of the verbal entity. These monemes commute with each other yielding a difference in the message conveyed. The chapter concludes that entities of the verb category in Arabic may contain the constituent monemes verb-root, perfective, imperfective, active, passive, first person, second person, third person, masculine, feminine, singular, dual, and plural. Chapter VI deals with the realisational as pect of the constituent monemes of the complex pleremes in chapter V. It also deals with the distribution of the allomorphs of the constituent monemes in question. Part three (Chaps. VII - IX), deals with the syntactic description of the aspectual phenomena in MSA. Chapter VII sets up the distributional unit (model) which accounts for the relations within the VPB syntagm. This chapter tests the adequacy of the model by establishing all the VPB syntagms which map onto it. These syntagms vary according to the type of the verbal nucleus in each of them, (transitive or intransitive and of what kind). It further deals with types of non-verbal nucleus I and the realisations of the predicative based syntagms (verbal and non-verbal). Chapter VIII deals in detail with the syntactic relations within the predicative syntagms. It also deals with the syntactic structures of various as pectual phenomena in MSA. Chapter IX discusses the syntactic relation within the functional syntagm in MSA which may form an immediate constituent in a predicative based syntagm. A final brief 'Conclusion' points out the need for further research and development in Axiomatic Functionalism in the field of "semantic syntagm-analysis". 1986-01-01T00:00:00Z Sitrak, Sami J. The present work is mainly concerned with a description of the morphological and syntactic analyses of the predicative aspectual phenomena in Modern Standard Arabic using Axiomatic Functionalism as its theoretical framework. The thesis consists of an introduction, three major parts, and a conclusion. The introduction deals with a brief overview of the Axiomatic Functionalist theory. Part one, which comprises four chapters, offers a brief account of the theoretical background of this work as well as presenting the predicative (verbal and non-verbal) aspectual phenomena in MSA. Chapter I discusses the term 'aspect', and the relation between lexical and grammatical aspect. Chapter II discusses the Arabic language, particularly the category of 'aspect'. Chapter III discusses the interaction between punctuality and aspect. Chapter IV is exclusively devoted to methodology; it explains an explanation of the essential and relevant theoretical notions in grammar, uniting the description to the theory. It also provides a step-by-step application of successive criteria for discriminating between morphological complexes and syntactic complexes. The second part (Chaps. V & VI), deals with morphological analysis. Chapter V analyses the category of verb in Arabic. For this purpose the following paradigms are set up: Verb-root, Aspect, Voice, Person, Gender, and Number. Each of these contains monemes which which are constituents of the verbal entity. These monemes commute with each other yielding a difference in the message conveyed. The chapter concludes that entities of the verb category in Arabic may contain the constituent monemes verb-root, perfective, imperfective, active, passive, first person, second person, third person, masculine, feminine, singular, dual, and plural. Chapter VI deals with the realisational as pect of the constituent monemes of the complex pleremes in chapter V. It also deals with the distribution of the allomorphs of the constituent monemes in question. Part three (Chaps. VII - IX), deals with the syntactic description of the aspectual phenomena in MSA. Chapter VII sets up the distributional unit (model) which accounts for the relations within the VPB syntagm. This chapter tests the adequacy of the model by establishing all the VPB syntagms which map onto it. These syntagms vary according to the type of the verbal nucleus in each of them, (transitive or intransitive and of what kind). It further deals with types of non-verbal nucleus I and the realisations of the predicative based syntagms (verbal and non-verbal). Chapter VIII deals in detail with the syntactic relations within the predicative syntagms. It also deals with the syntactic structures of various as pectual phenomena in MSA. Chapter IX discusses the syntactic relation within the functional syntagm in MSA which may form an immediate constituent in a predicative based syntagm. A final brief 'Conclusion' points out the need for further research and development in Axiomatic Functionalism in the field of "semantic syntagm-analysis". http://hdl.handle.net/10023/2959 1971-01-01T00:00:00Z Othman, Muhammad Zain bin Haji http://hdl.handle.net/10023/2949 Abstract: The study is concerned with the problem of how to improve the teaching of Arabic as a foreign or a second language. It lays down some of the essential foundation-work necessary for bringing about systematic and constructive improvements in the teaching of Arabic as a foreign language (TAFL) by investigating the contributions of modern linguistic sciences (such as applied linguistics, educational linguistics, psycholinguistics and sociolinguistics) to the development of foreign language (FL) teaching and learning. A survey of the literature indicates that a 'revolution' is currently taking place in FL teaching and that a new approach, known as the Communicative Approach (CA), has begun to emerge and influence the teaching of FLs in general, over the last decade or so. Since the CA is currently being adopted to the teaching of most major FLs and since this revolution has not yet had much impact on TAPL, the study explores the possibility of the application of the CA to the teaching of Arabic as a living language. The thesis is divided into 7 chapters. Chapter 1 introduces the importance of viewing the nature of language and FL teaching from a multidimensional point of view. Chapter 2 outlines the general nature and importance of the subject matter (i.e. the Arabic language) in a wide context. In order to understand what has directly or indirectly influenced the teaching practices of TAFL, Chapter 3 provides an overview of the development of views of FL teaching approaches and methods in recent times, from formalism (teacher-centred learning) to functionalism (student -centred learning). Chapter 4 concentrates on providing an interpretation of the current 'state of the art' of TPPL in Britain. A theoretical outline of the CA is presented in Chapter 5. This chapter provides a working hypothesis of a proposed integrative model for communicative competence that can be used as a practical reference tool in the relevant areas of communicative language development In TAPL. Chapter 6 focuses on one of these areas; communicative syllabus design, in which the stages in Arabic language programme development and types of communicative syllabuses are discussed. The last chapter concludes with a suggetion of specific further research needs in TAFL: communicative teaching methodology, communicative materials development, communicative testing techniques and communicative tea cher training. 1988-01-01T00:00:00Z Jadwat, Ayoob Y. The study is concerned with the problem of how to improve the teaching of Arabic as a foreign or a second language. It lays down some of the essential foundation-work necessary for bringing about systematic and constructive improvements in the teaching of Arabic as a foreign language (TAFL) by investigating the contributions of modern linguistic sciences (such as applied linguistics, educational linguistics, psycholinguistics and sociolinguistics) to the development of foreign language (FL) teaching and learning. A survey of the literature indicates that a 'revolution' is currently taking place in FL teaching and that a new approach, known as the Communicative Approach (CA), has begun to emerge and influence the teaching of FLs in general, over the last decade or so. Since the CA is currently being adopted to the teaching of most major FLs and since this revolution has not yet had much impact on TAPL, the study explores the possibility of the application of the CA to the teaching of Arabic as a living language. The thesis is divided into 7 chapters. Chapter 1 introduces the importance of viewing the nature of language and FL teaching from a multidimensional point of view. Chapter 2 outlines the general nature and importance of the subject matter (i.e. the Arabic language) in a wide context. In order to understand what has directly or indirectly influenced the teaching practices of TAFL, Chapter 3 provides an overview of the development of views of FL teaching approaches and methods in recent times, from formalism (teacher-centred learning) to functionalism (student -centred learning). Chapter 4 concentrates on providing an interpretation of the current 'state of the art' of TPPL in Britain. A theoretical outline of the CA is presented in Chapter 5. This chapter provides a working hypothesis of a proposed integrative model for communicative competence that can be used as a practical reference tool in the relevant areas of communicative language development In TAPL. Chapter 6 focuses on one of these areas; communicative syllabus design, in which the stages in Arabic language programme development and types of communicative syllabuses are discussed. The last chapter concludes with a suggetion of specific further research needs in TAFL: communicative teaching methodology, communicative materials development, communicative testing techniques and communicative tea cher training. http://hdl.handle.net/10023/2944 Abstract: This dissertation aims to formulate a view of Arabian tribalism in the pre- Islamic period and its development in Islamic times. The first part assesses the historical usability of the literary source material of the Jahiliya. The focus is on oral historical traditions - the ayyam al- carab. These are found to have remained textually fluid until the time of their recording. This fluidity may have affected style and form but did not substantially affect certain historical elements. The more inter-tribal and less local the account was, the more reliable it is likely to be historically. A sample comparison between tribal hostility and tribal distribution showed that the accounts seem to be highly consistent. The second part of the thesis is concerned firstly with establishing a Jahili profile for two tribal groups; secondly with tracing the affairs of their descendants into the Umayyad period. The tribal groups of Taghlib and Ghatafan were picked for examination. Both were strong cohesive groups in the pre-Islamic period. In Islamic times, Taghlibis lose importance since they opted to remain Christian, thus, Taghlibis are virtually impossible to trace. Ghatafanis did join Islam on a far greater scale and are often mentioned in the Islamic period. After the second civil war Ghatafanis are only ever mentioned as individuals. Close kin continued to cooperate but cooperation above this level was only conducted within the Qaysi faction. The third part discusses changes in the tribal system. A review of the functions of modern tribal genealogies illuminates the process by which genealogies can change in order to reflect changing realities. Early Arabic genealogies are clearly seen to be also naturally dynamic and the subject of deliberate change. New links reflected new realities, particularly the political alliances forged under the Umayyads. A belief in a single progenitor led to a move towards creating genealogical links to one ancestor, while the conditions of the conquests let to a regionalization of tribalism. The professionalization of the Marwanid army enabled cross-regional tribal co-operation which resulted in dividing in two the Umayyad army and Arab genealogies. 1994-01-01T00:00:00Z El-Sakkout, Ihab Hamdi This dissertation aims to formulate a view of Arabian tribalism in the pre- Islamic period and its development in Islamic times. The first part assesses the historical usability of the literary source material of the Jahiliya. The focus is on oral historical traditions - the ayyam al- carab. These are found to have remained textually fluid until the time of their recording. This fluidity may have affected style and form but did not substantially affect certain historical elements. The more inter-tribal and less local the account was, the more reliable it is likely to be historically. A sample comparison between tribal hostility and tribal distribution showed that the accounts seem to be highly consistent. The second part of the thesis is concerned firstly with establishing a Jahili profile for two tribal groups; secondly with tracing the affairs of their descendants into the Umayyad period. The tribal groups of Taghlib and Ghatafan were picked for examination. Both were strong cohesive groups in the pre-Islamic period. In Islamic times, Taghlibis lose importance since they opted to remain Christian, thus, Taghlibis are virtually impossible to trace. Ghatafanis did join Islam on a far greater scale and are often mentioned in the Islamic period. After the second civil war Ghatafanis are only ever mentioned as individuals. Close kin continued to cooperate but cooperation above this level was only conducted within the Qaysi faction. The third part discusses changes in the tribal system. A review of the functions of modern tribal genealogies illuminates the process by which genealogies can change in order to reflect changing realities. Early Arabic genealogies are clearly seen to be also naturally dynamic and the subject of deliberate change. New links reflected new realities, particularly the political alliances forged under the Umayyads. A belief in a single progenitor led to a move towards creating genealogical links to one ancestor, while the conditions of the conquests let to a regionalization of tribalism. The professionalization of the Marwanid army enabled cross-regional tribal co-operation which resulted in dividing in two the Umayyad army and Arab genealogies. http://hdl.handle.net/10023/2937 Abstract: This study "The Emirate of Damascus During the Early Crusading Period 488-549/1095-1154 deals with this Emirate which was established in 488/1095, after the defeat and the murder of Taj al-Dawla Tutush near Rayy in 488/1095 by his nephew Sultan Berkiyaruq Ibn Sult-an Malik-Sh5h. The dominions of Ti al-Dawla, mainly in Syria and the Jazira divided between his elder sons King Fakhr al-Mullik Ridwan in Aleppo and King Shams al-Muliik Ducfaq in Damascus. The Kingdom of Damascus comprized south Syria and some parts of the Jazira such as al- Rahba and Mayyafäriqin. Zahir al-Din Tughtekln, who was Atabek of King Duclaq, became the de facto ruler of Damascus during the reign of King Duqaq 488-497/1095-1104. After the death of Duqaq, Tughtekin was to be the real Amir of Damascus, and his dynasty was to gain control of the Emirate until its fall at the hands of Niir al-Din Mahmild of Aleppo in 549/1154. In this thesis, the following matters are discussed: 1. The conditions which led to the foundation of this Emirate. 2. The role of Tughtekin in establishing his authority in the Emirate. 3. The foreign policy of the Emirate, and the factors which shaped this policy. 4. The effects (on the Emirate) of the coming of the Crusaders particularly those of Jerusalem. S. Internal rivalries in the Emirate, and their influence on the stability of the Emirate and its external relations. 6. The policy of alliances adopted by the Emirate and the factors which affected this. 7. The influence of the growing power of Zangi of Aleppo and Mosul (521-541/1127-1146) on Damascus and why he did not succeed in annexing Damascus to his united front in Syria and the Jazira aimed at challenging the power of the Crusaders. 8. The reasons which helped Mir al-Din Mahmüd Ibn Zangi of Aleppo to annex Damascus to his state in 549/1154. 9. The importance of the military power of Damascus and Its role in protecting the Emirate. Finally a concluding section sums up the achievement of the Emirate of Damascus in maintaining its Independence during the period and the role of the Emirate in the Counter-Crusade. 1990-01-01T00:00:00Z Al-Zanki, Jamal M. H. A. This study "The Emirate of Damascus During the Early Crusading Period 488-549/1095-1154 deals with this Emirate which was established in 488/1095, after the defeat and the murder of Taj al-Dawla Tutush near Rayy in 488/1095 by his nephew Sultan Berkiyaruq Ibn Sult-an Malik-Sh5h. The dominions of Ti al-Dawla, mainly in Syria and the Jazira divided between his elder sons King Fakhr al-Mullik Ridwan in Aleppo and King Shams al-Muliik Ducfaq in Damascus. The Kingdom of Damascus comprized south Syria and some parts of the Jazira such as al- Rahba and Mayyafäriqin. Zahir al-Din Tughtekln, who was Atabek of King Duclaq, became the de facto ruler of Damascus during the reign of King Duqaq 488-497/1095-1104. After the death of Duqaq, Tughtekin was to be the real Amir of Damascus, and his dynasty was to gain control of the Emirate until its fall at the hands of Niir al-Din Mahmild of Aleppo in 549/1154. In this thesis, the following matters are discussed: 1. The conditions which led to the foundation of this Emirate. 2. The role of Tughtekin in establishing his authority in the Emirate. 3. The foreign policy of the Emirate, and the factors which shaped this policy. 4. The effects (on the Emirate) of the coming of the Crusaders particularly those of Jerusalem. S. Internal rivalries in the Emirate, and their influence on the stability of the Emirate and its external relations. 6. The policy of alliances adopted by the Emirate and the factors which affected this. 7. The influence of the growing power of Zangi of Aleppo and Mosul (521-541/1127-1146) on Damascus and why he did not succeed in annexing Damascus to his united front in Syria and the Jazira aimed at challenging the power of the Crusaders. 8. The reasons which helped Mir al-Din Mahmüd Ibn Zangi of Aleppo to annex Damascus to his state in 549/1154. 9. The importance of the military power of Damascus and Its role in protecting the Emirate. Finally a concluding section sums up the achievement of the Emirate of Damascus in maintaining its Independence during the period and the role of the Emirate in the Counter-Crusade. http://hdl.handle.net/10023/2936 Abstract: I have prepared a critical edition of the portion on a1-Nasikh wa-l mansukh from Usul al-Jassas (Usul al-figh), by Abu Bakr Ahmad b. 'Ali a1-Razi a1-jassas (d. 370 A. H. ). The manuscript, used in this edition, is preserved under 229 Usul: Dar al-Kutub al-Misriya. I have also prepared separate notes in order to elucidate and compare this work with the views of the renowned Muslim scholars such as Shafi '1, Tabari, Nahhas, Razi, Sarakhsi and many others. The manuscript itself is edited carefully so that to the best of my knowledge no incorrect materials have failed to be mentioned in the footnotes. I have also provided references to the Qur'anic verses and athar mentioned in this work of jassas. To discuss the subject of al-Nasikh wa-l mansukh, I have also prepared an introduction. This section consists of eight chapters. The first chapter is devoted to the description of the manuscript and text along with the importance of Usul al-Jassas. The second chapter is designed to provide details of the author's life and his works. The third chapter deals with the basic sources of Islamic law and throws light on the background of the phenomenon of naskh. In this chapter the views of anti-traditionists are also recorded. The fourth chapter provides details about the principles of abrogation - whether special or general together with the significance of naskh. It also discusses the problem of the change of the gibla and informs us that naskh is a speciality of the Fugaha'. In chapters five to seven, I have discussed the three modes of naskh described by the Usulis. They are: naskh al-hukm du-na al-tilawa, naskh al-tilawa duna al-hukm and naskh al-hukm wa al- tilawa. The first mode involves the discussion of the problem of wasiyya (bequest) and cidda (waiting period). The second mode investigates the origin of the Islamic stoning penalty for adultery. The third mode is concerned with the Tafsir of Q. 87,6-7. In the final chapter, I have examined jassas' concept of the relationship of the Qur'an with the sunna and vice versa in the formation of the ahkam. 1987-01-01T00:00:00Z Akram, Mohammad I have prepared a critical edition of the portion on a1-Nasikh wa-l mansukh from Usul al-Jassas (Usul al-figh), by Abu Bakr Ahmad b. 'Ali a1-Razi a1-jassas (d. 370 A. H. ). The manuscript, used in this edition, is preserved under 229 Usul: Dar al-Kutub al-Misriya. I have also prepared separate notes in order to elucidate and compare this work with the views of the renowned Muslim scholars such as Shafi '1, Tabari, Nahhas, Razi, Sarakhsi and many others. The manuscript itself is edited carefully so that to the best of my knowledge no incorrect materials have failed to be mentioned in the footnotes. I have also provided references to the Qur'anic verses and athar mentioned in this work of jassas. To discuss the subject of al-Nasikh wa-l mansukh, I have also prepared an introduction. This section consists of eight chapters. The first chapter is devoted to the description of the manuscript and text along with the importance of Usul al-Jassas. The second chapter is designed to provide details of the author's life and his works. The third chapter deals with the basic sources of Islamic law and throws light on the background of the phenomenon of naskh. In this chapter the views of anti-traditionists are also recorded. The fourth chapter provides details about the principles of abrogation - whether special or general together with the significance of naskh. It also discusses the problem of the change of the gibla and informs us that naskh is a speciality of the Fugaha'. In chapters five to seven, I have discussed the three modes of naskh described by the Usulis. They are: naskh al-hukm du-na al-tilawa, naskh al-tilawa duna al-hukm and naskh al-hukm wa al- tilawa. The first mode involves the discussion of the problem of wasiyya (bequest) and cidda (waiting period). The second mode investigates the origin of the Islamic stoning penalty for adultery. The third mode is concerned with the Tafsir of Q. 87,6-7. In the final chapter, I have examined jassas' concept of the relationship of the Qur'an with the sunna and vice versa in the formation of the ahkam. http://hdl.handle.net/10023/2927 Abstract: This study examines in detail the basis of al-Shafi`i's arguments for the supremacy of oral tradition over communal legal practice. It concentrates on one broad issue, the definition of `ilm (knowledge) and one technical issue, the problem of authenticating a particular khabar (oral tradition or report, plural akhbar, ) and its binding nature, especially a report of the category known as the specialists' report (khabar al-khassa). On the first issue, this study examines the concept of knowledge based on reports (`ilm al-khabar) because it had an important influence on al-Shafi`i. This is followed by a detailed account of al-Shafi`i's own discussion of `ilm. It brings out clearly that al-Shafi`i means religious law when discussing `ilm. It also shows how knowledge of religious law can be obtained. Al-Shafi`i's approach is to restrict the argument to knowledge of specialised and debatable points, rather than what is generally accepted. He seeks to prove the indispensability in this area of specialists' knowledge of reliable documentation external to the law itself. The following chapter deals with the question of authenticating a khabar from the Prophet (a hadith), not as purely technical question but within a polemical context in which the practical difficulty of authenticating a khabar was used by those opposed to the intellectual dominance of oral tradition as a reason not to use the khabar. In the final chapter al- Shaf i's arguments with two identifiable schools of opposing thought, ahl al-kaläm and ahl al-figh, are examined in detail. The thesis as a whole gives a significant insight into the efficacy and durability of al-Shafi`i's arguments, not so much by defeating his opponents' arguments but by buttressing those of the defenders and advocates of oral tradition. 1999-01-01T00:00:00Z Shukri, Abdul Salam Muhammad This study examines in detail the basis of al-Shafi`i's arguments for the supremacy of oral tradition over communal legal practice. It concentrates on one broad issue, the definition of `ilm (knowledge) and one technical issue, the problem of authenticating a particular khabar (oral tradition or report, plural akhbar, ) and its binding nature, especially a report of the category known as the specialists' report (khabar al-khassa). On the first issue, this study examines the concept of knowledge based on reports (`ilm al-khabar) because it had an important influence on al-Shafi`i. This is followed by a detailed account of al-Shafi`i's own discussion of `ilm. It brings out clearly that al-Shafi`i means religious law when discussing `ilm. It also shows how knowledge of religious law can be obtained. Al-Shafi`i's approach is to restrict the argument to knowledge of specialised and debatable points, rather than what is generally accepted. He seeks to prove the indispensability in this area of specialists' knowledge of reliable documentation external to the law itself. The following chapter deals with the question of authenticating a khabar from the Prophet (a hadith), not as purely technical question but within a polemical context in which the practical difficulty of authenticating a khabar was used by those opposed to the intellectual dominance of oral tradition as a reason not to use the khabar. In the final chapter al- Shaf i's arguments with two identifiable schools of opposing thought, ahl al-kaläm and ahl al-figh, are examined in detail. The thesis as a whole gives a significant insight into the efficacy and durability of al-Shafi`i's arguments, not so much by defeating his opponents' arguments but by buttressing those of the defenders and advocates of oral tradition. http://hdl.handle.net/10023/2926 Abstract: This thesis, to the best of our knowledge, is the first attempt to apply semantics to the translation of pre-Islamic poetry. But this is a thorny path. This poetry is some of the most ambiguous, confusing, disorganized and perfunctorily investigated in the whole of Arabic literature. The Mucallaga of Imru'al-Qays, our subject of study, the crowning achievement of this poetry, is in an even worse case. The principal problem which confronts the researcher as well as the translator is the usual one of how best to bridge the cultural gulf of both time and place, to set this Mucallaga in its cultural context so as to understand its theme, and achieve the same communicative effect of the text in translation. Commentaries and lexicons are of. little help here, because their main interest is the denotation of single words of this Mucallaga rather than in its organic unity. The setting of this Mucallaga in its Semitic literary context would cast some light on its essential theme and hence open new horizons for further comprehensive research in this field. This is the task we embarked upon in Chapter 1. Confronted with fifteen main commentaries, and two English translations of this Mucallaga, we have resorted to the current semantic theories in the hope that in one of them we would find a happy solution to the problem of translating these commentaries, or at'least help in organizing them systematically. Much to our dismay, however, the bulky literature on this subject bequeathed to us a welter of controversial theories, perhaps because semantics is quite a new branch of linguistics. These contradictory theories have been presented to demonstrate the difficulty of adopting any one particular semantic theory. Nonetheless, certain structural semantic relationships have been found to be of highly significant application. This, and particularly the structural semantic-relationships as well as their employment throughout this thesis have been discussed in Chapter II. A theory of translation necessarily overlaps with a theory of semantics. Chapter II made it clear that the help we might have expected from semantics is but a pipe-dream. Instead of bemoaning, philological, linguistic and socio-linguistic approaches to the theory and practice of translation have been suggested. In Chapter III these approaches have been demonstrated and applied to the translations of (J. ) and (A. ) who, owing to the ambiguity of the text, have resorted to the commentaries - appendices of which have been attached. It has been concluded that the full translation of this Mucallaqa is almost impossible because of the myriad phonological, semantic and cultural problems. However, it has been argued that the development of a more comprehensive semantic theory upon which an eclectic theory of translation could depend, and a more profound and accurate investigation of the essential theme of this Mucallaga would get rid of a lot of the problems of research and translation. 1984-01-01T00:00:00Z Husayn, 'Ala al-Din Ahmad This thesis, to the best of our knowledge, is the first attempt to apply semantics to the translation of pre-Islamic poetry. But this is a thorny path. This poetry is some of the most ambiguous, confusing, disorganized and perfunctorily investigated in the whole of Arabic literature. The Mucallaga of Imru'al-Qays, our subject of study, the crowning achievement of this poetry, is in an even worse case. The principal problem which confronts the researcher as well as the translator is the usual one of how best to bridge the cultural gulf of both time and place, to set this Mucallaga in its cultural context so as to understand its theme, and achieve the same communicative effect of the text in translation. Commentaries and lexicons are of. little help here, because their main interest is the denotation of single words of this Mucallaga rather than in its organic unity. The setting of this Mucallaga in its Semitic literary context would cast some light on its essential theme and hence open new horizons for further comprehensive research in this field. This is the task we embarked upon in Chapter 1. Confronted with fifteen main commentaries, and two English translations of this Mucallaga, we have resorted to the current semantic theories in the hope that in one of them we would find a happy solution to the problem of translating these commentaries, or at'least help in organizing them systematically. Much to our dismay, however, the bulky literature on this subject bequeathed to us a welter of controversial theories, perhaps because semantics is quite a new branch of linguistics. These contradictory theories have been presented to demonstrate the difficulty of adopting any one particular semantic theory. Nonetheless, certain structural semantic relationships have been found to be of highly significant application. This, and particularly the structural semantic-relationships as well as their employment throughout this thesis have been discussed in Chapter II. A theory of translation necessarily overlaps with a theory of semantics. Chapter II made it clear that the help we might have expected from semantics is but a pipe-dream. Instead of bemoaning, philological, linguistic and socio-linguistic approaches to the theory and practice of translation have been suggested. In Chapter III these approaches have been demonstrated and applied to the translations of (J. ) and (A. ) who, owing to the ambiguity of the text, have resorted to the commentaries - appendices of which have been attached. It has been concluded that the full translation of this Mucallaqa is almost impossible because of the myriad phonological, semantic and cultural problems. However, it has been argued that the development of a more comprehensive semantic theory upon which an eclectic theory of translation could depend, and a more profound and accurate investigation of the essential theme of this Mucallaga would get rid of a lot of the problems of research and translation. http://hdl.handle.net/10023/2922 Abstract: The title of this thesis is "An Edition of Diwan Al Ahkam al-Kubra by `Isa b. Sahl Abi al-Asbag who died in the year 486 A. H. 1093. A. D. This work consists of two parts. The first part is the Arabic text, and the second is the English introduction. This thesis as a whole was intended to become three volumes but only the original copy is now in three volumes and the photocopies are in two volumes. The first volume ended at page number 727 and the second started with the subject of “Sura fima Tahalaf...” 11 page number 728 to the end of the Arabic text. The Arabic text contains the Arabic index of Diwan al-Ahkam al-Kubra, a few loose pages found with this book, the whole material of the master copy and all the additional pages found in copies R and A. The present Arabic text is the photocopy of a manuscript which was procured from The National Library in Algeria. It was listed under No. 1332, and it was used as a master copy of this thesis. The other nine copies have been utilised as supplementary material for the purpose of checking evidence, of comparing variants and for verification, where difficulties occurred in reading some lines or illegible words in the master copy. The English part consists of six chapters. The first chapter provides general information as an introduction to this thesis in locating the master copy, and the other copies. The second chapter provides an idea of A1-Awza’iy's doctrines in Andalusia during Abu A1-Asbag’s time, and how these doctrines appeared in Andalusia. Imam Malik's doctrines were discussed, and so was the method of how it was introduced there before the 'Isa b. Sahl's time. General ideas about Imam Malik and Abu Hanifa, their life and opinions, their schools in al-Madina and Iraq, and their different legal opinions were examined in this chapter. Also included in the chapter, is the influence of Malik's doctrines through his students, who introduced the doctrines into Andalusia. Also incorporated was the question of Egypt and her part in advancing Malik's doctrines into Andalusia, with reference to what was found in Abu al-Asbag's book, as a part of the establishment of Malik's doctrines in Andalusia and North Africa. The question of Al-Si`a’s doctrines in North Africa and Andalusia as a different school from the Sunna which began to reveal itself through the conflict between the other Sunna schools (Awza`iy, Maliki and Hanafi) was analysed. The third chapter concerned Legal organisation in Andalusia, the Powers and the Obligations of jurists. We referred in this chapter to Abu al-Asbag's words in his book and how-the legal procedures were organized during his lifetime. The duties and responsibilities of the judges in their different capacities were mentioned and evaluated in this section of the chapter, with reference to the legal cases of Abu al-Asbag's. There is a general examination of the various kinds of legal offices pertaining to the judges, such as Sahib al-Mawarit, Sahib al-Surta, and Sahib al-Madina. Mention was also made of some judges who held legal positions such as Sahib al-Bahar and Sahib al-Sika. Various forms of punishment were looked at with respect to individual crime, as issuing from the administration of legal authority. The fourth chapter deals with the author of the MS, his name, surname, place and date of birth, his teachers, qualifications for the legal profession, his journeys, his students, his later years and his death. There was the attempt to elucidate the historical evidence concerning the life and activity of the author, by employing both ancient and modern references available in and outwith Great Britain. The author's legal statements were quoted in order to give an idea about his legal practices. At the end of this chapter the conclusion was reached that Abu al-Asbag was a very well-known scholar, judge, jurist and legal adviser to the ruler. A few paragraphs were quoted showing the high esteem in which he was held. The fifth chapter of the thesis is given over to an analysis and a description of the Algerian copy (No. 1332) as a master copy. - A description of the other copies (R, A, B, D, H, F, S, The Royal Copy No. 2501, the missing copy No. 464D, and copy M) were given in full detail, with the different title of each copy. At the end of the chapter a key to the Arabic text is given. The sixth chapter deals with the classification of the legal topics covered in the author's book and their relationship to the Iraqi Laws, with consideration of the necessary legal topics. The thesis also deals with the author's legal opinions and his colleagues. It examines the author's conception of Islamic Law and Islamic Jurisprudence in Andalusia during the Muslim times. Also contained are photocopies of the first and the last pages of all MSS used in the work. 1978-01-01T00:00:00Z al-Nuaimy, Rashid Hamid The title of this thesis is "An Edition of Diwan Al Ahkam al-Kubra by `Isa b. Sahl Abi al-Asbag who died in the year 486 A. H. 1093. A. D. This work consists of two parts. The first part is the Arabic text, and the second is the English introduction. This thesis as a whole was intended to become three volumes but only the original copy is now in three volumes and the photocopies are in two volumes. The first volume ended at page number 727 and the second started with the subject of “Sura fima Tahalaf...” 11 page number 728 to the end of the Arabic text. The Arabic text contains the Arabic index of Diwan al-Ahkam al-Kubra, a few loose pages found with this book, the whole material of the master copy and all the additional pages found in copies R and A. The present Arabic text is the photocopy of a manuscript which was procured from The National Library in Algeria. It was listed under No. 1332, and it was used as a master copy of this thesis. The other nine copies have been utilised as supplementary material for the purpose of checking evidence, of comparing variants and for verification, where difficulties occurred in reading some lines or illegible words in the master copy. The English part consists of six chapters. The first chapter provides general information as an introduction to this thesis in locating the master copy, and the other copies. The second chapter provides an idea of A1-Awza’iy's doctrines in Andalusia during Abu A1-Asbag’s time, and how these doctrines appeared in Andalusia. Imam Malik's doctrines were discussed, and so was the method of how it was introduced there before the 'Isa b. Sahl's time. General ideas about Imam Malik and Abu Hanifa, their life and opinions, their schools in al-Madina and Iraq, and their different legal opinions were examined in this chapter. Also included in the chapter, is the influence of Malik's doctrines through his students, who introduced the doctrines into Andalusia. Also incorporated was the question of Egypt and her part in advancing Malik's doctrines into Andalusia, with reference to what was found in Abu al-Asbag's book, as a part of the establishment of Malik's doctrines in Andalusia and North Africa. The question of Al-Si`a’s doctrines in North Africa and Andalusia as a different school from the Sunna which began to reveal itself through the conflict between the other Sunna schools (Awza`iy, Maliki and Hanafi) was analysed. The third chapter concerned Legal organisation in Andalusia, the Powers and the Obligations of jurists. We referred in this chapter to Abu al-Asbag's words in his book and how-the legal procedures were organized during his lifetime. The duties and responsibilities of the judges in their different capacities were mentioned and evaluated in this section of the chapter, with reference to the legal cases of Abu al-Asbag's. There is a general examination of the various kinds of legal offices pertaining to the judges, such as Sahib al-Mawarit, Sahib al-Surta, and Sahib al-Madina. Mention was also made of some judges who held legal positions such as Sahib al-Bahar and Sahib al-Sika. Various forms of punishment were looked at with respect to individual crime, as issuing from the administration of legal authority. The fourth chapter deals with the author of the MS, his name, surname, place and date of birth, his teachers, qualifications for the legal profession, his journeys, his students, his later years and his death. There was the attempt to elucidate the historical evidence concerning the life and activity of the author, by employing both ancient and modern references available in and outwith Great Britain. The author's legal statements were quoted in order to give an idea about his legal practices. At the end of this chapter the conclusion was reached that Abu al-Asbag was a very well-known scholar, judge, jurist and legal adviser to the ruler. A few paragraphs were quoted showing the high esteem in which he was held. The fifth chapter of the thesis is given over to an analysis and a description of the Algerian copy (No. 1332) as a master copy. - A description of the other copies (R, A, B, D, H, F, S, The Royal Copy No. 2501, the missing copy No. 464D, and copy M) were given in full detail, with the different title of each copy. At the end of the chapter a key to the Arabic text is given. The sixth chapter deals with the classification of the legal topics covered in the author's book and their relationship to the Iraqi Laws, with consideration of the necessary legal topics. The thesis also deals with the author's legal opinions and his colleagues. It examines the author's conception of Islamic Law and Islamic Jurisprudence in Andalusia during the Muslim times. Also contained are photocopies of the first and the last pages of all MSS used in the work. http://hdl.handle.net/10023/2921 Abstract: The edition is based on nine manuscripts. The work deals with the virtues of noble Abyssinians and is based on the earlier work by ibn al-Jawzi which it partly extends. The Arabic writings on the black races are reviewed from the beginnings of the genre to works influenced by Suyuti. Attention is therefore particularly given to Suyuti's predecessors and successors from the 2nd to the 11th centuries with special reference to the relations between Suyuti's work and that of ibn al-Jawzi. The thesis is divided into two parts. The first part is the English introduction which consists of four chapters with the conclusions placed after Chapter Three. The first chapter deals with the works relevant to al-sudan and the Abyssinians. First, the two terms "al-Habashah" and "al-Sudan" are briefly discussed in an attempt to define their usage. The second chapter, which is a critical study of Kitab Raf Shan al-Hubshan, is divided into six sections, in the last section of which it will be shown how this book was more popular than ibn al-Jawzi's work' on which it was dependent. The third chapter provides biographical detail of al-Suyuti's life with some comments on the number of his works. The fourth chapter contains the description of the manuscripts and editing principles. Finally, the bibliography is provided at the end of this part. The second part consists of the list of works cited in the footnotes of the Arabic Text, the list of abbreviations used in these footnotes, the conventional signs used in the Text, the Text, and the indexes. 1983-01-01T00:00:00Z al-Khathlan, Saud H. The edition is based on nine manuscripts. The work deals with the virtues of noble Abyssinians and is based on the earlier work by ibn al-Jawzi which it partly extends. The Arabic writings on the black races are reviewed from the beginnings of the genre to works influenced by Suyuti. Attention is therefore particularly given to Suyuti's predecessors and successors from the 2nd to the 11th centuries with special reference to the relations between Suyuti's work and that of ibn al-Jawzi. The thesis is divided into two parts. The first part is the English introduction which consists of four chapters with the conclusions placed after Chapter Three. The first chapter deals with the works relevant to al-sudan and the Abyssinians. First, the two terms "al-Habashah" and "al-Sudan" are briefly discussed in an attempt to define their usage. The second chapter, which is a critical study of Kitab Raf Shan al-Hubshan, is divided into six sections, in the last section of which it will be shown how this book was more popular than ibn al-Jawzi's work' on which it was dependent. The third chapter provides biographical detail of al-Suyuti's life with some comments on the number of his works. The fourth chapter contains the description of the manuscripts and editing principles. Finally, the bibliography is provided at the end of this part. The second part consists of the list of works cited in the footnotes of the Arabic Text, the list of abbreviations used in these footnotes, the conventional signs used in the Text, the Text, and the indexes. http://hdl.handle.net/10023/2920 Abstract: The present work is mainly concerned with the syntactic structures of the predicative-based syntagms in I4amali Arabic. The constituents within these syntagms are further analysed until the relations between pleremes (i. E. the minimal syntactic entities) are arrived at. It also offers description of similar structures in English, and brief comparisons between the structures of the two languages in question. Linguistic description has been defined as "the application of a particular linguistic theory to a selected field of linguistic phenomena". (Mulder 1975). The theory applied in this work, to both English and Kamali Arabic, is Mulder$s axiomatic functionalist approach to syntax. This thesis falls into four parts. The first part is divided into two chapters the first of which offers a brief introduction to the basic principles of axiomatic functionalism, and to the relations between linguistic theory, linguistic descriptions and the speech phenomena; and the second provides explanations to the essential notions in syntax. The second part, dealing with syntactic relations in Kamali Arabic, comprises three chapters. Chapter I is concerned with the verbal, and non-verbal, predicative-based syntagms, chapter II with the functional syntagms, and chapter III with the nominal syntagms. The third part, dealing with syntactic relations in English, comprises four chapters. Chapter I deals with the verbal predicative-based syntagms, chapter II With the copulative predicative, III with functionals, and IV with nominals. The fourth part, offering comparisons between English and Kamali Arabic, is divided into three chapters. Chapter I offers comparisons between the predicative-based syntagms, and between their constituents. Chapter II between functionals, and III between nominals. 1980-01-01T00:00:00Z Hadj-Mohamed, Suliman A. K. The present work is mainly concerned with the syntactic structures of the predicative-based syntagms in I4amali Arabic. The constituents within these syntagms are further analysed until the relations between pleremes (i. E. the minimal syntactic entities) are arrived at. It also offers description of similar structures in English, and brief comparisons between the structures of the two languages in question. Linguistic description has been defined as "the application of a particular linguistic theory to a selected field of linguistic phenomena". (Mulder 1975). The theory applied in this work, to both English and Kamali Arabic, is Mulder$s axiomatic functionalist approach to syntax. This thesis falls into four parts. The first part is divided into two chapters the first of which offers a brief introduction to the basic principles of axiomatic functionalism, and to the relations between linguistic theory, linguistic descriptions and the speech phenomena; and the second provides explanations to the essential notions in syntax. The second part, dealing with syntactic relations in Kamali Arabic, comprises three chapters. Chapter I is concerned with the verbal, and non-verbal, predicative-based syntagms, chapter II with the functional syntagms, and chapter III with the nominal syntagms. The third part, dealing with syntactic relations in English, comprises four chapters. Chapter I deals with the verbal predicative-based syntagms, chapter II With the copulative predicative, III with functionals, and IV with nominals. The fourth part, offering comparisons between English and Kamali Arabic, is divided into three chapters. Chapter I offers comparisons between the predicative-based syntagms, and between their constituents. Chapter II between functionals, and III between nominals. http://hdl.handle.net/10023/2919 Abstract: This thesis examines a crucial area in the translation of poetic discourse, the translatability of modern Arabic metaphor into English. Two main questions are addressed. Firstly, what makes a particular metaphor easy to translate? Secondly, what makes another metaphor difficult or even impossible to translate? The thesis consists of two parts, theory and data analysis. The first part, theory, contains five chapters. In chapter 1 general theories of metaphor are discussed; interaction, imagination and experientialist theory. In chapter 2 poetic metaphor is examined; its interpretation, its aesthetic values, the part played by the imagination in processing metaphor, the importance of cultural knowledge and the problems of translation. In chapter 3 the metonymymetaphor relationship is assessed, and in chapter 4 the notion of dead metaphor is examined. In chapter 5, light is shed on the use of poetic metaphor in the Arab media and in particular on its use as an effective device to persuade the audience to accept the current peace discourse in the Middle East. Part 2, data analysis, also consists of five chapters of which chapter 6 is the introduction to the data analysis, and links the two parts of the thesis together. Chapters 7 to 10 concern the translation of metaphor in particular categories of poetry: in chapter 7 the emphasis is on autobiographical poetry (Ghäzi al-Ghusaybi : "In the Grip of My Fifties" and "Making Me a Grandfather"). In chapter 8 the focus is on the poetry of exile (Fadwä Tüqän: "Ruqayya" and "The Call of the Land"). In chapter 9 nationalist poetry is discusses (Fadwä Tüqan: "My Sad City" and "Hamza"), while in chapter 10 socio-political poetry is considered (Salah `Abd al-Sabür : "Sadness"). The findings of this research may be summarised as follows: the translation of Arabic poetic metaphor into English requires most importantly the recreation of a similar cultural experience in the TL. The data analysis shows that, in certain cases, it is easy to restructure the ST metaphoric experience with the same experience in the TL. On numerous occasions, however, the SL metaphoric experience has to be rendered by a different metaphor exhibiting a similar, or parallel, experience. Lastly, the data also demonstrate to the reader how, in certain contexts, the ST metaphor is untranslatable, simply because the host language cannot express satisfactorily the ST thought in the same or a similar way. 1997-01-01T00:00:00Z Obeidat, Hisham T. B. This thesis examines a crucial area in the translation of poetic discourse, the translatability of modern Arabic metaphor into English. Two main questions are addressed. Firstly, what makes a particular metaphor easy to translate? Secondly, what makes another metaphor difficult or even impossible to translate? The thesis consists of two parts, theory and data analysis. The first part, theory, contains five chapters. In chapter 1 general theories of metaphor are discussed; interaction, imagination and experientialist theory. In chapter 2 poetic metaphor is examined; its interpretation, its aesthetic values, the part played by the imagination in processing metaphor, the importance of cultural knowledge and the problems of translation. In chapter 3 the metonymymetaphor relationship is assessed, and in chapter 4 the notion of dead metaphor is examined. In chapter 5, light is shed on the use of poetic metaphor in the Arab media and in particular on its use as an effective device to persuade the audience to accept the current peace discourse in the Middle East. Part 2, data analysis, also consists of five chapters of which chapter 6 is the introduction to the data analysis, and links the two parts of the thesis together. Chapters 7 to 10 concern the translation of metaphor in particular categories of poetry: in chapter 7 the emphasis is on autobiographical poetry (Ghäzi al-Ghusaybi : "In the Grip of My Fifties" and "Making Me a Grandfather"). In chapter 8 the focus is on the poetry of exile (Fadwä Tüqän: "Ruqayya" and "The Call of the Land"). In chapter 9 nationalist poetry is discusses (Fadwä Tüqan: "My Sad City" and "Hamza"), while in chapter 10 socio-political poetry is considered (Salah `Abd al-Sabür : "Sadness"). The findings of this research may be summarised as follows: the translation of Arabic poetic metaphor into English requires most importantly the recreation of a similar cultural experience in the TL. The data analysis shows that, in certain cases, it is easy to restructure the ST metaphoric experience with the same experience in the TL. On numerous occasions, however, the SL metaphoric experience has to be rendered by a different metaphor exhibiting a similar, or parallel, experience. Lastly, the data also demonstrate to the reader how, in certain contexts, the ST metaphor is untranslatable, simply because the host language cannot express satisfactorily the ST thought in the same or a similar way. http://hdl.handle.net/10023/2903 Abstract: This thesis consists of two parts. The first part deals with an introduction which is divided into five chapters, Chapter one provides, general information on the MS, the copyist and the orthography. The date and purpose of composition of the work is also discussed, and the critical apparatus explained. Chapter two concerns the authorship and outlines briefly the author's career. The discussion involves the author's name, family, education, his teachers, his pupils and his other works. The date of his death is also ascertained. Chapter three deals with the place of the Ru'uss al-Masa’il type in literature, and consists of a review of works of similar title. Confirmation of the authorship of the present work, and comparison of this work with other similar works results in showing its significance and in illustrating the attitude of the author on matters dealt with on Fiqh. A historical survey of the development of Ikhtilaf literature and the beginnings of the science of al-Khilafiyyat have been discussed in chapter four. Finally, chapter five deals with the classical theory of Usul and its application in the Ikhtilaf literature which is followed by a brief conclusion. The second part presents the Text. This contains 407 rulings under 62 titles and sub-titles which deal with different subjects ranging from ritual, family law and penal law to the rulings on food and drink. The separate notes have been provided in order to show the development of the Shafi’ite doctrines. An appendix is also provided aiming to illustrate the development of Zamakhshari's ideas on Fiqh. 1977-01-01T00:00:00Z Muhammad, Abdul Halim bin This thesis consists of two parts. The first part deals with an introduction which is divided into five chapters, Chapter one provides, general information on the MS, the copyist and the orthography. The date and purpose of composition of the work is also discussed, and the critical apparatus explained. Chapter two concerns the authorship and outlines briefly the author's career. The discussion involves the author's name, family, education, his teachers, his pupils and his other works. The date of his death is also ascertained. Chapter three deals with the place of the Ru'uss al-Masa’il type in literature, and consists of a review of works of similar title. Confirmation of the authorship of the present work, and comparison of this work with other similar works results in showing its significance and in illustrating the attitude of the author on matters dealt with on Fiqh. A historical survey of the development of Ikhtilaf literature and the beginnings of the science of al-Khilafiyyat have been discussed in chapter four. Finally, chapter five deals with the classical theory of Usul and its application in the Ikhtilaf literature which is followed by a brief conclusion. The second part presents the Text. This contains 407 rulings under 62 titles and sub-titles which deal with different subjects ranging from ritual, family law and penal law to the rulings on food and drink. The separate notes have been provided in order to show the development of the Shafi’ite doctrines. An appendix is also provided aiming to illustrate the development of Zamakhshari's ideas on Fiqh. http://hdl.handle.net/10023/2900 1972-01-01T00:00:00Z Urainan, Hamad Mohammed http://hdl.handle.net/10023/2899 Abstract: This thesis sets out to describe sign systems for communication using Axiomatic Functionalism as its theoretical framework. In doing so, the thesis also provides an important test to the claim of Axiomatic Functionalism that by using its premisses the semiotician (or linguist) has all the necessary "tools" s/he needs for the analysis and description (the one implies the other) of any semiotic system for communication (including Language). Using Axiomatic Functionalism the author attempts to describe a number of graphic semiotic systems for communication. He finds that for an adequate description of the signa (a generic term which includes various types of signs and symbols) in these systems further theoretical notions and definitions are needed. Discussing these the author concludes that for Axiomatic Functionalism to maintain its claim of universal applicability to any sign system for communication it needs to incorporate in its premisses the notions and definitions proposed here. The thesis begins by a brief general introduction to semiotics. This is followed by a discussion of what constitutes scientific theories in relation to semiotics (including linguistics). The relevant aspects of Axiomatic Functionalism are then discussed, after which certain original theoretical notions are introduced. These include: “mnemonic economy" (with its many manifestations including "mnemonic/pictorial motivation"), the "general organising principle" ("systemic principle"), "principle of coinage" (a mechanism for generating signa), and "signum-family”. Having established the necessary theoretical background, the author proceeds to describe various graphic “signum-systems" discussing their important features and establishing the types of signum they consist of and, consequently, the types of system they are, their complexity and the "plerology” (grammar) of each system, where present. The systems discussed include various systems used in books on plants; a system used in a book on "lace knitting"; a system used in working models; a system used in providing information about paintings in the "Classics of World Art" series of books; and a system used in the "Automobile Association" handbooks. Further Axiomatic Functionalist theoretical notions, directly relevant to the systems described thereafter, are then introduced. This is followed by a description of three systems: two computer "languages", the "Hexadecimal notation" and the "binary code", and the "Library of Congress classification system". A final brief "Epilogue" concludes the thesis. 1986-01-01T00:00:00Z Toumajian, Trak-Sarkis This thesis sets out to describe sign systems for communication using Axiomatic Functionalism as its theoretical framework. In doing so, the thesis also provides an important test to the claim of Axiomatic Functionalism that by using its premisses the semiotician (or linguist) has all the necessary "tools" s/he needs for the analysis and description (the one implies the other) of any semiotic system for communication (including Language). Using Axiomatic Functionalism the author attempts to describe a number of graphic semiotic systems for communication. He finds that for an adequate description of the signa (a generic term which includes various types of signs and symbols) in these systems further theoretical notions and definitions are needed. Discussing these the author concludes that for Axiomatic Functionalism to maintain its claim of universal applicability to any sign system for communication it needs to incorporate in its premisses the notions and definitions proposed here. The thesis begins by a brief general introduction to semiotics. This is followed by a discussion of what constitutes scientific theories in relation to semiotics (including linguistics). The relevant aspects of Axiomatic Functionalism are then discussed, after which certain original theoretical notions are introduced. These include: “mnemonic economy" (with its many manifestations including "mnemonic/pictorial motivation"), the "general organising principle" ("systemic principle"), "principle of coinage" (a mechanism for generating signa), and "signum-family”. Having established the necessary theoretical background, the author proceeds to describe various graphic “signum-systems" discussing their important features and establishing the types of signum they consist of and, consequently, the types of system they are, their complexity and the "plerology” (grammar) of each system, where present. The systems discussed include various systems used in books on plants; a system used in a book on "lace knitting"; a system used in working models; a system used in providing information about paintings in the "Classics of World Art" series of books; and a system used in the "Automobile Association" handbooks. Further Axiomatic Functionalist theoretical notions, directly relevant to the systems described thereafter, are then introduced. This is followed by a description of three systems: two computer "languages", the "Hexadecimal notation" and the "binary code", and the "Library of Congress classification system". A final brief "Epilogue" concludes the thesis. http://hdl.handle.net/10023/2896 Abstract: The Thesis presents a critical edition of the first volume of Khayr al-Din ibn Taj al-Din Ilyas al-Madani’s al-Maqalat al-Jawhariyya `ala al-Maqamat al-Haririyya, accompanied by an introduction dealing briefly with the Maqamat as a literary genre, the commentaries on the Maqamat, the description of various manuscripts of al-Maqalat and the authorship of the work. The text itself consists of, a preface, the commentary on Hariri's preface, followed by the commentary on the first twenty-five Maqamat of unequal length. Volume two of al-Maqalat consists of the commentary on the remaining twenty-five Maqamat. This has been found too long to include in this work. It is hoped, however, that it will be possible to edit this volume separately in the future. This work, al-Maqalat, was brought to my notice by the book Makamat by Theodore Preston,* Professor of Arabic at Cambridge University, who in his preface mentions al-Maqalat and describes it as "an excellent running commentary on the Makamat." The two volumes of the work are contained in the Burchardt collection of the Cambridge University Library, and "it is a very lucid and valuable work and well deserves to be edited. " My first task in the attempt to edit al-Maqalat, then, was a search, extending from Cambridge to Cairo, Alexandria and Patna, for the manuscripts of that and other books of commentary on the Maqamat, most of which are still in manuscript form. * Published in London, 1850. 1975-01-01T00:00:00Z Ibrahim, Ismail bin Haji The Thesis presents a critical edition of the first volume of Khayr al-Din ibn Taj al-Din Ilyas al-Madani’s al-Maqalat al-Jawhariyya `ala al-Maqamat al-Haririyya, accompanied by an introduction dealing briefly with the Maqamat as a literary genre, the commentaries on the Maqamat, the description of various manuscripts of al-Maqalat and the authorship of the work. The text itself consists of, a preface, the commentary on Hariri's preface, followed by the commentary on the first twenty-five Maqamat of unequal length. Volume two of al-Maqalat consists of the commentary on the remaining twenty-five Maqamat. This has been found too long to include in this work. It is hoped, however, that it will be possible to edit this volume separately in the future. This work, al-Maqalat, was brought to my notice by the book Makamat by Theodore Preston,* Professor of Arabic at Cambridge University, who in his preface mentions al-Maqalat and describes it as "an excellent running commentary on the Makamat." The two volumes of the work are contained in the Burchardt collection of the Cambridge University Library, and "it is a very lucid and valuable work and well deserves to be edited. " My first task in the attempt to edit al-Maqalat, then, was a search, extending from Cambridge to Cairo, Alexandria and Patna, for the manuscripts of that and other books of commentary on the Maqamat, most of which are still in manuscript form. * Published in London, 1850. http://hdl.handle.net/10023/2889 1969-01-01T00:00:00Z Zaini, Mahmud Hasan http://hdl.handle.net/10023/2885 Abstract: This thesis presents a critical edition of a medieval Arabic text, which is widely known under the insufficiently attested title "al-Ta'rikh al-Muzaffari'.. It is ascribed to a celebrated historian and scholar of the first half of the 7th/13th century, Shihab al-Din abu Ishaq Ibrahim b. abi al-Dam al-Hamawi al-Shafi'i (583/1187-642/1244), 40 a native and Qadi (judge) of Hamah. The thesis consists of two parts, the introductory study and then the text. The introductory study facilitates the understanding of the problems the text raises and clarifies the more important issues surrounding it. The first chapter is intended to serve as a historical background. A brief account, therefore, of the Ayyubid empire, together with a brief history of Hamah, Ibn abi al-Dam's native town, is presented to shed light on the author's time. The second chapter of the introduction is devoted to examining the author's life. The sources concerning this part of the study are few. Some of the author's own works are still missing, others are at present inaccessible. From the obtainable works either printed or in MSS, a reconstruction of the author's life and times has been made. Sections I and 2 of the third and final chapter of the introductory study discuss the reliability of the ascription of the work to Ibn abTal-Dam and the controversial question of whether the title is original, and if it is not, what other title it could have had. The rest of this chapter has been devoted to Investigating and examining the MSS. in which the text has been preserved and transcribed ever since the original was composed. In the absence of the original, I have chosen the oldest and in my opinion, the most complete of the only five surviving copies so far identified and located. This copy, which is referred to in this thesis by the abbreviation Bo, was written in (695/1295) by a native of Hamah, 53 years after the death of the author. All the other four are almost definitely of a more recent date. The second part of this thesis is the text, edited on the basis of the oldest MS. which is preserved in the Bodleian Library at Oxford. The text has been transcribed retaining the conventions, orthographic and grammatical of the copyist wherever possible. Additions and modifications have been avoided unless in their absence the sense of the passage is obscured to the point of incomprehensibility. In these cases other copies, A. of Alexandria Municipal Library, E. of Edinburgh University Library, and Rand P2. of Bankipore Public Library were consulted and all differenced between these MSS. , however minor, are shown and detailed in the footnotes. The text, then is supplemented by indices of towns, places, tribes, sects and nations, which are followed by a bibliography and maps. 1984-01-01T00:00:00Z Al-Jomard, Jazeel Abdul Jabbar This thesis presents a critical edition of a medieval Arabic text, which is widely known under the insufficiently attested title "al-Ta'rikh al-Muzaffari'.. It is ascribed to a celebrated historian and scholar of the first half of the 7th/13th century, Shihab al-Din abu Ishaq Ibrahim b. abi al-Dam al-Hamawi al-Shafi'i (583/1187-642/1244), 40 a native and Qadi (judge) of Hamah. The thesis consists of two parts, the introductory study and then the text. The introductory study facilitates the understanding of the problems the text raises and clarifies the more important issues surrounding it. The first chapter is intended to serve as a historical background. A brief account, therefore, of the Ayyubid empire, together with a brief history of Hamah, Ibn abi al-Dam's native town, is presented to shed light on the author's time. The second chapter of the introduction is devoted to examining the author's life. The sources concerning this part of the study are few. Some of the author's own works are still missing, others are at present inaccessible. From the obtainable works either printed or in MSS, a reconstruction of the author's life and times has been made. Sections I and 2 of the third and final chapter of the introductory study discuss the reliability of the ascription of the work to Ibn abTal-Dam and the controversial question of whether the title is original, and if it is not, what other title it could have had. The rest of this chapter has been devoted to Investigating and examining the MSS. in which the text has been preserved and transcribed ever since the original was composed. In the absence of the original, I have chosen the oldest and in my opinion, the most complete of the only five surviving copies so far identified and located. This copy, which is referred to in this thesis by the abbreviation Bo, was written in (695/1295) by a native of Hamah, 53 years after the death of the author. All the other four are almost definitely of a more recent date. The second part of this thesis is the text, edited on the basis of the oldest MS. which is preserved in the Bodleian Library at Oxford. The text has been transcribed retaining the conventions, orthographic and grammatical of the copyist wherever possible. Additions and modifications have been avoided unless in their absence the sense of the passage is obscured to the point of incomprehensibility. In these cases other copies, A. of Alexandria Municipal Library, E. of Edinburgh University Library, and Rand P2. of Bankipore Public Library were consulted and all differenced between these MSS. , however minor, are shown and detailed in the footnotes. The text, then is supplemented by indices of towns, places, tribes, sects and nations, which are followed by a bibliography and maps. http://hdl.handle.net/10023/2877 Abstract: This thesis is presented as a contribution to the St Andrews School of Linguistics, Axiomatic Functionalism, as developed by Mulder and Hervey. It is essentially a piece of Theoretical Linguistics which outlines an approach to the hitherto undeveloped areas of Parasyntax and the Sentential Level in Axiomatic Functionalism. The theoretical arguments are supported by descriptive hypotheses concerning the nature of Spoken English. These descriptions are corpus-based. The conclusion reached by the author is that not only are Parasyntax and the Sentential Level distinct in theory (this is axiomatic), but they are also distinct in their application as regards methodology and description. This conclusion will undoubtedly prove to be controversial in the light of recent developments in Axiomatic Functionalism concerning the Postulates in particular (of which the author was at the time of writing unaware), and in the light of other Functionalist approaches to the nature of intonation and sentences. It is anticipated that this thesis will be of value to those interested in Functionalism as well as those concerned with intonation and the levels of language beyond syntax. 1985-01-01T00:00:00Z Gardner, Sheena F. This thesis is presented as a contribution to the St Andrews School of Linguistics, Axiomatic Functionalism, as developed by Mulder and Hervey. It is essentially a piece of Theoretical Linguistics which outlines an approach to the hitherto undeveloped areas of Parasyntax and the Sentential Level in Axiomatic Functionalism. The theoretical arguments are supported by descriptive hypotheses concerning the nature of Spoken English. These descriptions are corpus-based. The conclusion reached by the author is that not only are Parasyntax and the Sentential Level distinct in theory (this is axiomatic), but they are also distinct in their application as regards methodology and description. This conclusion will undoubtedly prove to be controversial in the light of recent developments in Axiomatic Functionalism concerning the Postulates in particular (of which the author was at the time of writing unaware), and in the light of other Functionalist approaches to the nature of intonation and sentences. It is anticipated that this thesis will be of value to those interested in Functionalism as well as those concerned with intonation and the levels of language beyond syntax. http://hdl.handle.net/10023/2831 Abstract: The thesis examines the use of traditional literacy promulgated by the Koranic schools among the Berti in the Northern Darfur Province of the Republic of the Sudan. This literacy is restricted both in the scope of its use as well as in its social distribution, which remains limited to religious specialists - fakis. Instead of leading to a change in the traditional mode of thought, Berti literacy contributes considerably to maintaining the homeostatic tendency supposedly characteristic of oral societies. Literacy plays an important role in the Berti religious life. The words of God contained in the Koran and other books widely used by the fakis are considered to be sacred, and an important aspect of Berti religion is their internalisation in the form of memorisation, drinking of erasure and the retaining of amulets (hijbat). The repetition of sacred words is used as a means of invoking God in communal rituals and the rites of passage. Literacy underlies book divination practised by the fakis and its literate origin is the ultimate sanction of sand divination which is primarily practised by the illiterate Berti. In their use of the sacred words in healing, divination, communal rituals, rites of passage and the preparation of amulets and erasure, Berti fakis impose their own meaning on the Koranic text which differs considerably from its theological meaning. The thesis includes translation and analysis of over 50 original texts pertaining to erasure writing, amulets, book divination and communal rituals. Photocopies of 25 original amulets are presented in the thesis and the majority of them are translated and commented upon. 1984-01-01T00:00:00Z Osman Eltom, Abdullahi The thesis examines the use of traditional literacy promulgated by the Koranic schools among the Berti in the Northern Darfur Province of the Republic of the Sudan. This literacy is restricted both in the scope of its use as well as in its social distribution, which remains limited to religious specialists - fakis. Instead of leading to a change in the traditional mode of thought, Berti literacy contributes considerably to maintaining the homeostatic tendency supposedly characteristic of oral societies. Literacy plays an important role in the Berti religious life. The words of God contained in the Koran and other books widely used by the fakis are considered to be sacred, and an important aspect of Berti religion is their internalisation in the form of memorisation, drinking of erasure and the retaining of amulets (hijbat). The repetition of sacred words is used as a means of invoking God in communal rituals and the rites of passage. Literacy underlies book divination practised by the fakis and its literate origin is the ultimate sanction of sand divination which is primarily practised by the illiterate Berti. In their use of the sacred words in healing, divination, communal rituals, rites of passage and the preparation of amulets and erasure, Berti fakis impose their own meaning on the Koranic text which differs considerably from its theological meaning. The thesis includes translation and analysis of over 50 original texts pertaining to erasure writing, amulets, book divination and communal rituals. Photocopies of 25 original amulets are presented in the thesis and the majority of them are translated and commented upon. http://hdl.handle.net/10023/2770 Abstract: Two transmissions of the Qur'an can be found in printed copies today. One stems from Kufa and the other from Medina. They are more commonly called by the names of their respective second-century transmitters, Hafs and 'Wars. This thesis examines the relationship between these two transmissions, as exemplified in the first five suras. The Hafs transmission is found in printed Qur'an copies from all but West and North-West Africa, which employ the War transmission. The Hafs transmission is therefore the transmission found in the vast majority of printed copies of the Qur'an, and printed copies of the 'Wars transmission are rare in comparison. There is no doubt that copies according to other transmissions have existed as well, but none has apparently been printed. The Basrans al—Xalil and Sibawayhi, for instance, had texts that differed in places from both the Hafs and 'Wars transmissions. And the existence of manuscripts according to the Basran reading-system of abu 'Amr by way of al—Duri has been testified in the Sudan this century. The Qur'an according to this last transmission has in fact been printed at the head and side of the pages of editions of al—Zamaxari's commentary a1—Kaf, but these are not considered by Muslims as Qur'an copies proper. They are type-set and have occasional misprints, and at times do not tally with data on the reading-system of abu 'Amr given in works on Qur'an readings. Qur'an copies according to transmissions such as these or others might therefore still exist in manuscript, but would not readily be consultable. So it would be of use to document differences between those transmissions that actually are available in print. On a general level, this provides a step towards a critical apparatus of the Qur'an, and on a more specific one, it provides the data for this thesis. 1985-01-01T00:00:00Z Brockett, Adrian Alan Two transmissions of the Qur'an can be found in printed copies today. One stems from Kufa and the other from Medina. They are more commonly called by the names of their respective second-century transmitters, Hafs and 'Wars. This thesis examines the relationship between these two transmissions, as exemplified in the first five suras. The Hafs transmission is found in printed Qur'an copies from all but West and North-West Africa, which employ the War transmission. The Hafs transmission is therefore the transmission found in the vast majority of printed copies of the Qur'an, and printed copies of the 'Wars transmission are rare in comparison. There is no doubt that copies according to other transmissions have existed as well, but none has apparently been printed. The Basrans al—Xalil and Sibawayhi, for instance, had texts that differed in places from both the Hafs and 'Wars transmissions. And the existence of manuscripts according to the Basran reading-system of abu 'Amr by way of al—Duri has been testified in the Sudan this century. The Qur'an according to this last transmission has in fact been printed at the head and side of the pages of editions of al—Zamaxari's commentary a1—Kaf, but these are not considered by Muslims as Qur'an copies proper. They are type-set and have occasional misprints, and at times do not tally with data on the reading-system of abu 'Amr given in works on Qur'an readings. Qur'an copies according to transmissions such as these or others might therefore still exist in manuscript, but would not readily be consultable. So it would be of use to document differences between those transmissions that actually are available in print. On a general level, this provides a step towards a critical apparatus of the Qur'an, and on a more specific one, it provides the data for this thesis. http://hdl.handle.net/10023/2726 Abstract: When I decided to produce an edition of Akhbar Siffin I discovered four manuscripts dealing with the historical accounts of the Battle of Siffin. The examination of these four manuscripts showed that they are not the same work; two of them are different copies of Akhbar Siffin. They are Ambrosiana H 129 and Borlin Q. U. 2040. The other two are different copies of the work of Abu Muhammad, Ahmad b. A`tham al-Kufi entitled Waq`at Siffin. They are Ankara, 'Saib 5418 and Mingana Collection, Islam, Arab 572. The next action was to compare the material of Akhbar Siffin with the material of Ibn A`tham's Waq`at Siffin. I concluded that Akhbar Siffin had more original material than Ibn A`tham's Waq`at Siffin and accordingly I decided to edit it. A study of the Ambrosiana Manuscript and the Berlin Manuscript of Akhbar Siffin indicated that the edition would best be based upon the Ambrosiana Manuscript because it has the fuller text and fewer mistakes and gaps than the Berlin Manuscript. The name of the author of Akhbar Siffin does not appear in either of the two manuscripts, and there is no assistance from any other source which may help in identifying him. The introduction of this edition consists of two parts; a bibliographical survey of the, works on the Battle of Siffin and analytical description of the material and the manusoripts of Akhbar Siffin. 1974-01-01T00:00:00Z Helabi, Abdul-Aziz Saleh When I decided to produce an edition of Akhbar Siffin I discovered four manuscripts dealing with the historical accounts of the Battle of Siffin. The examination of these four manuscripts showed that they are not the same work; two of them are different copies of Akhbar Siffin. They are Ambrosiana H 129 and Borlin Q. U. 2040. The other two are different copies of the work of Abu Muhammad, Ahmad b. A`tham al-Kufi entitled Waq`at Siffin. They are Ankara, 'Saib 5418 and Mingana Collection, Islam, Arab 572. The next action was to compare the material of Akhbar Siffin with the material of Ibn A`tham's Waq`at Siffin. I concluded that Akhbar Siffin had more original material than Ibn A`tham's Waq`at Siffin and accordingly I decided to edit it. A study of the Ambrosiana Manuscript and the Berlin Manuscript of Akhbar Siffin indicated that the edition would best be based upon the Ambrosiana Manuscript because it has the fuller text and fewer mistakes and gaps than the Berlin Manuscript. The name of the author of Akhbar Siffin does not appear in either of the two manuscripts, and there is no assistance from any other source which may help in identifying him. The introduction of this edition consists of two parts; a bibliographical survey of the, works on the Battle of Siffin and analytical description of the material and the manusoripts of Akhbar Siffin. http://hdl.handle.net/10023/2717 1953-01-01T00:00:00Z Alder, Catherine http://hdl.handle.net/10023/2716 1981-01-01T00:00:00Z Munla, Muhammad Salim http://hdl.handle.net/10023/2713 Abstract: This thesis deals with Shafi’i's theories on the role in usul al-fiqh of the Qur’an and the hadith. By detailed reference to Shifi’i’s writings, it becomes clear that his chief concern was with the role of the sunna of the Prophet, Islamic scholars in previous generations had referred to a number of sources in defence of regional attitudes. Their failure to produce a theory of sources enabled Shaf’i to charge them with inconsistency. Certain scholars of his own generation were apparently alleging the sufficiency of the Qur’an source. Inter-school squabbles involving the first group of scholars represented in Shafi’i’s view as great a threat to the overriding importance which the party known as ahl al-hadith desired to secure for the hadith of the Prophet as did the more direct assault of the second group's insistence upon the primary significance of the Qur’an source. An attempt is made to show that Shaf’i’s source theories were constructed in response to the arguments of both groups and were directed to the creation of a unifying principle which would solve the problem of ikhtilaf al-muslimin while simultaneously guaranteeing minimum disruption for the fiqh conclusions which Shafi’i’ had espoused. Since he proposed to document these conclusions on the basis of the sunna, Shafi’i’s theories were designed to place the sunna beyond further scholarly attack. The study consists of nine chapters. Chapter one examines Shafi’ i's intellectual life, his acquaintance with scholars from different regions and of different schools. Chapter two deals with the materials employed by his predecessors to document their legal doctrines, and Shafi’i’s handling of these materials in his efforts to systematize the sunni fiqh. Chapters three, four and five deal with his endeavour to establish the overriding importance for the sunni fiqh, of the sunna embodied in the hadith of the Prophet. Chapter nine discusses his views on the isnad. Chapters six and seven examine his endeavour to establish a necessary connection between the Qur’an and the sunna, and the resultant subjection of the qur’an to the sunna by means of the Shafi’i theory of bayan and exclusion (takhsis). Chapter eight deals with his views on qiyas, the only form of legal reasoning of which he approved, and the resultant curtailing of independent legal reasoning and, thereby, of the development of the fiqh. 1976-01-01T00:00:00Z Othman, Abdul Hamid bin Haji This thesis deals with Shafi’i's theories on the role in usul al-fiqh of the Qur’an and the hadith. By detailed reference to Shifi’i’s writings, it becomes clear that his chief concern was with the role of the sunna of the Prophet, Islamic scholars in previous generations had referred to a number of sources in defence of regional attitudes. Their failure to produce a theory of sources enabled Shaf’i to charge them with inconsistency. Certain scholars of his own generation were apparently alleging the sufficiency of the Qur’an source. Inter-school squabbles involving the first group of scholars represented in Shafi’i’s view as great a threat to the overriding importance which the party known as ahl al-hadith desired to secure for the hadith of the Prophet as did the more direct assault of the second group's insistence upon the primary significance of the Qur’an source. An attempt is made to show that Shaf’i’s source theories were constructed in response to the arguments of both groups and were directed to the creation of a unifying principle which would solve the problem of ikhtilaf al-muslimin while simultaneously guaranteeing minimum disruption for the fiqh conclusions which Shafi’i’ had espoused. Since he proposed to document these conclusions on the basis of the sunna, Shafi’i’s theories were designed to place the sunna beyond further scholarly attack. The study consists of nine chapters. Chapter one examines Shafi’ i's intellectual life, his acquaintance with scholars from different regions and of different schools. Chapter two deals with the materials employed by his predecessors to document their legal doctrines, and Shafi’i’s handling of these materials in his efforts to systematize the sunni fiqh. Chapters three, four and five deal with his endeavour to establish the overriding importance for the sunni fiqh, of the sunna embodied in the hadith of the Prophet. Chapter nine discusses his views on the isnad. Chapters six and seven examine his endeavour to establish a necessary connection between the Qur’an and the sunna, and the resultant subjection of the qur’an to the sunna by means of the Shafi’i theory of bayan and exclusion (takhsis). Chapter eight deals with his views on qiyas, the only form of legal reasoning of which he approved, and the resultant curtailing of independent legal reasoning and, thereby, of the development of the fiqh. http://hdl.handle.net/10023/2677 1967-01-01T00:00:00Z Aziz, Yowell Yosef http://hdl.handle.net/10023/2669 1984-01-01T00:00:00Z Al-Tikriti, Tālīb A.R. http://hdl.handle.net/10023/2668 1970-01-01T00:00:00Z Abd El Aal, Nour Hoda Hasan http://hdl.handle.net/10023/2655 Abstract: This study encompasses the development of the Sibyl Chant in Spain from its early beginnings within the liturgy as a musical piece, through its growth into a dramatic ceremony associated with the Play of the Prophets, its move from Latin into the vernacular and details of its performance, to its formal abolition in the sixteenth century. The Latin Sibylline poem, Judicii siqnum, which first appears in St. Augustine's City of God and the sermon Contra Judaeos, Paganos; et Arianos, prophesies the events on Judgement Day. Its entry into the liturgy in Spain is examined in the first chapter which, drawing on hitherto undiscovered examples of the chant from the ninth century to the fifteenth, concludes that, although the text of the chant my have been known within the Hispanic rite, its music is a product of French ecclesiastical influence. With its establishment within the liturgy and subsequent dissemination across the Peninsula by the house of Cluny, it was sung in almost every cathedral city until the sixteenth century as part of the sixth or ninth lesson of Christmas Matins. The second chapter traces its development into a dramatic ceremony in the fifteenth century. A study of known texts from Catalonia, and hitherto unknown examples of the sermon with rubrics indicating dramatic activity from an early date in Castile, concludes that the Sibyl ceremony was a product of the Ordo Prophetarum. From the thirteenth century, the Latin of the chant was often superceded by the vernacular. A comparison, in the third chapter, of Catalan and Castilian versions reveals that they owe little to the Judicii siqnum, and Provengal examples which have been considered their Source, and a Catalan troubadour influence is argued. The final chapter explores the practice of the Sibyl ceremony, with details of its performance: its liturgical position, costume, staging, attendant practices and final prohibition. 1984-01-01T00:00:00Z O'Connor, Niobe This study encompasses the development of the Sibyl Chant in Spain from its early beginnings within the liturgy as a musical piece, through its growth into a dramatic ceremony associated with the Play of the Prophets, its move from Latin into the vernacular and details of its performance, to its formal abolition in the sixteenth century. The Latin Sibylline poem, Judicii siqnum, which first appears in St. Augustine's City of God and the sermon Contra Judaeos, Paganos; et Arianos, prophesies the events on Judgement Day. Its entry into the liturgy in Spain is examined in the first chapter which, drawing on hitherto undiscovered examples of the chant from the ninth century to the fifteenth, concludes that, although the text of the chant my have been known within the Hispanic rite, its music is a product of French ecclesiastical influence. With its establishment within the liturgy and subsequent dissemination across the Peninsula by the house of Cluny, it was sung in almost every cathedral city until the sixteenth century as part of the sixth or ninth lesson of Christmas Matins. The second chapter traces its development into a dramatic ceremony in the fifteenth century. A study of known texts from Catalonia, and hitherto unknown examples of the sermon with rubrics indicating dramatic activity from an early date in Castile, concludes that the Sibyl ceremony was a product of the Ordo Prophetarum. From the thirteenth century, the Latin of the chant was often superceded by the vernacular. A comparison, in the third chapter, of Catalan and Castilian versions reveals that they owe little to the Judicii siqnum, and Provengal examples which have been considered their Source, and a Catalan troubadour influence is argued. The final chapter explores the practice of the Sibyl ceremony, with details of its performance: its liturgical position, costume, staging, attendant practices and final prohibition. http://hdl.handle.net/10023/2652 Abstract: The following thesis examines the impact on the interpretation of Hebbel's personality and works of National Socialist ideology and propaganda. It comprises six chapters. The first five of these explore different areas of ideological influence and provide evidence of the nature and extent of this influence. The sixth chapter looks at the reception of Hebbel in the National Socialist theatres and at the growth and development of the Hebbel-Society between 1933 and 1945. The aim of the thesis is primarily to break down the National Socialist view of Hebbel into its constituent parts and to categorise these. An acquaintance with Hebbel's works and beliefs reveals that the National Socialist view of him is largely inaccurate and distortive. The thesis has to explain why the National Socialists developed a false view of Hebbel. And it has to point as frequently as necessary to the differences between Hebbel as he was in reality and Hebbel as the National Socialists saw him. The thesis does not present National Socialist interpretations as having totally revolutionised Hebbel-reception. In two chapters in particular, the second and the third, it will show how interpretations which were to become characteristic of National Socialist Hebbel-reception were being propagated long before 1933. Nevertheless the National Socialists standardised the picture of Hebbel as a Nordic dramatist who was committed to heroic ideals, anti-Semitic, politically conservative and anti-liberal. The ideal aim of the thesis is to "purify" Hebbel's character, works and beliefs of their association with National Socialist values. At the same time it will be shown how easily and at times almost imperceptibly a writer's views can be altered to make them consistent with those of the interpreter. 1984-01-01T00:00:00Z Niven, William John The following thesis examines the impact on the interpretation of Hebbel's personality and works of National Socialist ideology and propaganda. It comprises six chapters. The first five of these explore different areas of ideological influence and provide evidence of the nature and extent of this influence. The sixth chapter looks at the reception of Hebbel in the National Socialist theatres and at the growth and development of the Hebbel-Society between 1933 and 1945. The aim of the thesis is primarily to break down the National Socialist view of Hebbel into its constituent parts and to categorise these. An acquaintance with Hebbel's works and beliefs reveals that the National Socialist view of him is largely inaccurate and distortive. The thesis has to explain why the National Socialists developed a false view of Hebbel. And it has to point as frequently as necessary to the differences between Hebbel as he was in reality and Hebbel as the National Socialists saw him. The thesis does not present National Socialist interpretations as having totally revolutionised Hebbel-reception. In two chapters in particular, the second and the third, it will show how interpretations which were to become characteristic of National Socialist Hebbel-reception were being propagated long before 1933. Nevertheless the National Socialists standardised the picture of Hebbel as a Nordic dramatist who was committed to heroic ideals, anti-Semitic, politically conservative and anti-liberal. The ideal aim of the thesis is to "purify" Hebbel's character, works and beliefs of their association with National Socialist values. At the same time it will be shown how easily and at times almost imperceptibly a writer's views can be altered to make them consistent with those of the interpreter. http://hdl.handle.net/10023/2642 Abstract: This thesis is concerned with the description of Yulu, a language which has not previously been subjected to modern linguistic analysis. Thus this thesis has two important aspects. Firstly, however remote a Language, its description adds a valuable contribution to linguistic knowledge. Secondly, its description tests the validity of linguistic theories in general and the theory used in this work in particular; as a linguist should not only be able to describe one universal but any number of parallel universes of speech-phenomena, namely different languages or dialects or even idiolects. Since the theory has been instrumental in describing the phonological system of Yulu in a consistent and adequate manner, it has once again proved its usefulness as a 'general' linguistic theory. The theory applied is that of Professor J. W. F. Mulder and is a sub-component of his 'Axiomatic Functionalist Linguistics'. This thesis is divided into three parts. Part I, dealing with the theoretical background, comprises twelve chapters, of which the first four provide an introduction to the basic principles of axiomatic functionalism. The remaining eight chapters introduce the theoretical notions of phonological theory and analysis as practised by axiomatic functionalists. Chapter I deals with the axiomatic functionalist principle of maintaining a strict distinction between the linguistic theory, linguistic descriptions, and the speech-phenomena and also with the basic criteria for evaluating both the linguistic theory and linguistic descriptions. Chapter II, dealing with the 'hypothetico-deductive Method', explains the philosophical principles underlying the axiomatic functionalist approach, Chapter III deals with 'The origin and scope of the theory'. Chapter IV explains the definition of 'language' as "a semiotic system with a 'double articulation'" (Mulder 1968). Chapter V covers 'The domain of phonology'; Chapter VI 'The notion "phoneme" as defined in axiomatic functionalism'; Chapter VIII 'The "abstract" approach to phonology'; Chapter VIII is concerned with 'Identity and distinctive function of a phoneme'; Chapter IX with 'Phonematics'; Chapter X with 'Neutralization' and 'archiphoneme'; Chapter XI with 'phonemes and their realizations (allophony)'; and Chapter XII with 'Phonotactics’. Part II, consists of one basic chapter, and is intended to give general background information about Yulu - the language whose phonological analysis we are concerned with in this thesis. Part III, dealing with the actual phonological analysis consists of five chapters. Chapter I deals with 'The phonemes of Yulu and their realizations'; Chapter II 'Neutralization' and 'Concord'; Chapter III 'Classificatory calculus in Yulu'; Chapter IV 'Phonotactic distribution in Yulu'; and Chapter V 'The tones of Yulu'. 1976-01-01T00:00:00Z Gabjanda, James Dahab This thesis is concerned with the description of Yulu, a language which has not previously been subjected to modern linguistic analysis. Thus this thesis has two important aspects. Firstly, however remote a Language, its description adds a valuable contribution to linguistic knowledge. Secondly, its description tests the validity of linguistic theories in general and the theory used in this work in particular; as a linguist should not only be able to describe one universal but any number of parallel universes of speech-phenomena, namely different languages or dialects or even idiolects. Since the theory has been instrumental in describing the phonological system of Yulu in a consistent and adequate manner, it has once again proved its usefulness as a 'general' linguistic theory. The theory applied is that of Professor J. W. F. Mulder and is a sub-component of his 'Axiomatic Functionalist Linguistics'. This thesis is divided into three parts. Part I, dealing with the theoretical background, comprises twelve chapters, of which the first four provide an introduction to the basic principles of axiomatic functionalism. The remaining eight chapters introduce the theoretical notions of phonological theory and analysis as practised by axiomatic functionalists. Chapter I deals with the axiomatic functionalist principle of maintaining a strict distinction between the linguistic theory, linguistic descriptions, and the speech-phenomena and also with the basic criteria for evaluating both the linguistic theory and linguistic descriptions. Chapter II, dealing with the 'hypothetico-deductive Method', explains the philosophical principles underlying the axiomatic functionalist approach, Chapter III deals with 'The origin and scope of the theory'. Chapter IV explains the definition of 'language' as "a semiotic system with a 'double articulation'" (Mulder 1968). Chapter V covers 'The domain of phonology'; Chapter VI 'The notion "phoneme" as defined in axiomatic functionalism'; Chapter VIII 'The "abstract" approach to phonology'; Chapter VIII is concerned with 'Identity and distinctive function of a phoneme'; Chapter IX with 'Phonematics'; Chapter X with 'Neutralization' and 'archiphoneme'; Chapter XI with 'phonemes and their realizations (allophony)'; and Chapter XII with 'Phonotactics’. Part II, consists of one basic chapter, and is intended to give general background information about Yulu - the language whose phonological analysis we are concerned with in this thesis. Part III, dealing with the actual phonological analysis consists of five chapters. Chapter I deals with 'The phonemes of Yulu and their realizations'; Chapter II 'Neutralization' and 'Concord'; Chapter III 'Classificatory calculus in Yulu'; Chapter IV 'Phonotactic distribution in Yulu'; and Chapter V 'The tones of Yulu'. http://hdl.handle.net/10023/2639 1984-01-01T00:00:00Z Ahmad, Muhammad Mahdi http://hdl.handle.net/10023/2637 Abstract: Most linguists acknowledge, explicitly or implicitly, the relevance of epistemological questions in linguistics but relatively few have given more than a cursory, ad hoc or incomplete consideration to them. The work of one of those few, Jan Mulder, forms the starting point for much of the present discussion. Epistemological considerations arise in many contexts in linguistics and in many guises. It is an epistemological matter whenever we test the adequacy of a description or the acceptability of a theory. Epistemological considerations are latent whenever we discuss the form or the content of linguistic theories and descriptions or their interrelations. The comparison of different approaches to linguistics inevitably raises epistemological questions concerning our approach to linguistics or our presuppositions about it. These questions are of a general nature and transcend questions about particular linguistic theories and descriptions. These epistemological questions force us to consider what we take linguistics to be. In considering questions of the type mentioned we are forced, for example, to analyse what we mean by a "linguistic theory", a "linguistic description" and what phenomena we are aiming to understand. We are, furthermore, forced to analyse the constraints which a scientific attitude places upon linguistic theorising and description-building. It is these questions concerning the acceptability of linguistic theories and descriptions which we call linguistic meta-theory. This thesis falls into five main parts. Firstly, in Chapter One, we consider the nature and scope of linguistic meta-theory. Secondly, in Chapter Two, we look at a number of previous approaches to the subject. Other important contributions are discussed as they arise in the text. Thirdly, in Chapters Three and Four, we consider in detail the major meta-theoretical distinctions in linguistics and their consequences. In particular, we distinguish linguistic theories from linguistic descriptions and discuss the nature of linguistic phenomena. The view is put forward that linguistics is a scientific subject. The meaning of this assertion is analysed and the interrelations of linguistic theories, descriptions and phenomena are considered in the light of this analysis. The main epistemological requirement that is put forward and defended is that of the empiricism of linguistics. Certain changes in our view of the philosophy of science and in our view of the form of linguistic theories and descriptions follow from the conjunction of these major meta-theoretical positions. Fourthly, we consider the main meta-theoretical considerations concerning theories (Chapter Five) and reject a widespread view of linguistic theory as a non-empirical study (Chapter Six) and we consider the main meta-theoretical conditions relating to linguistic descriptions and some practical examples of description -building consonant with the general positions adopted in Chapter Seven. In Chapter Eight, we look at a concrete example of theory-building in the light of the meta-theoretical conditions of acceptability previously set up. We are especially concerned to show how a theory can meet the condition of being "applicable" or "indirectly scientific" through the establishment of acceptable empirical descriptions consonant with the meta-theoretical conditions on descriptions considered earlier. The view that linguistics is a science implies that we must be concerned with the empirical testing of descriptions and, so, the fifth part of the work is devoted to methodology. In Chapter Nine, we defend the role and necessity of methodology in linguistics and set up the logical framework of relations between the methodology and theory descriptions and phenomena. In Chapter Ten, we examine two of the known types of empirical testing and their shortcomings. Finally, in Chapter Eleven, we give an example of the successful and correct application of a methodology in order to bring out the nature of empirical testing and to demonstrate its feasibility within a scientific linguistics of the sort we imagine. 1984-01-01T00:00:00Z Rastall, P. R. Most linguists acknowledge, explicitly or implicitly, the relevance of epistemological questions in linguistics but relatively few have given more than a cursory, ad hoc or incomplete consideration to them. The work of one of those few, Jan Mulder, forms the starting point for much of the present discussion. Epistemological considerations arise in many contexts in linguistics and in many guises. It is an epistemological matter whenever we test the adequacy of a description or the acceptability of a theory. Epistemological considerations are latent whenever we discuss the form or the content of linguistic theories and descriptions or their interrelations. The comparison of different approaches to linguistics inevitably raises epistemological questions concerning our approach to linguistics or our presuppositions about it. These questions are of a general nature and transcend questions about particular linguistic theories and descriptions. These epistemological questions force us to consider what we take linguistics to be. In considering questions of the type mentioned we are forced, for example, to analyse what we mean by a "linguistic theory", a "linguistic description" and what phenomena we are aiming to understand. We are, furthermore, forced to analyse the constraints which a scientific attitude places upon linguistic theorising and description-building. It is these questions concerning the acceptability of linguistic theories and descriptions which we call linguistic meta-theory. This thesis falls into five main parts. Firstly, in Chapter One, we consider the nature and scope of linguistic meta-theory. Secondly, in Chapter Two, we look at a number of previous approaches to the subject. Other important contributions are discussed as they arise in the text. Thirdly, in Chapters Three and Four, we consider in detail the major meta-theoretical distinctions in linguistics and their consequences. In particular, we distinguish linguistic theories from linguistic descriptions and discuss the nature of linguistic phenomena. The view is put forward that linguistics is a scientific subject. The meaning of this assertion is analysed and the interrelations of linguistic theories, descriptions and phenomena are considered in the light of this analysis. The main epistemological requirement that is put forward and defended is that of the empiricism of linguistics. Certain changes in our view of the philosophy of science and in our view of the form of linguistic theories and descriptions follow from the conjunction of these major meta-theoretical positions. Fourthly, we consider the main meta-theoretical considerations concerning theories (Chapter Five) and reject a widespread view of linguistic theory as a non-empirical study (Chapter Six) and we consider the main meta-theoretical conditions relating to linguistic descriptions and some practical examples of description -building consonant with the general positions adopted in Chapter Seven. In Chapter Eight, we look at a concrete example of theory-building in the light of the meta-theoretical conditions of acceptability previously set up. We are especially concerned to show how a theory can meet the condition of being "applicable" or "indirectly scientific" through the establishment of acceptable empirical descriptions consonant with the meta-theoretical conditions on descriptions considered earlier. The view that linguistics is a science implies that we must be concerned with the empirical testing of descriptions and, so, the fifth part of the work is devoted to methodology. In Chapter Nine, we defend the role and necessity of methodology in linguistics and set up the logical framework of relations between the methodology and theory descriptions and phenomena. In Chapter Ten, we examine two of the known types of empirical testing and their shortcomings. Finally, in Chapter Eleven, we give an example of the successful and correct application of a methodology in order to bring out the nature of empirical testing and to demonstrate its feasibility within a scientific linguistics of the sort we imagine. http://hdl.handle.net/10023/2635 Abstract: In comparison with the fields of phonology, syntax, and semantics, there is a distinct lack of a comprehensive and critical study of morphological theory, particularly modern trends in this sub-branch of linguistic theory. There is also a marked lack of interest in the underlying methodological and epistemological foundations of morphological theory, though this situation also holds for the three other areas of core-linguistics mentioned above. The present thesis has a modest aim: it is to give a critical and fairly comprehensive study of five modern morphological approaches, with particular reference, whenever possible, to their underlying methodological and epistemological principles. This thesis contains six chapters and a short Introduction. The Introduction deals with the place and state of morphological studies in modern linguistic theory. It also sets out the 'reasons' behind the restriction of the scope of the thesis to the following five approaches: (1) stratificational grammar, (2) transformational generative grammar, (3) word and paradigm I (Robins), (4) word and paradigm II (Matthews), and (5) axiomatic functionalism. A brief explanation of the format of the approach adopted in studying these different trends is also given here. [Only transcribed in part due to abstract length]. 1984-01-01T00:00:00Z Suleiman, Muhammad Yasir Ibrahim Hammad In comparison with the fields of phonology, syntax, and semantics, there is a distinct lack of a comprehensive and critical study of morphological theory, particularly modern trends in this sub-branch of linguistic theory. There is also a marked lack of interest in the underlying methodological and epistemological foundations of morphological theory, though this situation also holds for the three other areas of core-linguistics mentioned above. The present thesis has a modest aim: it is to give a critical and fairly comprehensive study of five modern morphological approaches, with particular reference, whenever possible, to their underlying methodological and epistemological principles. This thesis contains six chapters and a short Introduction. The Introduction deals with the place and state of morphological studies in modern linguistic theory. It also sets out the 'reasons' behind the restriction of the scope of the thesis to the following five approaches: (1) stratificational grammar, (2) transformational generative grammar, (3) word and paradigm I (Robins), (4) word and paradigm II (Matthews), and (5) axiomatic functionalism. A brief explanation of the format of the approach adopted in studying these different trends is also given here. [Only transcribed in part due to abstract length]. http://hdl.handle.net/10023/2614 Abstract: Equatorial Guinea is the only former Spanish colony in Africa south of the Sahara. Consequently, the Spanish-language literature produced by its authors has been resistant to classification in both the fields of Hispanic and African literary studies. This thesis examines a selection of contemporary narratives written between 1994 and 2007 by the following authors: José Fernando Siale Djangany, Maximiliano Nkogo Esono, Juan Tomás Ávila Laurel and Joaquín Mbomio Bacheng. My main objective in this dissertation is to identify, explain and relate the ways in which post-independence authors express identity in their respective texts. In order to accomplish this task, this thesis posits situational interactions as the key sites for identity expression. Developed from the tenets of symbolic interactionism, the syncretic theoretical model of identity views it as telescopic. It is expected that, through the examination of the chosen texts, a contribution can be made to the understanding of the way in which each author expresses identity and can therefore feed into the larger discussion of identity in Equatorial Guinean narrative. 2012-06-21T00:00:00Z McLeod, Naomi Equatorial Guinea is the only former Spanish colony in Africa south of the Sahara. Consequently, the Spanish-language literature produced by its authors has been resistant to classification in both the fields of Hispanic and African literary studies. This thesis examines a selection of contemporary narratives written between 1994 and 2007 by the following authors: José Fernando Siale Djangany, Maximiliano Nkogo Esono, Juan Tomás Ávila Laurel and Joaquín Mbomio Bacheng. My main objective in this dissertation is to identify, explain and relate the ways in which post-independence authors express identity in their respective texts. In order to accomplish this task, this thesis posits situational interactions as the key sites for identity expression. Developed from the tenets of symbolic interactionism, the syncretic theoretical model of identity views it as telescopic. It is expected that, through the examination of the chosen texts, a contribution can be made to the understanding of the way in which each author expresses identity and can therefore feed into the larger discussion of identity in Equatorial Guinean narrative. http://hdl.handle.net/10023/2581 Abstract: Although a prolific writer of history, Sakhawi is, primarily, a traditionist. As such, accuracy both in utterance and writing would, by the very nature of his training, be his first objective. Modern writers appear to have neglected the importance of his contribution to the understanding of the history of his century. accept for a few articles, comparatively little has been written. It is, therefore, strange that such a mine of information as Sakhawi's writing presents has remained so long in oblivion. In this thesis an attempt has been made to evaluate that contribution together with an edition of part of his work. The study has been divided into three sections, the first dealing with Sakhawi’s life and times. This part of the study is based largely on his autobiography which was written but a few months before he died. During research no reference was discovered to this most informative work. The section falls into three chapters, the first of which endeavours to show the political and educational aspects of Cairo during the early part of Sakhawi's lifetime. Cairo was his native city and, as such, made great impact on his early life. In the second chapter the position of his family, his Shaykhs, the academic journeys he made, his residence in Hijaz and the last phase of his life are portrayed. The third chapter deals with his activities as an adult, his reputation as a traditionist together with a survey of his works as presented in his autobiography. In the second part, the study deals exclusively with Sakhawi as a historian of the 9th/15th century. This part also is divided into two chapters, the first of which considers the following aspects: - I Sakawi's works on the century; II His motives, methods and literary style and III His treatment of the history of the century. The second chapter collates Sakhawi's methods of selecting his information and the painstaking efforts he made to verify them, together with his historical achievements, while the last two topics endeavour to evaluate his task as a historian in that century. Section three presents the hitherto unedited part of Wajiz al-Kalam... which deals with the history of the 9th/15th century. This section also falls into the three divisions of preface, text and annotations. The last divides again into two groups one of which deals with the textual variants mentioned in the footnotes and the other attempts to deal with the interpretation of most of the idiom, colloquial expressions and the names of places and personalities mentioned in the supplement to the text. 1972-01-01T00:00:00Z Hasso, Ahmad Abdullah Although a prolific writer of history, Sakhawi is, primarily, a traditionist. As such, accuracy both in utterance and writing would, by the very nature of his training, be his first objective. Modern writers appear to have neglected the importance of his contribution to the understanding of the history of his century. accept for a few articles, comparatively little has been written. It is, therefore, strange that such a mine of information as Sakhawi's writing presents has remained so long in oblivion. In this thesis an attempt has been made to evaluate that contribution together with an edition of part of his work. The study has been divided into three sections, the first dealing with Sakhawi’s life and times. This part of the study is based largely on his autobiography which was written but a few months before he died. During research no reference was discovered to this most informative work. The section falls into three chapters, the first of which endeavours to show the political and educational aspects of Cairo during the early part of Sakhawi's lifetime. Cairo was his native city and, as such, made great impact on his early life. In the second chapter the position of his family, his Shaykhs, the academic journeys he made, his residence in Hijaz and the last phase of his life are portrayed. The third chapter deals with his activities as an adult, his reputation as a traditionist together with a survey of his works as presented in his autobiography. In the second part, the study deals exclusively with Sakhawi as a historian of the 9th/15th century. This part also is divided into two chapters, the first of which considers the following aspects: - I Sakawi's works on the century; II His motives, methods and literary style and III His treatment of the history of the century. The second chapter collates Sakhawi's methods of selecting his information and the painstaking efforts he made to verify them, together with his historical achievements, while the last two topics endeavour to evaluate his task as a historian in that century. Section three presents the hitherto unedited part of Wajiz al-Kalam... which deals with the history of the 9th/15th century. This section also falls into the three divisions of preface, text and annotations. The last divides again into two groups one of which deals with the textual variants mentioned in the footnotes and the other attempts to deal with the interpretation of most of the idiom, colloquial expressions and the names of places and personalities mentioned in the supplement to the text. http://hdl.handle.net/10023/2557 Abstract: This thesis analyses how ways of thinking about and meanings of family are (re)negotiated and (re)presented in six films that, to varying degrees, are categorised as cine social. The group of films consists of Familia (León de Aranoa, 1996), Solas (Zambrano, 1999), Flores de otro mundo (Bollaín, 1999), Poniente (Gutiérrez, 2002), Te doy mis ojos (Bollaín, 2003) and Cachorro (Albaladejo, 2004). Despite the growing body of critical work on the wide-ranging social themes they deal with, little sustained attention has been given to their representations of family. Scholars tend to mention it only in passing, or refer back to the allegorical/mediating function that family has often played in Spanish cinema. The objective of this thesis is to place the emphasis, as the films do themselves, on the family per se. Insights into family from a range of academic fields including philosophy, sociology, feminist and queer theories and cultural, race and gender studies are combined with close textual readings and a consideration of the modes of representation and address employed in the films to analyse how they function as sites of ideological struggle. The thesis begins by sketching out historically and culturally situated definitions of family and providing an overview of some of its most iconic representations in Spanish cinema. Establishing many of the aspects developed in the main body of the thesis the first chapter concentrates on Familia, which denaturalises the hegemonic family by presenting it as a self-conscious performance. The subsequent four chapters focus on family forms, roles, practices, commitment, power dynamics and domestic space. They explore how the films’ affective and informed modes of address position the spectator in relation to criticisms of the traditional family and evaluations of emerging family ideologies, finally proposing that they could usefully be viewed as a cycle of postmodern family melodramas. Description: Electronic version excludes material for which permission has not been granted by the rights holder 2010-06-24T00:00:00Z Rutherford, Jennifer R. This thesis analyses how ways of thinking about and meanings of family are (re)negotiated and (re)presented in six films that, to varying degrees, are categorised as cine social. The group of films consists of Familia (León de Aranoa, 1996), Solas (Zambrano, 1999), Flores de otro mundo (Bollaín, 1999), Poniente (Gutiérrez, 2002), Te doy mis ojos (Bollaín, 2003) and Cachorro (Albaladejo, 2004). Despite the growing body of critical work on the wide-ranging social themes they deal with, little sustained attention has been given to their representations of family. Scholars tend to mention it only in passing, or refer back to the allegorical/mediating function that family has often played in Spanish cinema. The objective of this thesis is to place the emphasis, as the films do themselves, on the family per se. Insights into family from a range of academic fields including philosophy, sociology, feminist and queer theories and cultural, race and gender studies are combined with close textual readings and a consideration of the modes of representation and address employed in the films to analyse how they function as sites of ideological struggle. The thesis begins by sketching out historically and culturally situated definitions of family and providing an overview of some of its most iconic representations in Spanish cinema. Establishing many of the aspects developed in the main body of the thesis the first chapter concentrates on Familia, which denaturalises the hegemonic family by presenting it as a self-conscious performance. The subsequent four chapters focus on family forms, roles, practices, commitment, power dynamics and domestic space. They explore how the films’ affective and informed modes of address position the spectator in relation to criticisms of the traditional family and evaluations of emerging family ideologies, finally proposing that they could usefully be viewed as a cycle of postmodern family melodramas. http://hdl.handle.net/10023/2551 Abstract: Spanish Republican philosophers in exile defended the Second Republic, legally proclaimed on April 14, 1931. They embraced the anti-fascist cause rising in the 1920s and the 1930s in Europe. During the Civil War, which lasted three years, they stood among the people. 1939 saw the victory of General Francisco Franco, supported by Nazi Germany and the Italy of Mussolini. Threatened with death, they had no choice but to escape from Spain. Some intellectuals experienced French concentration camps but, for the most part, they found refuge in Latin America, especially in Mexico and Venezuela. In exile, they swore to remain loyal to the Second Republic and to the spirit of the Spanish people. Moved by liberal views and humane ideals, these philosophers belonged to the vanquished, as those everywhere in Europe who rose against Fascist barbarity. As a result, their respective works are still widely unknown today – despite relentless efforts made to promote their thought to a larger audience for over half a century. In addition to the historical context of crisis during the interwar period, the situation of Spanish philosophy itself is suggestive. Indeed, Spanish philosophy was institutionalised at the beginning of the twentieth century only: the Schools of Madrid and Barcelona were created. These politics of cultural and intellectual renovation are first bestowed upon the generation of philosophers I study, born in the 1900s. When the Spanish War erupts, they had become professionals of international recognition. This shows the actual limits of academic philosophy, incapable of acknowledging unorthodox ways of philosophising. The experience of exile itself serves in my opinion as a catalyst: Spanish Republican philosophers in exile seek emancipation from academic conventions to philosophise freely; that is, in Spanish and according to the spirit of the people. No doubt “poetic reason” – the true invention of Spanish Republican exile – stems from this ideal of autonomous thinking. 2012-06-01T00:00:00Z Foehn, Salomé Spanish Republican philosophers in exile defended the Second Republic, legally proclaimed on April 14, 1931. They embraced the anti-fascist cause rising in the 1920s and the 1930s in Europe. During the Civil War, which lasted three years, they stood among the people. 1939 saw the victory of General Francisco Franco, supported by Nazi Germany and the Italy of Mussolini. Threatened with death, they had no choice but to escape from Spain. Some intellectuals experienced French concentration camps but, for the most part, they found refuge in Latin America, especially in Mexico and Venezuela. In exile, they swore to remain loyal to the Second Republic and to the spirit of the Spanish people. Moved by liberal views and humane ideals, these philosophers belonged to the vanquished, as those everywhere in Europe who rose against Fascist barbarity. As a result, their respective works are still widely unknown today – despite relentless efforts made to promote their thought to a larger audience for over half a century. In addition to the historical context of crisis during the interwar period, the situation of Spanish philosophy itself is suggestive. Indeed, Spanish philosophy was institutionalised at the beginning of the twentieth century only: the Schools of Madrid and Barcelona were created. These politics of cultural and intellectual renovation are first bestowed upon the generation of philosophers I study, born in the 1900s. When the Spanish War erupts, they had become professionals of international recognition. This shows the actual limits of academic philosophy, incapable of acknowledging unorthodox ways of philosophising. The experience of exile itself serves in my opinion as a catalyst: Spanish Republican philosophers in exile seek emancipation from academic conventions to philosophise freely; that is, in Spanish and according to the spirit of the people. No doubt “poetic reason” – the true invention of Spanish Republican exile – stems from this ideal of autonomous thinking. http://hdl.handle.net/10023/2467 Abstract: There has been to date no attempt at a detailed examination of Aleksandr Grin’s philosophical views interpreted on the basis of his literary work. Whilst some critics have noted interesting links between the writer’s oeuvre and a few popular philosophers, this has usually been done in passing and on an ad hoc basis. This thesis aims to fill this gap by reconstructing Grin’s views in relation to the European philosophical tradition. The main body of the thesis consists of three parts built on and named after three essential themes in philosophy: External World, Happiness and Morality. Part One delineates Grin’s views on nature and civilisation: I argue first that his cult of nature makes it possible to conceive of Grin as a pantheistic thinker close to Rousseau and Bergson, and then I reconstruct the author’s criticism of urbanisation and industrialisation. In the second part I assess the place of happiness in Grin’s world-view, indicating its similarities to the philosophy of various thinkers from the Ancients to Schopenhauer and Nietzsche. After sketching a general picture of the concept of happiness in Grin’s works, I discuss the place of material and immaterial factors in the writer’s outlook. I also gather maxims expressed by the protagonists in his fiction that can be taken as recommendations concerning ways of achieving and defending happiness. Finally, I link happiness with the problem of morality in Grin’s oeuvre. In the final part I examine modes of moral behaviour as displayed by the author’s protagonists. Firstly, I argue that in Grin’s works we find numerous examples and themes that allow us to perceive him as an existentialist. Secondly, I indicate Grin’s adherence to rules of conduct commonly associated with chivalric literature. Thirdly, I emphasise the importance of Promethean-like characters in the moral hierarchy of Grin’s protagonists. 2011-11-30T00:00:00Z Martowicz, Krzysztof There has been to date no attempt at a detailed examination of Aleksandr Grin’s philosophical views interpreted on the basis of his literary work. Whilst some critics have noted interesting links between the writer’s oeuvre and a few popular philosophers, this has usually been done in passing and on an ad hoc basis. This thesis aims to fill this gap by reconstructing Grin’s views in relation to the European philosophical tradition. The main body of the thesis consists of three parts built on and named after three essential themes in philosophy: External World, Happiness and Morality. Part One delineates Grin’s views on nature and civilisation: I argue first that his cult of nature makes it possible to conceive of Grin as a pantheistic thinker close to Rousseau and Bergson, and then I reconstruct the author’s criticism of urbanisation and industrialisation. In the second part I assess the place of happiness in Grin’s world-view, indicating its similarities to the philosophy of various thinkers from the Ancients to Schopenhauer and Nietzsche. After sketching a general picture of the concept of happiness in Grin’s works, I discuss the place of material and immaterial factors in the writer’s outlook. I also gather maxims expressed by the protagonists in his fiction that can be taken as recommendations concerning ways of achieving and defending happiness. Finally, I link happiness with the problem of morality in Grin’s oeuvre. In the final part I examine modes of moral behaviour as displayed by the author’s protagonists. Firstly, I argue that in Grin’s works we find numerous examples and themes that allow us to perceive him as an existentialist. Secondly, I indicate Grin’s adherence to rules of conduct commonly associated with chivalric literature. Thirdly, I emphasise the importance of Promethean-like characters in the moral hierarchy of Grin’s protagonists. http://hdl.handle.net/10023/1995 2008-03-01T00:00:00Z Morisi, Eve Celia http://hdl.handle.net/10023/1965 Abstract: The Hispanic phenomenon of the pronunciamiento, particularly prominent in nineteenth-century Mexico, is just one example of an insurrectionary political act that has contributed to the traditional portrait of chaos and disorder that has tainted much of our interpretation of the country‟s socio-political history. Once considered to be a violent, non-ideological, praetorian military act, recent studies reveal that the pronunciamiento was primarily a written petition that sought to further political proposals or address particular grievances through negotiation (albeit often backed by the threat of force). Although the military were largely the most visible leaders of the pronunciamiento, a plethora of political and civilian actors and interest groups partook in the practice with the intention of having their grievances/demands attended to by the national government. As well as being viewed as one of the causes of chronic instability, the pronunciamiento was also the primary mechanism employed to bring about tangible political changes throughout the country. At the local level of San Luis Potosí, the pronunciamiento seed also germinated and was used by all political groups and factions in their negotiations with local and national authorities alike. Local interests were often at the heart of these negotiations and so dictated the nature of the pronunciamiento in San Luis Potosí. This dissertation will explore and analyse the pronunciamiento practice, its origins, dynamics and nature, from the regional perspective of San Luis Potosí. Bearing in mind that the pronunciamiento was borne out of, and operated in a specific socio-political-economic context of constitutional disarray and transition, its analysis will also further our understanding of the broader socio-political culture not only of San Luis Potosí, but of Mexico in general. This in turn will contribute to the acknowledged need for reinterpretation and revaluation of the tumultuous period of early nineteenth-century Mexico. It will expose the period as an age of democratic revolutions; of intense political debate between emergent political groups and factions, who increasingly used the pronunciamiento to further an ideological stance, represent a spectrum of interests and force some kind of political change both at a national and regional level when all other constitutional options had been exhausted. 2011-01-01T00:00:00Z McDonald, Kerry The Hispanic phenomenon of the pronunciamiento, particularly prominent in nineteenth-century Mexico, is just one example of an insurrectionary political act that has contributed to the traditional portrait of chaos and disorder that has tainted much of our interpretation of the country‟s socio-political history. Once considered to be a violent, non-ideological, praetorian military act, recent studies reveal that the pronunciamiento was primarily a written petition that sought to further political proposals or address particular grievances through negotiation (albeit often backed by the threat of force). Although the military were largely the most visible leaders of the pronunciamiento, a plethora of political and civilian actors and interest groups partook in the practice with the intention of having their grievances/demands attended to by the national government. As well as being viewed as one of the causes of chronic instability, the pronunciamiento was also the primary mechanism employed to bring about tangible political changes throughout the country. At the local level of San Luis Potosí, the pronunciamiento seed also germinated and was used by all political groups and factions in their negotiations with local and national authorities alike. Local interests were often at the heart of these negotiations and so dictated the nature of the pronunciamiento in San Luis Potosí. This dissertation will explore and analyse the pronunciamiento practice, its origins, dynamics and nature, from the regional perspective of San Luis Potosí. Bearing in mind that the pronunciamiento was borne out of, and operated in a specific socio-political-economic context of constitutional disarray and transition, its analysis will also further our understanding of the broader socio-political culture not only of San Luis Potosí, but of Mexico in general. This in turn will contribute to the acknowledged need for reinterpretation and revaluation of the tumultuous period of early nineteenth-century Mexico. It will expose the period as an age of democratic revolutions; of intense political debate between emergent political groups and factions, who increasingly used the pronunciamiento to further an ideological stance, represent a spectrum of interests and force some kind of political change both at a national and regional level when all other constitutional options had been exhausted. http://hdl.handle.net/10023/1963 Abstract: Jorge Semprún’s work is the fruit of an incarceration in the concentration camp of Buchenwald as a resistance fighter and his expulsion from the Partido Comunista Español in 1964. Due to these biographical circumstances, many critical literary studies to date limit the discussion of his works to the autobiographical and the realm of Holocaust studies. Together with the texts that do not fit adequately into this categories, his self-identification as a Spanish exile has up to now been neglected. The present thesis aims to provide a more global view of his oeuvre by extending the literary analyses to texts that have deserved little critical attention. In order to achieve this, it investigates the role played by memory and self-representation in a variety of works by Semprún. Aspects connected to memory such as exile and nostalgia, the Holocaust, the interplay between memory and writing, politics and collective memory, postmemory and identity are examined by means of a detailed analysis of the selected works and are discussed thematically. Differences in genre are discarded for the discussion and interconnections between the various narratives are highlighted. With the help of memory and trauma theories, we come to the conclusion that memory is the overarching principle of Semprún’s writing and that he invests it with an aesthetic and ethical value which is interpreted as the justification for his devotion to writing. 2011-06-01T00:00:00Z Omlor, Daniela Jorge Semprún’s work is the fruit of an incarceration in the concentration camp of Buchenwald as a resistance fighter and his expulsion from the Partido Comunista Español in 1964. Due to these biographical circumstances, many critical literary studies to date limit the discussion of his works to the autobiographical and the realm of Holocaust studies. Together with the texts that do not fit adequately into this categories, his self-identification as a Spanish exile has up to now been neglected. The present thesis aims to provide a more global view of his oeuvre by extending the literary analyses to texts that have deserved little critical attention. In order to achieve this, it investigates the role played by memory and self-representation in a variety of works by Semprún. Aspects connected to memory such as exile and nostalgia, the Holocaust, the interplay between memory and writing, politics and collective memory, postmemory and identity are examined by means of a detailed analysis of the selected works and are discussed thematically. Differences in genre are discarded for the discussion and interconnections between the various narratives are highlighted. With the help of memory and trauma theories, we come to the conclusion that memory is the overarching principle of Semprún’s writing and that he invests it with an aesthetic and ethical value which is interpreted as the justification for his devotion to writing. http://hdl.handle.net/10023/1920 Abstract: The present dissertation investigates the role of television advertising in shaping the cultural values of the Italian society in the circular process of mirroring pre-existing societal values yet inducing new ones, thus contributing to its evolution. It questions its role within the society, its relationship with families, women and youngsters, the kind of language used in communicating, between 1957-1977, the age of Carosello programme. A corpus of two thousand five hundred television adverts was viewed and filed, of which a hundred were selected according to the more frequent themes, their cultural and semiotic relevance, and twenty-two analysed by a semiotic approach, together with some more considered alongside. Chapter One deals with methodology, an overview of the main concepts and tools of applied semiotics and the socio-semiotic perspective adopted. Chapter Two, then, contextualizes television advertising into its broader socio-cultural milieu and the history of television. The following three chapters analyze the selected adverts according to five main recurring themes: Chapter Three, the first steps of TV advertising, its auto-referentiality and its language; Chapter Four, the family and its inner relationships, the couple and the institution of marriage; Chapter Five women‘s emancipation, the new generation of youngsters and new myths. Commercials are analysed by shots and sequences from a narrative and visual perspective in search of their deep underlying generative values. The approach is a holistic one, adapting itself to the prevailing characteristics of every occurrence, although the peculiar nature of the ads of the period entails a prevailing narratological model. All findings are then connected together to identify the main semantic areas indicating cultural values present in the Italian society of the period. The end findings consist of a set of interesting cultural values identified. At first a self-assertiveness of advertising as a way to popularity; then its preferred mode of communication through verbal language rather than pictures; a representation of families according to either the patriarchal or the consumerist model; a fundamental disbelief in marriage and a sexist attitude to women‘s representation; finally, a mistrust in the values of the new generations. All of these eventually pointing to the main semantic area of tradition, an index to the fundamental conservative yet contradictory role of the Carosello adverting which, while contributing to preserve traditional values, it also tended to replace them with its only main consumerist value. At a higher level, on a socio-semiotic perspective it is the role of that semiosphere which, while drawing from society it also contributes in shaping it. 2011-06-21T00:00:00Z Casarini, Rita The present dissertation investigates the role of television advertising in shaping the cultural values of the Italian society in the circular process of mirroring pre-existing societal values yet inducing new ones, thus contributing to its evolution. It questions its role within the society, its relationship with families, women and youngsters, the kind of language used in communicating, between 1957-1977, the age of Carosello programme. A corpus of two thousand five hundred television adverts was viewed and filed, of which a hundred were selected according to the more frequent themes, their cultural and semiotic relevance, and twenty-two analysed by a semiotic approach, together with some more considered alongside. Chapter One deals with methodology, an overview of the main concepts and tools of applied semiotics and the socio-semiotic perspective adopted. Chapter Two, then, contextualizes television advertising into its broader socio-cultural milieu and the history of television. The following three chapters analyze the selected adverts according to five main recurring themes: Chapter Three, the first steps of TV advertising, its auto-referentiality and its language; Chapter Four, the family and its inner relationships, the couple and the institution of marriage; Chapter Five women‘s emancipation, the new generation of youngsters and new myths. Commercials are analysed by shots and sequences from a narrative and visual perspective in search of their deep underlying generative values. The approach is a holistic one, adapting itself to the prevailing characteristics of every occurrence, although the peculiar nature of the ads of the period entails a prevailing narratological model. All findings are then connected together to identify the main semantic areas indicating cultural values present in the Italian society of the period. The end findings consist of a set of interesting cultural values identified. At first a self-assertiveness of advertising as a way to popularity; then its preferred mode of communication through verbal language rather than pictures; a representation of families according to either the patriarchal or the consumerist model; a fundamental disbelief in marriage and a sexist attitude to women‘s representation; finally, a mistrust in the values of the new generations. All of these eventually pointing to the main semantic area of tradition, an index to the fundamental conservative yet contradictory role of the Carosello adverting which, while contributing to preserve traditional values, it also tended to replace them with its only main consumerist value. At a higher level, on a socio-semiotic perspective it is the role of that semiosphere which, while drawing from society it also contributes in shaping it. http://hdl.handle.net/10023/1917 Abstract: The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the Russian cultural context. In addition, it is proposed that the humorous and grotesque nature of certain post-Soviet works can be viewed as a creatively critical engagement with both the past, i.e. Soviet ideology, and the present, the socially tumultuous post-Soviet years. Russian modernism, while sharing typologically and literary-historically a number of key characteristics with Western modernism, was particularly motivated by a turning to the cultural repository of Russia’s past, and a metaphysical yearning for universal meaning transcending the perceived fragmentation of the tangible modern world. Continuing the older Russian tradition of resisting rationalism, and impressed by the sense of realist aesthetics failing the writer in the task of representing a world that eluded rational comprehension, modernists tended to subordinate artistic concerns to their esoteric convictions. Without appreciation of this spiritual dimension, semantic intention in Russian modernist fiction may escape a reader used to the conventions of realist fiction. It is suggested that contemporary Russian fiction as embodied in certain works by Sorokin, Tuchkov and Khurgin, while stylistically exhibiting a number of features commonly regarded as postmodern, such as parody, pastiche, playfulness, carnivalisation, the grotesque, intertextuality and self-consciousness, seems to resume modernism’s tendency to seek meaning and value for human existence in the transcendent realm, as well as in the cultural, in particular literary, treasures of the past. The closeness of such segments of post-Soviet fiction and modernism in this regard is, it is argued, ultimately contrary to the spirit of postmodernism and its relativistic and particularistic worldview. Hence the suggested conceptualisation of post-Soviet Russian fiction as ‘neo-modernist’. 2011-06-23T00:00:00Z Dreyer, Nicolas D. The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the Russian cultural context. In addition, it is proposed that the humorous and grotesque nature of certain post-Soviet works can be viewed as a creatively critical engagement with both the past, i.e. Soviet ideology, and the present, the socially tumultuous post-Soviet years. Russian modernism, while sharing typologically and literary-historically a number of key characteristics with Western modernism, was particularly motivated by a turning to the cultural repository of Russia’s past, and a metaphysical yearning for universal meaning transcending the perceived fragmentation of the tangible modern world. Continuing the older Russian tradition of resisting rationalism, and impressed by the sense of realist aesthetics failing the writer in the task of representing a world that eluded rational comprehension, modernists tended to subordinate artistic concerns to their esoteric convictions. Without appreciation of this spiritual dimension, semantic intention in Russian modernist fiction may escape a reader used to the conventions of realist fiction. It is suggested that contemporary Russian fiction as embodied in certain works by Sorokin, Tuchkov and Khurgin, while stylistically exhibiting a number of features commonly regarded as postmodern, such as parody, pastiche, playfulness, carnivalisation, the grotesque, intertextuality and self-consciousness, seems to resume modernism’s tendency to seek meaning and value for human existence in the transcendent realm, as well as in the cultural, in particular literary, treasures of the past. The closeness of such segments of post-Soviet fiction and modernism in this regard is, it is argued, ultimately contrary to the spirit of postmodernism and its relativistic and particularistic worldview. Hence the suggested conceptualisation of post-Soviet Russian fiction as ‘neo-modernist’. http://hdl.handle.net/10023/1905 Abstract: The pedracista electoral coalition that was formed in Mexico during the 1828 presidential elections was deliberately ignored by the traditional historiography of the early national period. Instead it concentrated on the leaders of the liberal struggle, deeming this alliance unworthy of study. There were essentially two key reasons why this happened. On the one hand, General Manuel Gómez Pedraza (1789-1851) was not an archetypal liberal patriot in the mould of those heroes that were exalted and written about by Mexico’s Porfirian and PRIísta historians. His politics were associated with a certain ideological indeterminateness as a result of his moderate stance, proving problematic to historians who were intent on developing a liberal and subsequently post-revolutionary historia patria. On the other hand, the official historiography accepted, unquestioningly, the critical version of his actions that his opponents circulated at the time. As a result of this, the yorkino version of the events is the one that prevailed, casting Pedraza in the role of staunch anti-yorkino in a simplistic bipartisan vision of Mexican politics that depicted the political tensions of the time as a clear-cut confrontation between the pedracista aristocrats and the democratic yorkino followers of mulatto hero of the War of Independence, General Vicente Guerrero (1783-1831). This two-dimensional dichotomy has only recently started to be nuanced by the revisionist historiography of the last thirty years. This has been due, in great measure, to the fact that the traditional interpretation of the pedracista coalition posed a number of significant problems when attempting to understand the political behaviour of the people involved. Above all, it was an interpretation that proved incapable of explaining how such a variety of political tendencies, represented by those individuals who joined the alliance that backed Pedraza’s presidential candidacy, could have come together; i.e., anti-masonic groups, the imparciales, certain yorkinos and former escoceses. This thesis aims to explain what brought these individuals, whose political ideas were ostensibly incompatible, together, in what resulted in a particularly resourceful and successful electoral force. The pedracista coalition represented the first political formation in Mexico that came together specifically to win a presidential election. It was one which set out to bring an end to the political interference of Masonic societies in Mexico, and in particular, that of the Rite of York lodges. It also challenged the yorkinos’ electoral campaign by criticising their leader, Guerrero, and, by highlighting the negative aspects of their Masonic faction. It pointed out, moreover, the dangers inherent in a central administration led by guerrerista yorkinos and, in so doing, made clear the problems that were to be found in the political ideas these individuals stood for, depicting them as partisan, ignorant, and representative of the popular classes. The pedracista coalition argued that the presidency needed to go to someone who did not belong to any particular party, who was virtuous, who was renowned for being hard-working and energetic in government, and who belonged to the exclusive circles frequented by the “hombres de bien”. Given that Pedraza won the elections, it is evident that his coalition benefited from a constitutional structure that favoured his candidacy, gaining, at the same time, the public validation of the governmental authorities in place at the time. However, Pedraza’s candidacy was defeated by the armed mobilizations that ensued in the pronunciamientos pro-yorkino followers launched from October to November 1828, and was consequently eliminated from the political scene until late 1832 given that the leaders of the imparciales as well as Pedraza himself chose not to fight back or support a counter-revolution. During the electoral campaign, the pedracista coalition displayed, with astounding clarity, what it thought were the essential qualities a president needed to possess and, likewise presented a distinctive appreciation of how it thought the Mexican political class should behave. In this sense, the coalition’s views, captured in its votes, networks and press articles, offer a fascinating snapshot of what were the fundamental themes of the Mexican republic during its formative years as a nation-state, and how this ignored political grouping interpreted them. Of particular interest is the manner in which the pedracista coalition explored the ways in which political legitimacy, participation and representation were to be understood, defended, and systematised. By studying the pedracista coalition this thesis offers, for the first time, a detailed analysis of the nature and dynamics of Mexican politics in the mid-late 1820s, as experienced, discussed, and represented by the short-lasting yet effective alliance that was forged around the candidacy of Manuel Gómez Pedraza. 2011-03-24T00:00:00Z Romero-Valderrama, Ana The pedracista electoral coalition that was formed in Mexico during the 1828 presidential elections was deliberately ignored by the traditional historiography of the early national period. Instead it concentrated on the leaders of the liberal struggle, deeming this alliance unworthy of study. There were essentially two key reasons why this happened. On the one hand, General Manuel Gómez Pedraza (1789-1851) was not an archetypal liberal patriot in the mould of those heroes that were exalted and written about by Mexico’s Porfirian and PRIísta historians. His politics were associated with a certain ideological indeterminateness as a result of his moderate stance, proving problematic to historians who were intent on developing a liberal and subsequently post-revolutionary historia patria. On the other hand, the official historiography accepted, unquestioningly, the critical version of his actions that his opponents circulated at the time. As a result of this, the yorkino version of the events is the one that prevailed, casting Pedraza in the role of staunch anti-yorkino in a simplistic bipartisan vision of Mexican politics that depicted the political tensions of the time as a clear-cut confrontation between the pedracista aristocrats and the democratic yorkino followers of mulatto hero of the War of Independence, General Vicente Guerrero (1783-1831). This two-dimensional dichotomy has only recently started to be nuanced by the revisionist historiography of the last thirty years. This has been due, in great measure, to the fact that the traditional interpretation of the pedracista coalition posed a number of significant problems when attempting to understand the political behaviour of the people involved. Above all, it was an interpretation that proved incapable of explaining how such a variety of political tendencies, represented by those individuals who joined the alliance that backed Pedraza’s presidential candidacy, could have come together; i.e., anti-masonic groups, the imparciales, certain yorkinos and former escoceses. This thesis aims to explain what brought these individuals, whose political ideas were ostensibly incompatible, together, in what resulted in a particularly resourceful and successful electoral force. The pedracista coalition represented the first political formation in Mexico that came together specifically to win a presidential election. It was one which set out to bring an end to the political interference of Masonic societies in Mexico, and in particular, that of the Rite of York lodges. It also challenged the yorkinos’ electoral campaign by criticising their leader, Guerrero, and, by highlighting the negative aspects of their Masonic faction. It pointed out, moreover, the dangers inherent in a central administration led by guerrerista yorkinos and, in so doing, made clear the problems that were to be found in the political ideas these individuals stood for, depicting them as partisan, ignorant, and representative of the popular classes. The pedracista coalition argued that the presidency needed to go to someone who did not belong to any particular party, who was virtuous, who was renowned for being hard-working and energetic in government, and who belonged to the exclusive circles frequented by the “hombres de bien”. Given that Pedraza won the elections, it is evident that his coalition benefited from a constitutional structure that favoured his candidacy, gaining, at the same time, the public validation of the governmental authorities in place at the time. However, Pedraza’s candidacy was defeated by the armed mobilizations that ensued in the pronunciamientos pro-yorkino followers launched from October to November 1828, and was consequently eliminated from the political scene until late 1832 given that the leaders of the imparciales as well as Pedraza himself chose not to fight back or support a counter-revolution. During the electoral campaign, the pedracista coalition displayed, with astounding clarity, what it thought were the essential qualities a president needed to possess and, likewise presented a distinctive appreciation of how it thought the Mexican political class should behave. In this sense, the coalition’s views, captured in its votes, networks and press articles, offer a fascinating snapshot of what were the fundamental themes of the Mexican republic during its formative years as a nation-state, and how this ignored political grouping interpreted them. Of particular interest is the manner in which the pedracista coalition explored the ways in which political legitimacy, participation and representation were to be understood, defended, and systematised. By studying the pedracista coalition this thesis offers, for the first time, a detailed analysis of the nature and dynamics of Mexican politics in the mid-late 1820s, as experienced, discussed, and represented by the short-lasting yet effective alliance that was forged around the candidacy of Manuel Gómez Pedraza. http://hdl.handle.net/10023/1886 Abstract: Tomás Segovia and Angelina Muñiz Huberman belong to a group of writers known as «Hispanomexicanos». Most approaches to this generation have been towards the role that exile plays in their early work, paying almost no attention to its role after that initial stage. These approaches have been limited to the first years of their work, in the belief that those writers subsequently moved on to deal with issues which are different from those in which their experience of exile is clearly the central topic. However, through an analysis of the poetry of Muñiz and Segovia, this thesis aims to show that exile continues to play a central role beyond that first stage. It argues that their exile is transformed into a series of symbols that come to constitute a shared style and, more importantly, it proposes that their experience of exile is transformed into a feeling of existential displacement which impels a search for meaning and belonging to the world. Consequently, the conclusion presented in this thesis is that exile plays a central role in their poetry, in the sense that it expresses the ways in which these two writers search and transmit meaning and attempt to feel part of the world. Ultimately, this thesis aims to set an example of approach which could be productively taken to study the work of other writers from this generation. 2011-05-23T00:00:00Z Tasis Moratinos, Eduardo Tomás Segovia and Angelina Muñiz Huberman belong to a group of writers known as «Hispanomexicanos». Most approaches to this generation have been towards the role that exile plays in their early work, paying almost no attention to its role after that initial stage. These approaches have been limited to the first years of their work, in the belief that those writers subsequently moved on to deal with issues which are different from those in which their experience of exile is clearly the central topic. However, through an analysis of the poetry of Muñiz and Segovia, this thesis aims to show that exile continues to play a central role beyond that first stage. It argues that their exile is transformed into a series of symbols that come to constitute a shared style and, more importantly, it proposes that their experience of exile is transformed into a feeling of existential displacement which impels a search for meaning and belonging to the world. Consequently, the conclusion presented in this thesis is that exile plays a central role in their poetry, in the sense that it expresses the ways in which these two writers search and transmit meaning and attempt to feel part of the world. Ultimately, this thesis aims to set an example of approach which could be productively taken to study the work of other writers from this generation. http://hdl.handle.net/10023/1712 Abstract: This thesis is the first extensive study devoted to the generic originality of Iurii Tynianov’s representation of Pushkin in his two historical novels, Pushkin (1935-1943) and the abandoned The Gannibals (1932). Chapter 1 contextualises Tynianov’s contribution to the current debates on the novel’s demise, ‘large’ form and the worthy protagonist. The conditions giving rise to contemporary interest in the genres of biography and the historical novel are delineated and the critical issues surrounding these are examined; Tynianov’s concern to secularise the rigid monolith of an all but sanctified ‘state-sponsored Pushkin’ and the difficulties of the task are also reviewed. Chapter 2 shifts the examination of Pushkin as a historical novel to its study within the generic framework of the Bildungs, Erziehungs and Künstlerromane with their particular problematics which allowed Tynianov to grapple with a cluster of moral, philosophical and educational issues, and to explore the formative influences on the protagonist’s identity as a poet. Chapter 3 explores the concept of history underlying Tynianov’s interpretation of the characters and events and the historiographical practices he employed in his analyses of the factors that shaped Pushkin’s own historical thinking. Chapter 4 investigates Tynianov’s scepticism about Abram Gannibal’s and A. Pushkin’s mythopoeia which reveals itself in Tynianov’s subversively ironical and playful use of myth in both novels. The Conclusion assesses Tynianov’s contribution to the 20th century fictional Pushkiniana and reflects on his innovative transgeneric historical novel which broke the normative restrictions of the genre, elevated it to the level of ‘serious’ literature and made it conducive to stylistic experimentation. 2011-01-01T00:00:00Z Rush, Anna This thesis is the first extensive study devoted to the generic originality of Iurii Tynianov’s representation of Pushkin in his two historical novels, Pushkin (1935-1943) and the abandoned The Gannibals (1932). Chapter 1 contextualises Tynianov’s contribution to the current debates on the novel’s demise, ‘large’ form and the worthy protagonist. The conditions giving rise to contemporary interest in the genres of biography and the historical novel are delineated and the critical issues surrounding these are examined; Tynianov’s concern to secularise the rigid monolith of an all but sanctified ‘state-sponsored Pushkin’ and the difficulties of the task are also reviewed. Chapter 2 shifts the examination of Pushkin as a historical novel to its study within the generic framework of the Bildungs, Erziehungs and Künstlerromane with their particular problematics which allowed Tynianov to grapple with a cluster of moral, philosophical and educational issues, and to explore the formative influences on the protagonist’s identity as a poet. Chapter 3 explores the concept of history underlying Tynianov’s interpretation of the characters and events and the historiographical practices he employed in his analyses of the factors that shaped Pushkin’s own historical thinking. Chapter 4 investigates Tynianov’s scepticism about Abram Gannibal’s and A. Pushkin’s mythopoeia which reveals itself in Tynianov’s subversively ironical and playful use of myth in both novels. The Conclusion assesses Tynianov’s contribution to the 20th century fictional Pushkiniana and reflects on his innovative transgeneric historical novel which broke the normative restrictions of the genre, elevated it to the level of ‘serious’ literature and made it conducive to stylistic experimentation. http://hdl.handle.net/10023/1693 Abstract: Unique to nineteenth-century Spain and Central America, the pronunciamiento can be interpreted as an act of insubordination against ruling authorities, which included a written document with a list of complaints or demands. The practice was almost always carried out by members of the army, but usually involved heavy participation by political and civilian sectors of society as well. The pronunciamiento more often than not contained a threat of military violence if the grievances of the pronunciados were not listened to; as a result, it carried with it the implicit consequence of armed revolt. The pronunciamiento was responsible for major political changes in early nineteenth-century Mexico and Yucatán, and was also one of the most powerful forces of political and societal destabilisation during this period. Indeed, the pronunciamiento was responsible for the establishment of federalist and centralist systems, changes of constitutions, and constant overthrows of presidents. This was also true on a smaller scale in Yucatán, as the pronunciamiento was not only used to depose governors and administrations, but was the key negotiatory mechanism between the Yucatecan and Mexican administrations; yucatecos resorted to the pronunciamiento to realise their secessions from and reunifications to Mexico throughout the early nineteenth century. The aim of this thesis is to expose the dynamic of the Yucatecan pronunciamiento. It will challenge the present depiction of the pronunciamiento as military exercise of destabilization, and will instead concentrate on exposing it as a highly intricate process of political representation and negotiation, at both local and national levels. This will not only contribute toward a greater understanding of pronunciamiento culture on a local and more general scale, but will also reveal a more comprehensive analysis of the socio-political and economic circumstances of nineteenth-century Yucatán. This in turn will aid in re-defining early nineteenth-century Mexico, questioning its traditional depiction as an age of “chaos”, and instead exposing it as one dominated by political and ideological forces and factions, who used the pronunciamiento to express their beliefs and to negotiate for change. 2011-06-24T00:00:00Z Ali, Shara Unique to nineteenth-century Spain and Central America, the pronunciamiento can be interpreted as an act of insubordination against ruling authorities, which included a written document with a list of complaints or demands. The practice was almost always carried out by members of the army, but usually involved heavy participation by political and civilian sectors of society as well. The pronunciamiento more often than not contained a threat of military violence if the grievances of the pronunciados were not listened to; as a result, it carried with it the implicit consequence of armed revolt. The pronunciamiento was responsible for major political changes in early nineteenth-century Mexico and Yucatán, and was also one of the most powerful forces of political and societal destabilisation during this period. Indeed, the pronunciamiento was responsible for the establishment of federalist and centralist systems, changes of constitutions, and constant overthrows of presidents. This was also true on a smaller scale in Yucatán, as the pronunciamiento was not only used to depose governors and administrations, but was the key negotiatory mechanism between the Yucatecan and Mexican administrations; yucatecos resorted to the pronunciamiento to realise their secessions from and reunifications to Mexico throughout the early nineteenth century. The aim of this thesis is to expose the dynamic of the Yucatecan pronunciamiento. It will challenge the present depiction of the pronunciamiento as military exercise of destabilization, and will instead concentrate on exposing it as a highly intricate process of political representation and negotiation, at both local and national levels. This will not only contribute toward a greater understanding of pronunciamiento culture on a local and more general scale, but will also reveal a more comprehensive analysis of the socio-political and economic circumstances of nineteenth-century Yucatán. This in turn will aid in re-defining early nineteenth-century Mexico, questioning its traditional depiction as an age of “chaos”, and instead exposing it as one dominated by political and ideological forces and factions, who used the pronunciamiento to express their beliefs and to negotiate for change. http://hdl.handle.net/10023/1507 Abstract: Joseph Welsh was the British Vice Consul in the port of Veracruz at the time of the uprising of 1832 by General Antonio Lopez de Santa Anna against the government of Anastasio Bustamante. Contravening the orders of his superiors, who reiterated the view that it was his obligation to observe the strictest neutrality in the conflict and not interfere in Mexican politics, Welsh found himself supporting Santa Anna and the rebels. As a result, at the end of March, Bustamante's administration demanded that he be removed from office. The British Minister Plenipotentiary, Richard Pakenham, acquiesced. This article provides a narrative of the events that led to Welsh's forced resignation and explores what they tell us about British diplomacy in Mexico during the early national period. It also analyses Welsh's understanding of the revolt and his views on Santa Anna, providing some insights, from a generally ignored British perspective,(1) into Santa Anna's notorious appeal and politico-military measures. 2004-02-01T00:00:00Z Fowler, William Joseph Welsh was the British Vice Consul in the port of Veracruz at the time of the uprising of 1832 by General Antonio Lopez de Santa Anna against the government of Anastasio Bustamante. Contravening the orders of his superiors, who reiterated the view that it was his obligation to observe the strictest neutrality in the conflict and not interfere in Mexican politics, Welsh found himself supporting Santa Anna and the rebels. As a result, at the end of March, Bustamante's administration demanded that he be removed from office. The British Minister Plenipotentiary, Richard Pakenham, acquiesced. This article provides a narrative of the events that led to Welsh's forced resignation and explores what they tell us about British diplomacy in Mexico during the early national period. It also analyses Welsh's understanding of the revolt and his views on Santa Anna, providing some insights, from a generally ignored British perspective,(1) into Santa Anna's notorious appeal and politico-military measures. http://hdl.handle.net/10023/1277 2010-01-01T00:00:00Z San Roman, Gustavo http://hdl.handle.net/10023/1276 2010-01-01T00:00:00Z San Roman, Gustavo http://hdl.handle.net/10023/1259 2010-01-01T00:00:00Z San Roman, Gustavo http://hdl.handle.net/10023/1204 Abstract: The edited book of a conference on the cultural links between Uruguay and Galicia. It consists of three main sections: on José Alonso y Trelles, born in Ribadeo in 1857 who emigrated to Uruguay and became a gaucho poet known as El Viejo Pancho; on Juana de Ibarbourou, Uruguayan poet (1892-1979), daughter of Vicente Fernandez, born in Lourenza in 1853 and also emigrant to Uruguay; and other literary and historical connections (Uruguay in Galician literature; Galicians in Uruguayan literature; critical work on Gustavo Adolfo Becquer by a Galician and a Uruguayan; aspects of the history of Galician emigration to Uruguay). Contains 36 photographs of documents related to both writers. 2010-01-01T00:00:00Z The edited book of a conference on the cultural links between Uruguay and Galicia. It consists of three main sections: on José Alonso y Trelles, born in Ribadeo in 1857 who emigrated to Uruguay and became a gaucho poet known as El Viejo Pancho; on Juana de Ibarbourou, Uruguayan poet (1892-1979), daughter of Vicente Fernandez, born in Lourenza in 1853 and also emigrant to Uruguay; and other literary and historical connections (Uruguay in Galician literature; Galicians in Uruguayan literature; critical work on Gustavo Adolfo Becquer by a Galician and a Uruguayan; aspects of the history of Galician emigration to Uruguay). Contains 36 photographs of documents related to both writers. http://hdl.handle.net/10023/992 Abstract: This thesis draws inspiration from the emergence of cultural studies as an academic pursuit, in addition to the current renewal of interest in the relationship between literary works and their socio-cultural milieux, to bring together an assortment of textual traces pertaining to the River Plate around the era of Juan Manuel de Rosas, governor of Buenos Aires and de facto dictator of Argentina for most of the period 1829-1852. The main texts analysed range from private documents relating to two Scottish settler families, through accounts published by British citizens with first-hand knowledge of the region (Un inglés, Cinco años en Buenos Aires and Beaumont, Travels in Buenos Ayres and the Adjacent Provinces), to three influential pieces of early Argentinian literature (Echeverria's El matadero, Mármol's Amalia and Sarmiento's Facundo). One justification of this apparently eclectic approach lies in the prominence accorded to the incomer in the thought of liberal Platine intellectuals, a concern evinced in their literary production. The methodology involves examining the representation of certain fundamental topics across this range of written artefacts, observing frequent points of thematic convergence amongst the various texts. In this fashion, I construct an image of the River Plate region around the Rosas period, whilst also appraising the degree to which early British settlers matched the idealized notion of the immigrant present in liberal creole writings. The study is divided into four main chapters, supplemented by an introduction, conclusion and appendix. The first chapter summarizes the historical context of the young Platine republics; the second deals with the themes of society, community and family, the third focuses upon religion; the fourth considers perspectives of politics, dictatorship and civil war. The appendix consists of an unpublished settler autobiography, a remarkable account of the tribulations faced on a daily basis in the developing Argentina. 1996-01-01T00:00:00Z Stewart, Iain A D This thesis draws inspiration from the emergence of cultural studies as an academic pursuit, in addition to the current renewal of interest in the relationship between literary works and their socio-cultural milieux, to bring together an assortment of textual traces pertaining to the River Plate around the era of Juan Manuel de Rosas, governor of Buenos Aires and de facto dictator of Argentina for most of the period 1829-1852. The main texts analysed range from private documents relating to two Scottish settler families, through accounts published by British citizens with first-hand knowledge of the region (Un inglés, Cinco años en Buenos Aires and Beaumont, Travels in Buenos Ayres and the Adjacent Provinces), to three influential pieces of early Argentinian literature (Echeverria's El matadero, Mármol's Amalia and Sarmiento's Facundo). One justification of this apparently eclectic approach lies in the prominence accorded to the incomer in the thought of liberal Platine intellectuals, a concern evinced in their literary production. The methodology involves examining the representation of certain fundamental topics across this range of written artefacts, observing frequent points of thematic convergence amongst the various texts. In this fashion, I construct an image of the River Plate region around the Rosas period, whilst also appraising the degree to which early British settlers matched the idealized notion of the immigrant present in liberal creole writings. The study is divided into four main chapters, supplemented by an introduction, conclusion and appendix. The first chapter summarizes the historical context of the young Platine republics; the second deals with the themes of society, community and family, the third focuses upon religion; the fourth considers perspectives of politics, dictatorship and civil war. The appendix consists of an unpublished settler autobiography, a remarkable account of the tribulations faced on a daily basis in the developing Argentina. http://hdl.handle.net/10023/969 Abstract: This thesis proposes a new view of space in Theodor Fontane’s writing as both a mode of literary expression and an object of literary inquiry: space serves a poetic function and is a thematic concern. The research draws on theories of literary space which focus on spatial structures and topographies, as well as those which provide critical tools for analysing individual passages of description, especially focalisation, which elucidates the influence of the viewing figure in the text. Significantly, the subjective experience of a perceptive observer is central to Fontane’s conception of aesthetic processes, and as a result, an analysis of spatial representation often uncovers reflexive discourses on art, its function and value. On the basis of this insight, this study provides new readings of a range of texts, including less well-established and non-fictional works, as well as recognised masterpieces. In Fontane’s local travelogues, the Wanderungen, the poetic function of space is rare, while many passages reflect on the environment’s potential significance. The early novels explore spatial representation as a means of constructing textual symbolism. Spatial representation in Vor dem Sturm functions as a strategy of relativisation; in Schach von Wuthenow and Graf Petöfy topographies and pregnant descriptions serve as commentaries on characters’ levels of awareness. The mature novels Irrungen Wirrungen and Unwiederbringlich explore the sources and practical implications of reading objects in the world as signs. Space retains its formal role, but the represented figural experience of the novels’ worlds becomes a vehicle for reflexive analysis of the world’s perceived meanings. Similarly, in Der Stechlin different types of relationships with exterior reality are expressed spatially, and, as elsewhere, the capacity for aesthetic appreciation is represented positively. This entails and indeed produces critical distance towards modernity: isolated Stechlin is a locus of poetry, a testament to literature’s importance and vitality. 2010-06-01T00:00:00Z White, Michael James This thesis proposes a new view of space in Theodor Fontane’s writing as both a mode of literary expression and an object of literary inquiry: space serves a poetic function and is a thematic concern. The research draws on theories of literary space which focus on spatial structures and topographies, as well as those which provide critical tools for analysing individual passages of description, especially focalisation, which elucidates the influence of the viewing figure in the text. Significantly, the subjective experience of a perceptive observer is central to Fontane’s conception of aesthetic processes, and as a result, an analysis of spatial representation often uncovers reflexive discourses on art, its function and value. On the basis of this insight, this study provides new readings of a range of texts, including less well-established and non-fictional works, as well as recognised masterpieces. In Fontane’s local travelogues, the Wanderungen, the poetic function of space is rare, while many passages reflect on the environment’s potential significance. The early novels explore spatial representation as a means of constructing textual symbolism. Spatial representation in Vor dem Sturm functions as a strategy of relativisation; in Schach von Wuthenow and Graf Petöfy topographies and pregnant descriptions serve as commentaries on characters’ levels of awareness. The mature novels Irrungen Wirrungen and Unwiederbringlich explore the sources and practical implications of reading objects in the world as signs. Space retains its formal role, but the represented figural experience of the novels’ worlds becomes a vehicle for reflexive analysis of the world’s perceived meanings. Similarly, in Der Stechlin different types of relationships with exterior reality are expressed spatially, and, as elsewhere, the capacity for aesthetic appreciation is represented positively. This entails and indeed produces critical distance towards modernity: isolated Stechlin is a locus of poetry, a testament to literature’s importance and vitality. http://hdl.handle.net/10023/961 Abstract: The research presented in this dissertation adopts an empirical Saussurean structuralist approach to elucidating the true meaning of the verb patterns characterised formally by vowel lengthening in Modern Standard Arabic (MSA). The verbal system as a whole is examined in order to place the patterns of interest (III and VI) in context, the complexities of Arabic verbal morphology are explored and the challenges revealed by previous attempts to draw links between form and meaning are presented. An exhaustive dictionary survey is employed to provide quantifiable data to empirically test the largely accepted view that the vowel lengthening patterns have mutual/reciprocal meaning. Finding the traditional explanation inadequate and prone to too many exceptions, alternative commonalities of meaning are similarly investigated. Whilst confirming the detransitivising function of the ta- prefix which derives pattern VI from pattern III, analysis of valency data also precludes transitivity as a viable explanation for pattern III meaning compared with the base form. Examination of formally similar morphology in certain nouns leads to the intuitive possibility that vowel lengthening has aspectual meaning. A model of linguistic aspect is investigated for its applicability to MSA and used to isolate the aspectual feature common to the majority of pattern III and pattern VI verbs, which is determined to be atelicity. A set of verbs which appear to be exceptional in that they are not attributable to atelic aspectual categories is found to be characterised by inceptive meaning and a three-phase model of event time structure is developed to include an inceptive verbal category, demonstrating that these verbs too are atelic. Thus the form-meaning relationship which is discovered is that the vowel lengthening verbal patterns in Modern Standard Arabic have atelic aspectual meaning. 2010-06-24T00:00:00Z Danks, Warwick The research presented in this dissertation adopts an empirical Saussurean structuralist approach to elucidating the true meaning of the verb patterns characterised formally by vowel lengthening in Modern Standard Arabic (MSA). The verbal system as a whole is examined in order to place the patterns of interest (III and VI) in context, the complexities of Arabic verbal morphology are explored and the challenges revealed by previous attempts to draw links between form and meaning are presented. An exhaustive dictionary survey is employed to provide quantifiable data to empirically test the largely accepted view that the vowel lengthening patterns have mutual/reciprocal meaning. Finding the traditional explanation inadequate and prone to too many exceptions, alternative commonalities of meaning are similarly investigated. Whilst confirming the detransitivising function of the ta- prefix which derives pattern VI from pattern III, analysis of valency data also precludes transitivity as a viable explanation for pattern III meaning compared with the base form. Examination of formally similar morphology in certain nouns leads to the intuitive possibility that vowel lengthening has aspectual meaning. A model of linguistic aspect is investigated for its applicability to MSA and used to isolate the aspectual feature common to the majority of pattern III and pattern VI verbs, which is determined to be atelicity. A set of verbs which appear to be exceptional in that they are not attributable to atelic aspectual categories is found to be characterised by inceptive meaning and a three-phase model of event time structure is developed to include an inceptive verbal category, demonstrating that these verbs too are atelic. Thus the form-meaning relationship which is discovered is that the vowel lengthening verbal patterns in Modern Standard Arabic have atelic aspectual meaning. http://hdl.handle.net/10023/791 Abstract: This dissertation offers the first extended study of the work of the Welsh-French poet Heather Dohollau, whose substantial œuvre in French, published since 1974, has recently received international critical recognition. My thesis centres on the idea of traversée, which originates in Dohollau’s experience of exiles, returns and bilingualism. My chapters elucidate five interconnected themes which all relate to that overarching paradigm. Chapter 1 focuses on Dohollau’s trajectories as reflected in poems on the memory of place, concentrating on South Wales and the island. The quest for place is also a quest for the past, which is handled as an after-image capable of upwelling into the present. Chapter 2 investigates the visual-verbal bilingualism towards which Dohollau’s texts on specific artworks (or ekphrastic texts) seem to strive. Dohollau revitalizes the ekphrastic tradition and challenges its conventional connotations of power struggle (W. J. T. Mitchell) in favour of a poetics of hospitality. Chapter 3 is dedicated to Dohollau’s ethos and practice of slowness. It undertakes a close-reading analysis of her syntactic and sound-related rhythms, connecting them with Derrida’s différance. The idea of poetry as a foreign language is discussed in chapter 4: Dohollau’s adoption of French as her main poetic language in the mid-1960s, her handling of motherhood and daughterhood, and her quest for a poetics of mourning and fidelity are examined in their interrelations. The concluding chapter explores the boundaries between language and the unsaid. Dohollau has been uniquely placed to engage with postwar reassessments of language and its limits (Derrida, Heidegger, Blanchot), poised as she is between languages and media. As her poems show, such limits constitute a poetic resource in their own right. Her carefully cultivated liminal stance has given her important insights into the creative process as a passage into words from an unwritten, yet not utterly inchoate other of the poem. 2009-11-30T00:00:00Z O'Connor, Clémence This dissertation offers the first extended study of the work of the Welsh-French poet Heather Dohollau, whose substantial œuvre in French, published since 1974, has recently received international critical recognition. My thesis centres on the idea of traversée, which originates in Dohollau’s experience of exiles, returns and bilingualism. My chapters elucidate five interconnected themes which all relate to that overarching paradigm. Chapter 1 focuses on Dohollau’s trajectories as reflected in poems on the memory of place, concentrating on South Wales and the island. The quest for place is also a quest for the past, which is handled as an after-image capable of upwelling into the present. Chapter 2 investigates the visual-verbal bilingualism towards which Dohollau’s texts on specific artworks (or ekphrastic texts) seem to strive. Dohollau revitalizes the ekphrastic tradition and challenges its conventional connotations of power struggle (W. J. T. Mitchell) in favour of a poetics of hospitality. Chapter 3 is dedicated to Dohollau’s ethos and practice of slowness. It undertakes a close-reading analysis of her syntactic and sound-related rhythms, connecting them with Derrida’s différance. The idea of poetry as a foreign language is discussed in chapter 4: Dohollau’s adoption of French as her main poetic language in the mid-1960s, her handling of motherhood and daughterhood, and her quest for a poetics of mourning and fidelity are examined in their interrelations. The concluding chapter explores the boundaries between language and the unsaid. Dohollau has been uniquely placed to engage with postwar reassessments of language and its limits (Derrida, Heidegger, Blanchot), poised as she is between languages and media. As her poems show, such limits constitute a poetic resource in their own right. Her carefully cultivated liminal stance has given her important insights into the creative process as a passage into words from an unwritten, yet not utterly inchoate other of the poem. http://hdl.handle.net/10023/789 Abstract: This thesis analyses processes of discursive European identity formation in three cultural journals: Esprit, from France, the British New Left Review and the German Merkur during the time periods 1989-92, and, a decade later, during 2003-06. The theoretical framework which the thesis brings to bear on this analysis is that of the European Public Sphere. This model builds on Jürgen Habermas’s original model of a “public sphere”, and alleges that a sphere of common debate about issues of European concern can lead to a more defined and integrated sense of a European identity which is widely perceived as vague and inchoate. The relevancy of the public sphere model and its connection to the larger debate about European identity, especially since 1989, are discussed in the first part of the thesis. The second part provides a comparative analysis of the main European debates in the journals during the respective time periods. It outlines the mechanisms by which identity is expressed and assesses when, and to what extent, shared notions of European identity emerge. The analysis finds that identity formation does not occur through a developmental, gradual convergence of views as the European public sphere model envisages. Rather, it is brought about in much more haphazard back-and-forth movements. Moreover, shared notions of European identity between all the journals only arise in moments of perceived crises. Such crises are identified as the most salient factor which galvanizes expressions of a common, shared sense of European identity across national boundaries and ideological cleavages. The thesis concludes that the model of the EPS is too dependent on a partial view of how identity formation occurs and should thus adopt a more nuanced understanding about the complex factors that are at play in these processes. For the principled attempt to circumscribe identity formation as the outcome of communicative processes alone is likely to be thwarted by external events. 2009-11-30T00:00:00Z Hauswedell, Tessa C This thesis analyses processes of discursive European identity formation in three cultural journals: Esprit, from France, the British New Left Review and the German Merkur during the time periods 1989-92, and, a decade later, during 2003-06. The theoretical framework which the thesis brings to bear on this analysis is that of the European Public Sphere. This model builds on Jürgen Habermas’s original model of a “public sphere”, and alleges that a sphere of common debate about issues of European concern can lead to a more defined and integrated sense of a European identity which is widely perceived as vague and inchoate. The relevancy of the public sphere model and its connection to the larger debate about European identity, especially since 1989, are discussed in the first part of the thesis. The second part provides a comparative analysis of the main European debates in the journals during the respective time periods. It outlines the mechanisms by which identity is expressed and assesses when, and to what extent, shared notions of European identity emerge. The analysis finds that identity formation does not occur through a developmental, gradual convergence of views as the European public sphere model envisages. Rather, it is brought about in much more haphazard back-and-forth movements. Moreover, shared notions of European identity between all the journals only arise in moments of perceived crises. Such crises are identified as the most salient factor which galvanizes expressions of a common, shared sense of European identity across national boundaries and ideological cleavages. The thesis concludes that the model of the EPS is too dependent on a partial view of how identity formation occurs and should thus adopt a more nuanced understanding about the complex factors that are at play in these processes. For the principled attempt to circumscribe identity formation as the outcome of communicative processes alone is likely to be thwarted by external events. http://hdl.handle.net/10023/761 Abstract: This study analyses five British translations of Bertolt Brecht's 'Mutter Courage und ihre Kinder'. Two of these translations were written by speakers of German, and three by well-known British playwrights with no knowledge of the source text language. Four have been produced in mainstream British theatres in the past twenty-five years. The study applies translation studies methodology to a textual analysis which focuses on the translation of techniques of linguistic "Verfremdung", as well as linguistic expression of the comedy and of the political dimension in the work. It thus closes the gap in current Brecht research in examining the importance of his idiosyncratic use of language to the translation and reception of his work in the UK. The study assesses the ways in which the translator and director are influenced by Brecht's legacy in the UK and in turn, what image of Brecht they mediate through the production on stage. To this end, the study throws light on the formation of Brecht's problematic reputation in the UK, and it also highlights the social and political circumstances in early twentieth century Germany which prompted Brecht to develop his theory of an epic theatre. The focus on a linguistic examination allows the translator's contribution to the production process to be isolated. Together with an investigation of the reception of each performance text, this in turn facilitates a more accurate assessment of the translator and director's respective influence in the process of transforming a foreign-language text onto a local stage. The analysis also sheds light on the different approaches taken by speakers of German, and playwrights creating an English version from a literal translation. It pinpoints losses in translation and adaptation, and suggests how future versions may avoid these. 2009-11-30T00:00:00Z Williams, Katherine J. This study analyses five British translations of Bertolt Brecht's 'Mutter Courage und ihre Kinder'. Two of these translations were written by speakers of German, and three by well-known British playwrights with no knowledge of the source text language. Four have been produced in mainstream British theatres in the past twenty-five years. The study applies translation studies methodology to a textual analysis which focuses on the translation of techniques of linguistic "Verfremdung", as well as linguistic expression of the comedy and of the political dimension in the work. It thus closes the gap in current Brecht research in examining the importance of his idiosyncratic use of language to the translation and reception of his work in the UK. The study assesses the ways in which the translator and director are influenced by Brecht's legacy in the UK and in turn, what image of Brecht they mediate through the production on stage. To this end, the study throws light on the formation of Brecht's problematic reputation in the UK, and it also highlights the social and political circumstances in early twentieth century Germany which prompted Brecht to develop his theory of an epic theatre. The focus on a linguistic examination allows the translator's contribution to the production process to be isolated. Together with an investigation of the reception of each performance text, this in turn facilitates a more accurate assessment of the translator and director's respective influence in the process of transforming a foreign-language text onto a local stage. The analysis also sheds light on the different approaches taken by speakers of German, and playwrights creating an English version from a literal translation. It pinpoints losses in translation and adaptation, and suggests how future versions may avoid these. http://hdl.handle.net/10023/737 Abstract: Two distinct conditional paradigms are available to speakers of Italian, derived from the Latin periphrases cantare habui/cantare habebam. The aim of this thesis is to describe and explain their patterns of attestation in the earliest northern Italian and Tuscan texts, which date from between 1200 and 1400. Textual analysis showed that while the cantare habui periphrasis was native to both areas, the use of the cantare habebam periphrasis differed in the northern and central dialects. In the northern dialects, the cantare habebam periphrasis was attested in all genres over the whole time period, whereas in the Tuscan dialects it only appeared in literary genres. Moreover, although the northern texts attested both periphrases consistently over time in every genre, only Tuscan poetry followed this pattern. Other genres attested reflexes of the cantare habebam periphrasis for short periods in the fourteenth century. These results suggest that different influences resulted in different patterns of conditional use in the two areas. This thesis postulates that in the northern Italo-Romance dialects the cantare habebam periphrasis was introduced through the proximity to, and influence of, Provençal. Although the use of reflexes of cantare habebam was reinforced in the north by the Sicilian school of poets, the dual nature of the sources meant that it was also retained in prose, and thence into modern dialect use. In contrast, reflexes of the cantare habebam periphrasis were introduced into central Italy through the Sicilian school alone. Although it appeared in prose texts, this was a sporadic phenomenon, resulting from imitation of the influential poetic texts. Because there was no prose source for reflexes of the cantare habebam periphrasis, it did not enter non-literary genres and quickly disappeared from literary prose genres. The cantare habebam periphrasis eventually disappeared entirely from Tuscan poetry as well, and is not attested at all in the modern central dialects. 2009-06-23T00:00:00Z Parkinson, Jennie K. Two distinct conditional paradigms are available to speakers of Italian, derived from the Latin periphrases cantare habui/cantare habebam. The aim of this thesis is to describe and explain their patterns of attestation in the earliest northern Italian and Tuscan texts, which date from between 1200 and 1400. Textual analysis showed that while the cantare habui periphrasis was native to both areas, the use of the cantare habebam periphrasis differed in the northern and central dialects. In the northern dialects, the cantare habebam periphrasis was attested in all genres over the whole time period, whereas in the Tuscan dialects it only appeared in literary genres. Moreover, although the northern texts attested both periphrases consistently over time in every genre, only Tuscan poetry followed this pattern. Other genres attested reflexes of the cantare habebam periphrasis for short periods in the fourteenth century. These results suggest that different influences resulted in different patterns of conditional use in the two areas. This thesis postulates that in the northern Italo-Romance dialects the cantare habebam periphrasis was introduced through the proximity to, and influence of, Provençal. Although the use of reflexes of cantare habebam was reinforced in the north by the Sicilian school of poets, the dual nature of the sources meant that it was also retained in prose, and thence into modern dialect use. In contrast, reflexes of the cantare habebam periphrasis were introduced into central Italy through the Sicilian school alone. Although it appeared in prose texts, this was a sporadic phenomenon, resulting from imitation of the influential poetic texts. Because there was no prose source for reflexes of the cantare habebam periphrasis, it did not enter non-literary genres and quickly disappeared from literary prose genres. The cantare habebam periphrasis eventually disappeared entirely from Tuscan poetry as well, and is not attested at all in the modern central dialects. http://hdl.handle.net/10023/713 Abstract: The project examines how German- and English-speaking translators of selected Maigret novels by the Belgian crime writer Georges Simenon have dealt with cultural and linguistic specificity, with a view to shedding light on how culture and language translate. Following a survey of different theories of translation, an integrated theory is applied in order to highlight what Simenon’s translators have retained and lost from three selected source texts: Le Charretier de la Providence (1931), Les Mémoires de Maigret (1951) and Maigret et les braves gens (1961). The examination of issues of linguistic and cultural specificity is facilitated by application of an integrated theory of translation coupled with the methodology devised by Hervey, Higgins and Loughridge (1992, 1995 and 2002). In addition, consideration of paradigms of detective fiction across the three cultures involved, and Simenon’s biography and wider oeuvre, help elucidate the salient features of the selected source texts. In view of the translators’ decisions, strategies for minimising various types of translation loss are presented. While other studies of translation theory have examined literary and technical texts, this study breaks new ground by focussing specifically on the comparative analysis of detective fiction in translation. 2009-06-23T00:00:00Z Taylor, Judith Louise The project examines how German- and English-speaking translators of selected Maigret novels by the Belgian crime writer Georges Simenon have dealt with cultural and linguistic specificity, with a view to shedding light on how culture and language translate. Following a survey of different theories of translation, an integrated theory is applied in order to highlight what Simenon’s translators have retained and lost from three selected source texts: Le Charretier de la Providence (1931), Les Mémoires de Maigret (1951) and Maigret et les braves gens (1961). The examination of issues of linguistic and cultural specificity is facilitated by application of an integrated theory of translation coupled with the methodology devised by Hervey, Higgins and Loughridge (1992, 1995 and 2002). In addition, consideration of paradigms of detective fiction across the three cultures involved, and Simenon’s biography and wider oeuvre, help elucidate the salient features of the selected source texts. In view of the translators’ decisions, strategies for minimising various types of translation loss are presented. While other studies of translation theory have examined literary and technical texts, this study breaks new ground by focussing specifically on the comparative analysis of detective fiction in translation. http://hdl.handle.net/10023/672 Abstract: The novel El astillero (Buenos Aires 1961), by Juan Carlos Onetti, provides two alternative endings, which have inspired a number of interpretations. The present article provides a reading based on the tension in the novel between the two poles of reality and illusion which intermittently draw the protagonist, Larsen. The reading takes into account the plot of El astillero itself, and also moves beyond this particular novel into other texts in Onetti's Santa Maria cycle where Larsen figures. It is proposed that the ambiguous ending projects a never-ending pendular movement between the poles mentioned, and suggests that Larsen (and Onetti) are unwilling to give up on illusion as a way out of the constraints of reality. 2003-01-01T00:00:00Z San Román, Gustavo The novel El astillero (Buenos Aires 1961), by Juan Carlos Onetti, provides two alternative endings, which have inspired a number of interpretations. The present article provides a reading based on the tension in the novel between the two poles of reality and illusion which intermittently draw the protagonist, Larsen. The reading takes into account the plot of El astillero itself, and also moves beyond this particular novel into other texts in Onetti's Santa Maria cycle where Larsen figures. It is proposed that the ambiguous ending projects a never-ending pendular movement between the poles mentioned, and suggests that Larsen (and Onetti) are unwilling to give up on illusion as a way out of the constraints of reality. http://hdl.handle.net/10023/545 Abstract: This thesis aims to explore an aspect of the history of vernacular speech through analysis of some eighteenth century verse texts. These satirical anti-Jesuit pamphlets by Nicolas Jouin, known as the 'Sarcelades', were collected posthumously in 'Le Vrai Recueil des Sarcelles' of 1764. The texts purport to be in the patois of the peasants of Sarcelles and show features which may be paralleled in the vernacular speech of Paris and elsewhere, and even correspond with features of contemporary colloquial French. The study may appeal to French historical sociolinguists interested in reconstructing spoken language of the past, and particularly in the history of vernacular speech of Paris since the Middle Ages through to the eighteenth century, in the context of the development of urban dialects. In order to set the scene for a linguistic description of Jouin’s work the limited biographical information available was collated. Then a period of bibliographical research led to acquisition of copies of the texts which were to be studied in order to identify and examine their non-standard linguistic features. Firstly the process of growth of urban dialects was discussed, and then the development of the Paris vernacular in particular. Then attention was turned to direct written evidence in the form of commentary and to a number of texts from the sixteenth to eighteenth centuries containing features of the Paris vernacular. These had already been analysed by certain historical linguists, although the texts in the 'Sarcelades' had hitherto only been briefly mentioned. However, here they are considered to be of sufficient interest to be examined more closely, although it had to be established whether Jouin’s texts containing a selection of non-standard features could be regarded as an accurate depiction of the Paris vernacular at the period. The non-standard phonetic, morphological, syntactic, and lexical features in the texts were therefore compared with findings in other texts by previous commentators. Following these analyses it was noted to what extent the relative frequency of the variables correlates with the salience of certain features in popular speech in Paris at the period, as already observed in other texts by previous commentators, and it was concluded that in general established characteristics of the 'patois de Paris' at the period are to be found in the 'Sarcelades', even though there do remain certain features which do not appear to be generally attested elsewhere. Nevertheless, despite reservations concerning the authenticity of some of the non-standard features employed by Jouin, by bringing attention to this little-known series of texts this study may help to claim a place for the Sarcelades amongst the corpus of texts which reflect aspects of the lower-class sociolect, the 'patois de Paris', at the period. 2008-11-27T00:00:00Z Randell, Elizabeth This thesis aims to explore an aspect of the history of vernacular speech through analysis of some eighteenth century verse texts. These satirical anti-Jesuit pamphlets by Nicolas Jouin, known as the 'Sarcelades', were collected posthumously in 'Le Vrai Recueil des Sarcelles' of 1764. The texts purport to be in the patois of the peasants of Sarcelles and show features which may be paralleled in the vernacular speech of Paris and elsewhere, and even correspond with features of contemporary colloquial French. The study may appeal to French historical sociolinguists interested in reconstructing spoken language of the past, and particularly in the history of vernacular speech of Paris since the Middle Ages through to the eighteenth century, in the context of the development of urban dialects. In order to set the scene for a linguistic description of Jouin’s work the limited biographical information available was collated. Then a period of bibliographical research led to acquisition of copies of the texts which were to be studied in order to identify and examine their non-standard linguistic features. Firstly the process of growth of urban dialects was discussed, and then the development of the Paris vernacular in particular. Then attention was turned to direct written evidence in the form of commentary and to a number of texts from the sixteenth to eighteenth centuries containing features of the Paris vernacular. These had already been analysed by certain historical linguists, although the texts in the 'Sarcelades' had hitherto only been briefly mentioned. However, here they are considered to be of sufficient interest to be examined more closely, although it had to be established whether Jouin’s texts containing a selection of non-standard features could be regarded as an accurate depiction of the Paris vernacular at the period. The non-standard phonetic, morphological, syntactic, and lexical features in the texts were therefore compared with findings in other texts by previous commentators. Following these analyses it was noted to what extent the relative frequency of the variables correlates with the salience of certain features in popular speech in Paris at the period, as already observed in other texts by previous commentators, and it was concluded that in general established characteristics of the 'patois de Paris' at the period are to be found in the 'Sarcelades', even though there do remain certain features which do not appear to be generally attested elsewhere. Nevertheless, despite reservations concerning the authenticity of some of the non-standard features employed by Jouin, by bringing attention to this little-known series of texts this study may help to claim a place for the Sarcelades amongst the corpus of texts which reflect aspects of the lower-class sociolect, the 'patois de Paris', at the period. http://hdl.handle.net/10023/421 Abstract: Based on a comparative method of enquiry, this thesis analyses the process of self-definition expressed in the work of Gloria Fuertes (Madrid, 1917-1998) and Pilar Paz Pasamar (Jerez de la Frontera, 1933) as individual alternatives to the collective ethos and literary practices promoted within the patriarchal society of Franco’s Spain. Recognizing the poets’ cultural and socio-political context as determining factors in their experiences as women and poets, and therefore in their outlook and poetics, this context and how it is reflected in their poetry provides the starting point (Chapter 1). Both poets acknowledge that writing poetry can provide them with a metaphorical space of freedom that enables them to develop their identity and explore their preoccupations. Therefore, their thoughts about poetry provide an important theme that occurs in the poetry of both (Chapter 2). Closely related to this is the link they establish between poetic inspiration and the divine, which in the case of Pilar Paz Pasamar leads to the attempt to use the special qualities of poetic language to refer to a universal truth that she is aware of and which transcends the capabilities of language, while Gloria Fuertes regards poetry as a divine gift that can provide solace and is ultimately able to improve the world (Chapter 3). The fourth chapter focuses on specific elements of the two poets’ work that reveal the distinctive mechanisms of self-construction they develop. The section on Fuertes considers humour as a survival strategy that enables the poet to reach out to her readership and emphasize her focus on the here and now, while the discussion on Paz’s work looks at how the use of sea imagery allows her to convey abstract experiences based on introspection. Thus, it is argued that their poetry reflects the different strategies the two women develop – based on integration in the case of Fuertes and a more separate position in the case of Paz – to define themselves in relation to their world. 2007-11-30T00:00:00Z Ten Hacken, Hilde Based on a comparative method of enquiry, this thesis analyses the process of self-definition expressed in the work of Gloria Fuertes (Madrid, 1917-1998) and Pilar Paz Pasamar (Jerez de la Frontera, 1933) as individual alternatives to the collective ethos and literary practices promoted within the patriarchal society of Franco’s Spain. Recognizing the poets’ cultural and socio-political context as determining factors in their experiences as women and poets, and therefore in their outlook and poetics, this context and how it is reflected in their poetry provides the starting point (Chapter 1). Both poets acknowledge that writing poetry can provide them with a metaphorical space of freedom that enables them to develop their identity and explore their preoccupations. Therefore, their thoughts about poetry provide an important theme that occurs in the poetry of both (Chapter 2). Closely related to this is the link they establish between poetic inspiration and the divine, which in the case of Pilar Paz Pasamar leads to the attempt to use the special qualities of poetic language to refer to a universal truth that she is aware of and which transcends the capabilities of language, while Gloria Fuertes regards poetry as a divine gift that can provide solace and is ultimately able to improve the world (Chapter 3). The fourth chapter focuses on specific elements of the two poets’ work that reveal the distinctive mechanisms of self-construction they develop. The section on Fuertes considers humour as a survival strategy that enables the poet to reach out to her readership and emphasize her focus on the here and now, while the discussion on Paz’s work looks at how the use of sea imagery allows her to convey abstract experiences based on introspection. Thus, it is argued that their poetry reflects the different strategies the two women develop – based on integration in the case of Fuertes and a more separate position in the case of Paz – to define themselves in relation to their world. http://hdl.handle.net/10023/343 Abstract: Luis Cernuda (1902-1963) was exiled from Spain in 1938 due to the outbreak of the Spanish Civil War. He lived in Great Britain, America and Mexico and he never returned to his homeland. Until the mid-1960s, he was considered by the Spanish literary establishment to be an evasive and astringent poet. Since then, critics have recognised and praised the ethical quality and nature of his work and he is now considered to be one of the most profound and influential Spanish poets of the twentieth century. Despite the growing body of critical work on Cernuda, the salient role played by memory in his poetry has received little sustained critical attention. Critics have tended to stress the nostalgic and the evasive rather than the ethical and contemplative role played by memory in his work both before and after his departure from Spain. The objective of this thesis is to provide a more balanced view of the poet’s use of memory in his early and mature poetry. Rather than limiting his concept of memory to nostalgia for his youth or his homeland, it argues that he deploys memory as an instrument of self-analysis, self-discovery and self-criticism. The first chapter concentrates on his pre-exilic poetry in order to show that memory plays a fundamental role in his poetics prior to the experience of physical exile. The central body of the thesis examines the increasingly analytical and philosophical role played by memory in a selection of his mature prose and verse texts written outwith Spain. 2007-06-22T00:00:00Z Logan, Aileen A. Luis Cernuda (1902-1963) was exiled from Spain in 1938 due to the outbreak of the Spanish Civil War. He lived in Great Britain, America and Mexico and he never returned to his homeland. Until the mid-1960s, he was considered by the Spanish literary establishment to be an evasive and astringent poet. Since then, critics have recognised and praised the ethical quality and nature of his work and he is now considered to be one of the most profound and influential Spanish poets of the twentieth century. Despite the growing body of critical work on Cernuda, the salient role played by memory in his poetry has received little sustained critical attention. Critics have tended to stress the nostalgic and the evasive rather than the ethical and contemplative role played by memory in his work both before and after his departure from Spain. The objective of this thesis is to provide a more balanced view of the poet’s use of memory in his early and mature poetry. Rather than limiting his concept of memory to nostalgia for his youth or his homeland, it argues that he deploys memory as an instrument of self-analysis, self-discovery and self-criticism. The first chapter concentrates on his pre-exilic poetry in order to show that memory plays a fundamental role in his poetics prior to the experience of physical exile. The central body of the thesis examines the increasingly analytical and philosophical role played by memory in a selection of his mature prose and verse texts written outwith Spain. http://hdl.handle.net/10023/323 Abstract: This thesis sets out to investigate the development of the recent historical novel in Mexico by examining a corpus of five novels. Elena Garro’s 'Los recuerdos del porvenir' (1963) represents the final point of the novel of the Revolution and it is the link with the recent historical novel. Carlos Fuentes’ 'Terra Nostra' (1975) and Fernando del Paso’s 'Noticias del Imperio' (1978) belong to the group containing the postmodern historical novel. 'Terra Nostra' summarizes all the concerns of postmodernism and can be considered as a paradigm of this current of thought. 'Noticias del Imperio' seeks a reconciliation between history and literature in an attempt to get closer to the historical truth. Paco Ignacio Taibo II’s 'La lejanía del Tesoro' (1992) is a representative novel in the way it melds history with the mystery novel, developing the genre of the historical thriller. Lastly, Rosa Beltrán’s 'La corte de los ilusos' (1995), and in particular its treatment of history is pertinent to this thesis due to the fact that women have been traditionally silenced by official history. This novel gives them a voice. From its beginnings, the historical novel confronted the problem of being questioned for its lack of accuracy when dealing with the past. This skepticism sparked a long lasting debate that initially degraded the historical novel as secondary genre that could never contribute to historical knowledge. However, as a result of recent theories that seek to defend the poetic nature of history, a theory developed initially by Hayden White, the recent historical novel has sought to debunk historiography’s claim to be the only possible way to recount the past. This thesis advances the theory that the recent historical novel in Mexico is the result of a search for a genuine identity, as well as a quest to develop an alternative, yet truthful, interpretation of a past whose true nature has been distorted by decades of historical officialdom. This process is seen in a context of increasing democratisation and globalisation. 2007-06-22T00:00:00Z Rafael, Laura This thesis sets out to investigate the development of the recent historical novel in Mexico by examining a corpus of five novels. Elena Garro’s 'Los recuerdos del porvenir' (1963) represents the final point of the novel of the Revolution and it is the link with the recent historical novel. Carlos Fuentes’ 'Terra Nostra' (1975) and Fernando del Paso’s 'Noticias del Imperio' (1978) belong to the group containing the postmodern historical novel. 'Terra Nostra' summarizes all the concerns of postmodernism and can be considered as a paradigm of this current of thought. 'Noticias del Imperio' seeks a reconciliation between history and literature in an attempt to get closer to the historical truth. Paco Ignacio Taibo II’s 'La lejanía del Tesoro' (1992) is a representative novel in the way it melds history with the mystery novel, developing the genre of the historical thriller. Lastly, Rosa Beltrán’s 'La corte de los ilusos' (1995), and in particular its treatment of history is pertinent to this thesis due to the fact that women have been traditionally silenced by official history. This novel gives them a voice. From its beginnings, the historical novel confronted the problem of being questioned for its lack of accuracy when dealing with the past. This skepticism sparked a long lasting debate that initially degraded the historical novel as secondary genre that could never contribute to historical knowledge. However, as a result of recent theories that seek to defend the poetic nature of history, a theory developed initially by Hayden White, the recent historical novel has sought to debunk historiography’s claim to be the only possible way to recount the past. This thesis advances the theory that the recent historical novel in Mexico is the result of a search for a genuine identity, as well as a quest to develop an alternative, yet truthful, interpretation of a past whose true nature has been distorted by decades of historical officialdom. This process is seen in a context of increasing democratisation and globalisation. http://hdl.handle.net/10023/317 Abstract: Through an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual representations between the reportage and fiction genres. Roth believed that writers should be engagiert, and that the truth could only be arrived at through close observation of reality, not subordinated to theory. The research analyses the techniques by which Roth challenges his readers and encourages them to discover the truth for themselves. Three basic variants of Heuristic Visuals are identified, and their use in different contexts, including that of dialectical presentations, is explored. There is evidence of the use of different variants of Heuristic Visuals according to the respective rhetorical demands of particular thematic issues. It has also been possible to establish synchronic correspondences between the different genres, and diachronic correspondences within genres. Although there are examples within the reportage where the entire article is based on an Heuristic Visual, the use of Heuristic Visuals cannot be seen as a key organizing principle in Roth’s work as a whole. As his mastery of the technique reaches its highest point in the early 1930s, Heuristic Visuals are often incorporated into the reconstruction of a complete sensory experience. Analysis of Roth’s heuristic use of visual representations has led to important insights, including a reinterpretation of the endings of Roth’s two most famous novels: Hiob and Radetzkymarsch. 2007-06-22T00:00:00Z Newman, Sigrid J. Through an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual representations between the reportage and fiction genres. Roth believed that writers should be engagiert, and that the truth could only be arrived at through close observation of reality, not subordinated to theory. The research analyses the techniques by which Roth challenges his readers and encourages them to discover the truth for themselves. Three basic variants of Heuristic Visuals are identified, and their use in different contexts, including that of dialectical presentations, is explored. There is evidence of the use of different variants of Heuristic Visuals according to the respective rhetorical demands of particular thematic issues. It has also been possible to establish synchronic correspondences between the different genres, and diachronic correspondences within genres. Although there are examples within the reportage where the entire article is based on an Heuristic Visual, the use of Heuristic Visuals cannot be seen as a key organizing principle in Roth’s work as a whole. As his mastery of the technique reaches its highest point in the early 1930s, Heuristic Visuals are often incorporated into the reconstruction of a complete sensory experience. Analysis of Roth’s heuristic use of visual representations has led to important insights, including a reinterpretation of the endings of Roth’s two most famous novels: Hiob and Radetzkymarsch.