2024-03-28T15:46:08Zhttps://research-repository.st-andrews.ac.uk/oai/requestoai:research-repository.st-andrews.ac.uk:10023/177412019-05-24T02:06:11Zcom_10023_67com_10023_23col_10023_69
The Image o’ God
Crawford, Robert
2019-05-22T14:43:17Z
2019-05-22T14:43:17Z
2019-05-22T14:43:17Z
2019-04
Conference paper
Crawford, R. (2019). The Image o’ God. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/the-image-o-god/
http://hdl.handle.net/10023/17741
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/141772023-04-18T23:37:58Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
Unrecorded copies of Middle English verse and prose in Dublin, Trinity College, MS 352
Connolly, Margaret
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
Middle English literature
Verse
Dublin, Trinity College, MS 352
Prose
Walter Hilton
Dives and Pauper
Memento mori
Sixteenth century
Commonplace book
Z004 Books. Writing. Paleography
PR English literature
T-NDAS
This article gives details of otherwise unrecorded copies of extracts from Walter Hilton's 'Scale of Perfection' and from 'Dives and Pauper' which occur in a sixteenth-century manuscript commonplace book, Dublin, Trinity College, MS 352. Some of the extracts may have been copied from printed sources.
2018-06-18T10:30:06Z
2018-06-18T10:30:06Z
2018-06-18T10:30:06Z
2018
Journal article
Connolly , M 2018 , ' Unrecorded copies of Middle English verse and prose in Dublin, Trinity College, MS 352 ' , Medium Aevum , vol. 87 , no. 1 , pp. 133-136 . < http://aevum.space/system/files/pp.%20133-136%20Connolly.pdf >
0025-8385
PURE: 250428764
PURE UUID: 15802740-f296-4985-8c03-255adb93150a
Scopus: 85055348303
ORCID: /0000-0001-5010-9782/work/45947560
WOS: 000439764000007
http://hdl.handle.net/10023/14177
http://aevum.space/87/1
http://aevum.space/system/files/pp.%20133-136%20Connolly.pdf
eng
Medium Aevum
© 2018 SSMLL. This work has been made available online with permission from the journal. This is the final published version of the work, which was originally published at http://aevum.space/87/1
oai:research-repository.st-andrews.ac.uk:10023/18522023-04-18T09:40:36Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
Living in the past : Thebes, periodization, and The Two Noble Kinsmen
Davis, Alexander Lee
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
PR English literature
Our sense of the distinction between the "medieval" and the "early modern" is structured by two notions: that the early modern period is characterized by the death of a chivalric culture that is dominant in the medieval period; and that the early modern is distinguished from the medieval by its superior historical self-awareness. This essay reassesses these themes through a reading of Shakespeare and Fletcher's The Two Noble Kinsmen (1634). This is a play of knighthood and chivalric spectacle, adapted from Chaucer's Knight's Tale, which brings Chaucer on stage in the play's prologue. Reading the play through a tradition of "Theban" narratives that proliferated from antiquity through the Middle Ages shows that the representation of chivalric culture in The Two Noble Kinsmen constructs a vision of the past very different from how modern accounts distinguish between medieval and early modern cultures.
2011-06-13T15:32:15Z
2011-06-13T15:32:15Z
2011-06-13T15:32:15Z
2010
Journal article
Davis , A L 2010 , ' Living in the past : Thebes, periodization, and The Two Noble Kinsmen ' , Journal of Medieval and Early Modern Studies , vol. 40 , no. 1 , pp. 173-195 . https://doi.org/10.1215/10829636-2009-018
1082-9636
PURE: 470383
PURE UUID: 2bf5bbba-1023-4290-aabe-3f0f0a988506
standrews_research_output: 32267
Scopus: 77951037513
http://hdl.handle.net/10023/1852
https://doi.org/10.1215/10829636-2009-018
http://www.scopus.com/inward/record.url?scp=77951037513&partnerID=8YFLogxK
eng
Journal of Medieval and Early Modern Studies
© 2010 by Duke University Press. This work is made available online in accordance with publisher policies. Published version also available from DOI: 10.1215/10829636-2009-018
oai:research-repository.st-andrews.ac.uk:10023/177422019-05-24T02:06:12Zcom_10023_67com_10023_23col_10023_69
Joe Corrie’s bairns. A role for Joe Corrie in the Scottish secondary curriculum
Hershaw, William
2019-05-22T14:46:57Z
2019-05-22T14:46:57Z
2019-05-22T14:46:57Z
2019-04
Conference paper
Hershaw, W. (2019). Joe Corrie’s bairns. A role for Joe Corrie in the Scottish secondary curriculum. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018.
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/joe-corries-bairns-a-role-for-joe-corrie-in-the-scottish-secondary-curriculum/
http://hdl.handle.net/10023/17742
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/22852024-03-11T00:40:56Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
"No word for it" : Postcolonial Anglo-Saxon in John Haynes' Letter to Patience
Jones, Chris
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
PR English literature
This article examines a number of allusions to Old English, especially to the poem The Wanderer, in John Haynes’s award winning poem Letter to Patience (2006). A broad historical contextualisation of the use of Anglo-Saxon in modern poetry is offered first, against which Haynes’s specific poetic Anglo-Saxonism is then analysed in detail. Consideration is given to the sources – editions and translations – that Haynes used, and a sustained close reading of sections of his poem is offered in the light of this source study. The representation of English as an instrument of imperialism is discussed and juxtaposed with the use and status of early English to offer a long historical view of the politics of the vernacular. It is argued that Haynes’s poem, set partly in Nigeria, represents a new departure in the use it finds for Old English poetry, in effect constituting a kind of ‘postcolonial Anglo-Saxonism’.
2012-02-09T10:31:02Z
2012-02-09T10:31:02Z
2012-02-09T10:31:02Z
2010
Journal article
Jones , C 2010 , ' "No word for it" : Postcolonial Anglo-Saxon in John Haynes' Letter to Patience ' , The Southern African Journal of Medieval and Renaissance Studies , vol. 20 , pp. 63-90 .
1017-3455
https://hdl.handle.net/10023/2285
http://sasmarsnewsletter.blogspot.com/
eng
The Southern African Journal of Medieval and Renaissance Studies
oai:research-repository.st-andrews.ac.uk:10023/171252024-02-17T00:41:24Zcom_10023_67com_10023_23com_10023_879com_10023_878col_10023_69col_10023_880
Modernism's traffic-sense
Purdon, James
University of St Andrews. School of English
B Philosophy (General)
T-NDAS
BDC
2019-02-22T00:32:58Z
2019-02-22T00:32:58Z
2019-02-22T00:32:58Z
2017-02-22
Journal article
Purdon , J 2017 , ' Modernism's traffic-sense ' , Critical Quarterly , vol. 58 , no. 4 , pp. 10-26 . https://doi.org/10.1111/criq.12311
0011-1562
ORCID: /0000-0003-3553-2149/work/65014363
https://hdl.handle.net/10023/17125
10.1111/criq.12311
eng
Critical Quarterly
oai:research-repository.st-andrews.ac.uk:10023/177442019-05-24T02:06:12Zcom_10023_67com_10023_23col_10023_69
‘Now playwrights could be got from the ranks of the working class’: Joe Corrie and the 1951 Edinburgh People’s Festival
Leith, Sarah
2019-05-22T14:51:00Z
2019-05-22T14:51:00Z
2019-05-22T14:51:00Z
2019-04
Conference paper
Leith, S. (2019). ‘Now playwrights could be got from the ranks of the working class’: Joe Corrie and the 1951 Edinburgh People’s Festival. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018.
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/now-playwrights-could-be-got-from-the-ranks-of-the-working-class-joe-corrie-and-the-1951-edinburgh-peoples-festival/
http://hdl.handle.net/10023/17744
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/6472019-03-29T15:59:53Zcom_10023_67com_10023_23col_10023_69
"One can emend a mutilated text": Auden's The Orators and the Old English Exeter Book
Jones, Chris
Auden
Orators
Exeter Book
Old English
Anglo-Saxon
Poetry
Gifts of Men
Fortunes of Men
Maxims
This article argues that Book I of Auden's 1931 work 'The Orators' does not merely allude to poems in the Old English Exeter Book as source material, but that it participates in a medievalist model of textual production. Auden's poem performs acts analogous to those such as 'compliatio' and 'ordinatio', and deliberately misrepresents and distorts its source texts even as it alludes to them in order to make a point about the transmission and corruption of canonical texts. In addition, some source material is identified here for the first time.
2009-04-08T10:57:13Z
2009-04-08T10:57:13Z
2009-04-08T10:57:13Z
2002
Journal article
Jones, C. (2002). '"One can emend a mutilated text": Auden's The Orators and the Old English Exeter Book.' TEXT: An interdisciplinary Annual of Textual Studies 15: 261-275
0736-3974
StAndrews.ResExp.Output.OutputID.6827
http://hdl.handle.net/10023/647
en
261-275
oai:research-repository.st-andrews.ac.uk:10023/177402019-05-24T02:06:11Zcom_10023_67com_10023_23col_10023_69
'A lazy lout’. Joe Corrie and the heroism of labour
Bowd, Gavin
2019-05-22T14:41:16Z
2019-05-22T14:41:16Z
2019-05-22T14:41:16Z
2019-04
Conference paper
Bowd, G. (2019). 'A lazy lout’. Joe Corrie and the heroism of labour. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018.
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/a-lazy-lout-joe-corrie-and-the-heroism-of-labour/
http://hdl.handle.net/10023/17740
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/177392019-05-24T02:06:13Zcom_10023_67com_10023_23col_10023_69
The political context of Joe Corrie’s In Time o’ Strife
Petrie, Malcolm
2019-05-22T14:39:19Z
2019-05-22T14:39:19Z
2019-05-22T14:39:19Z
2019-04
Conference paper
Petrie, M. (2019). The political context of Joe Corrie’s In Time o’ Strife. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018.
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/the-political-context-of-joe-corries-in-time-o-strife/
http://hdl.handle.net/10023/17739
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/4202019-03-29T15:59:55Zcom_10023_67com_10023_23col_10023_69oai:research-repository.st-andrews.ac.uk:10023/92472024-03-27T00:41:54Zcom_10023_67com_10023_23com_10023_879com_10023_878col_10023_69col_10023_880
A rebellious past : history, theatre and the England riots
Haddow, Sam
University of St Andrews. School of English
England riots
Edward Bond
Gillian Slovo
Alain Badiou
Verbatim Theatre
History
PN2000 Dramatic representation. The Theater
BDC
R2C
Alain Badiou has argued that the England riots of 2011, in dialogue with societal upheavals around the world that same year, demonstrated fundamental crises in our governing social, economic and political discourses. Whilst institutional responses to the riots treated them as an aberration, Badiou believes them to be symptomatic of a broader rebirth of ‘history’ – the coalescing of past and present events into a congruent trajectory with powerful implications for the future. Using Badiou’s argument as a starting point, this article considers two theatrical responses to the riots – Nicholas Kent’s premiere of Gillian Slovo’s The Riots at the Tricycle, and Sean Holmes’ revival of Edward Bond’s Saved at the Lyric Hammersmith. By looking at the ways in which the productions sought to historicise the riots, I unpick both their interpretations of these events, and the contributions they were able to make to the urgent and ongoing discussions that the riots have generated.
2016-08-02T23:31:01Z
2016-08-02T23:31:01Z
2016-08-02T23:31:01Z
2015
Journal article
Haddow , S 2015 , ' A rebellious past : history, theatre and the England riots ' , Studies in Theatre and Performance , vol. 35 , no. 1 , pp. 7-21 . https://doi.org/10.1080/14682761.2014.1002303
1468-2761
https://hdl.handle.net/10023/9247
10.1080/14682761.2014.1002303
eng
Studies in Theatre and Performance
oai:research-repository.st-andrews.ac.uk:10023/177432019-05-24T02:06:12Zcom_10023_67com_10023_23col_10023_69
From Montsou to Bowhill: Joe Corrie’s antecedents
Hubbard, Tom
2019-05-22T14:49:04Z
2019-05-22T14:49:04Z
2019-05-22T14:49:04Z
2019-04
Conference paper
Hubbard, T. (2019). From Montsou to Bowhill: Joe Corrie’s antecedents. The Joe Corrie Anniversary Conference, St Andrews, 03/10/2018.
https://arts.st-andrews.ac.uk/joe-corrie/conferencepapers/from-montsou-to-bowhill-joe-corries-antecedents/
http://hdl.handle.net/10023/17743
en
The Joe Corrie Anniversary Conference
http://creativecommons.org/licenses/by-nc-nd/4.0/
Copyright © 2019, the author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). The non-commercial use, distribution or reproduction is permitted provided the original author(s) and the copyright owner(s) are credited, the original publication is cited, the Creative Commons licence is displayed, and no modifications or adaptations are made. No use, distribution or reproduction is permitted which does not comply with these terms, use beyond the licence terms is only allowed following express permission from the copyright holder(s)/author(s).
Attribution-NonCommercial-NoDerivatives 4.0 International
University of St Andrews
oai:research-repository.st-andrews.ac.uk:10023/6462019-03-29T15:59:56Zcom_10023_67com_10023_23col_10023_69
"One a Bird Bore Off": Anglo-Saxon and the elegiac in The Cantos'
Jones, Chris
Ezra Pound
The Cantos
Canto 27
Canto 28
Old English Poetry
The Wanderer
Modern Poetry
Anglo-Saxon Poetry
elegy
elegiac
This article provides an explanation and context for Pound's quotation from the Old English poem 'The Wanderer' at the start of 'Canto 27' and discusses the previously unacknowledged stylistic and rhythmical debts to Old English in 'Canto 28'. The article argues that Pound sees this 'saxonist' style specifically as elegiac and deploys it accordingly.
2009-04-08T10:45:51Z
2009-04-08T10:45:51Z
2009-04-08T10:45:51Z
2001
Journal article
Jones, C. (2001). 'One-a-bird-bore-off': Anglo-Saxon and the elegaic in The 'Cantos'.' Paideuma 30: 91-98
StAndrews.ResExp.Output.OutputID.6829
http://hdl.handle.net/10023/646
en
91-98
oai:research-repository.st-andrews.ac.uk:10023/6452019-03-29T15:59:58Zcom_10023_67com_10023_23col_10023_69
Knight or Wight in Keats's 'La Bella Dame'?: An Ancient Ditty Reconsidered
Jones, Chris
Keats
La Belle Dame sans Merci
poem poetry
text
textual
version
medieval
medieaval
medievalist
mediaevalist
knight
wight
This article re-examines the various processes of textual transmission for Keats's 'La Belle Dame sans Merci', which have resulted in two 'competing' texts of the poem. It argues that a medieval model of textual production offers a strategy for dealing with this circumstance, and that, approached in this way, there is no need to resolve the textual 'problem' that the poem poses.
2009-04-08T10:31:53Z
2009-04-08T10:31:53Z
2009-04-08T10:31:53Z
2005
Journal article
Jones, C. (2005). 'Knight or Wight in Keats's 'La Bella Dame'?: An Ancient Ditty Reconsidered.' Keats-Shelley Review 19: 39-49
0952-4142
StAndrews.ResExp.Output.OutputID.10276
http://hdl.handle.net/10023/645
en
39-49
oai:research-repository.st-andrews.ac.uk:10023/33192023-04-18T09:47:04Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
While crowding memories came : Edwin Morgan, Old English and nostalgia
Jones, Chris
The Royal Society of Edinburgh
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
Edwin Morgan
poetry
Beowulf
riddles
old english
anglo-saxon
homosexuality
gay
nostalgia
PR English literature
2013-01-07T17:01:01Z
2013-01-07T17:01:01Z
2013-01-07T17:01:01Z
2012
Journal article
Jones , C 2012 , ' While crowding memories came : Edwin Morgan, Old English and nostalgia ' , Scottish Literary Review , vol. 4 , no. 2 , pp. 123-144 .
1756-5634
PURE: 41378999
PURE UUID: f0e1e816-4078-4e8f-b147-254f89477587
Scopus: 84878469880
http://hdl.handle.net/10023/3319
http://www.arts.gla.ac.uk/ScotLit/ASLS/SLR.html
eng
Scottish Literary Review
This is the author's version of an article published in Scottish Literary Review
oai:research-repository.st-andrews.ac.uk:10023/33372023-04-18T09:46:41Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
Excavating the borders of literary Anglo-Saxonism in nineteenth-century Britain and Australia
D'Arcens, Louise
Jones, Chris
Arts and Humanities Research Board
The British Academy
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
Anglo-Saxonism
William Barnes
Walter Scott
Old English
PR English literature
Comparing nineteenth-century British and Australian Anglo-Saxonist literature enables a "decentered" exploration of Anglo-Saxonism's intersections with national, imperial, and colonial discourses, challenging assumption that this discourse was an uncritical vehicle of English nationalism and British manifest destiny. Far from reflecting a stable imperial center, evocations of 'ancient Englishness' in British literature were polyvalent and self-contesting, while in Australian literature they offered a response to colonization and emerging knowledge about the vast age of Indigenous Australian cultures.
2013-02-06T22:01:05Z
2013-02-06T22:01:05Z
2013-02-06T22:01:05Z
2013-12
Journal article
D'Arcens , L & Jones , C 2013 , ' Excavating the borders of literary Anglo-Saxonism in nineteenth-century Britain and Australia ' , Representations , vol. 121 , no. 1 , 121 , pp. 85-106 . https://doi.org/10.1525/rep.2013.121.1.85
0734-6018
PURE: 30090927
PURE UUID: 53630f20-f908-4d44-bfab-0e76b72d0116
Scopus: 84872864289
http://hdl.handle.net/10023/3337
https://doi.org/10.1525/rep.2013.121.1.85
AH/E50373X/1
eng
Representations
Published as Louise D’arcens and Chris Jones. 2013. Excavating the Borders of Literary Anglo-Saxonism in Nineteenth-Century Britain and Australia. Representations, Vol. 121, No. 1 (Winter 2013), pp. 85-106. © 2013 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on [JSTOR (http://www.jstor.org/r/ucal)] or directly with the Copyright Clearance Center, http://www.copyright.com
oai:research-repository.st-andrews.ac.uk:10023/25902023-04-25T23:35:18Zcom_10023_67com_10023_23com_10023_879com_10023_878col_10023_69col_10023_880
Marlowe and the Greeks
Rhodes, Neil
The British Academy
University of St Andrews. School of English
Lucian
Marlowe
Xenephon
PR English literature
PA Classical philology
SDG 16 - Peace, Justice and Strong Institutions
Marlowe's combination of lyric violence with a spirit of irony and scepticism has always seemed somewhat paradoxical, but we may find an explanation for it in his debt to Greek. Greek language learning developed in England from the early 1500s onwards and was particularly strong at Cambridge under Sir John Cheke in the 1540s, when many of the teachers of the future generation of Elizabethan writers were trained. In the case of Marlowe, what Joseph Hall was to label ‘pure iambics’ can be seen to have Greek origins, and the plays in which these are first deployed (the two parts of Tamburlaine) almost certainly take Xenophon's Cyrpopaiedia as one of their models. But the ironic Marlowe is also evident in Tamburlaine, and the model here is not Xenophon but Lucian, whom Gabriel Harvey records as being a vogue author with Cambridge students in 1580, the year that Marlowe matriculated. Lucian also impacts on Doctor Faustus, and this becomes more evident if we read the famous line on Helen of Troy from the Dialogues of the Dead in the context of another passage from ‘The Judgement of the Goddesses’ from Dialogues of the Gods.
2012-05-09T00:07:49Z
2012-05-09T00:07:49Z
2012-05-09T00:07:49Z
2013
Journal article
Rhodes , N 2013 , ' Marlowe and the Greeks ' , Renaissance Studies , vol. 27 , no. 2 , pp. 199-218 . https://doi.org/10.1111/j.1477-4658.2011.00796.x
0269-1213
PURE: 13067536
PURE UUID: da5df12b-64c9-4157-8de8-6aa8313ad4ca
Scopus: 84875053969
http://hdl.handle.net/10023/2590
https://doi.org/10.1111/j.1477-4658.2011.00796.x
eng
Renaissance Studies
This is the author's version of this article, deposited by permission of the publisher. © 2011 The Author. Renaissance Studies © 2011 The Society for Renaissance Studies, Blackwell Publishing Ltd. The definitive version is available from http://onlinelibrary.wiley.com
oai:research-repository.st-andrews.ac.uk:10023/46062023-04-25T23:38:26Zcom_10023_67com_10023_23com_10023_445com_10023_39com_10023_879com_10023_878col_10023_69col_10023_446col_10023_880
An English lecturer, a palliative care practitioner, and an absent poet have a confabulation
Jones, Chris
Macpherson, Catriona
Carnegie Trust
University of St Andrews. School of English
University of St Andrews. St Andrews Institute of Medieval Studies
Cancer
Collaborative writing
Dying
Death and bereavement
Douglas Dunn
Literary archives
Palliative care
Poetry
Therapeutic writing
PN0080 Criticism
SDG 3 - Good Health and Well-being
The possibilities for developing the poet Douglas Dunn’s archive (which includes the drafts and manuscripts for his collection Elegies, dealing with the terminal illness and death of the poet’s wife from cancer) for therapeutic benefit are explored by an English lecturer (C.J.) and a palliative care practitioner (C.M.). This has led us to explore the potential benefit of this resource for health practitioners working with those affected by cancer and other life-limiting conditions. This article offers a “written conversation” (an acknowledged oxymoron of genre) about working with the themes of death and loss: a conversation which includes Douglas Dunn, who was not actually there. We reflect on the value of this “confabulation” as methodological inquiry, and its potential influence on practice. Thus, an example of “creative writing” (the confabulation) becomes a piece of research into methodology regarding the use of “creative writing” resources (the poetry archive) in palliative health care.
2014-04-24T16:01:01Z
2014-04-24T16:01:01Z
2014-04-24T16:01:01Z
2014-07-09
Journal article
Jones , C & Macpherson , C 2014 , ' An English lecturer, a palliative care practitioner, and an absent poet have a confabulation ' , Cultural Studies - Critical Methodologies , vol. 14 , no. 4 , pp. 361-368 . https://doi.org/10.1177/1532708614530307
1552-356X
PURE: 113248888
PURE UUID: ede49ce7-4504-4172-b483-432ceebd8467
Scopus: 84904352046
http://hdl.handle.net/10023/4606
https://doi.org/10.1177/1532708614530307
eng
Cultural Studies - Critical Methodologies
Copyright 2014, the authors. This is the accepted version of this article. The published version of record (c) SAGE Publications is available at: doi: 10.1177/1532708614530307