2024-03-28T19:53:16Zhttps://research-repository.st-andrews.ac.uk/oai/requestoai:research-repository.st-andrews.ac.uk:10023/219602022-03-01T11:17:03Zcom_10023_6580com_10023_6579col_10023_6581
Hill, Cecil
100 p
2021-04-08T08:59:38Z
2021-04-08T08:59:38Z
1966
http://hdl.handle.net/10023/21960
en
University of St Andrews
The University of St Andrews
ML171.L454H5
Music--17th century--History and criticism
Sir William Leighton : the tears or lamentations of a sorrowful soul 1614
Thesis
Doctoral
PhD Doctor of Philosopy
ORIGINAL
CecilHillPhDthesis1966_original_C.pdf
application/pdf
55681085
https://research-repository.st-andrews.ac.uk/bitstream/10023/21960/1/CecilHillPhDthesis1966_original_C.pdf
3bcd4d99e5c2866f80e0282505ca674f
MD5
1
TEXT
CecilHillPhDthesis1966_original_C.pdf.txt
CecilHillPhDthesis1966_original_C.pdf.txt
Extracted text
text/plain
455773
https://research-repository.st-andrews.ac.uk/bitstream/10023/21960/2/CecilHillPhDthesis1966_original_C.pdf.txt
c595f674e073493e770c91165052cdf3
MD5
2
THUMBNAIL
CecilHillPhDthesis1966_original_C.pdf.jpg
CecilHillPhDthesis1966_original_C.pdf.jpg
Generated Thumbnail
image/jpeg
3423
https://research-repository.st-andrews.ac.uk/bitstream/10023/21960/3/CecilHillPhDthesis1966_original_C.pdf.jpg
584cf76543be6dd7d944f9d8bc1b1bb6
MD5
3
10023/21960
oai:research-repository.st-andrews.ac.uk:10023/21960
2022-03-01 11:17:03.242
St Andrews Research Repository
Digital-Repository@st-andrews.ac.uk
oai:research-repository.st-andrews.ac.uk:10023/155392019-04-01T09:09:21Zcom_10023_6580com_10023_6579col_10023_6581
Hill, Cecil
White, Raymond Eric
2 v. in 1
2018-07-18T13:37:29Z
2018-07-18T13:37:29Z
1972
http://hdl.handle.net/10023/15539
en
University of St Andrews
The University of St Andrews
ML288.W5
Music--Scotland.
Aspects of Scottish church music, 1560-1645
Thesis
Doctoral
PhD Doctor of Philosophy
THUMBNAIL
RaymondEricWhitePhDThesis.pdf.jpg
RaymondEricWhitePhDThesis.pdf.jpg
Generated Thumbnail
image/jpeg
3299
https://research-repository.st-andrews.ac.uk/bitstream/10023/15539/4/RaymondEricWhitePhDThesis.pdf.jpg
0a604ec7070dd3e46abd6735bbe095ea
MD5
4
LICENSE
license.txt
license.txt
text/plain
2188
https://research-repository.st-andrews.ac.uk/bitstream/10023/15539/1/license.txt
a10becd7ef5358e42635fd6aa9fc69b6
MD5
1
ORIGINAL
RaymondEricWhitePhDThesis.pdf
RaymondEricWhitePhDThesis.pdf
application/pdf
56514158
https://research-repository.st-andrews.ac.uk/bitstream/10023/15539/2/RaymondEricWhitePhDThesis.pdf
8032002360090f03e88943218e3021dc
MD5
2
TEXT
RaymondEricWhitePhDThesis.pdf.txt
RaymondEricWhitePhDThesis.pdf.txt
Extracted text
text/plain
577987
https://research-repository.st-andrews.ac.uk/bitstream/10023/15539/3/RaymondEricWhitePhDThesis.pdf.txt
abbce802f33d0a98b7073eb63098dccd
MD5
3
10023/15539
oai:research-repository.st-andrews.ac.uk:10023/15539
2019-04-01 10:09:21.974
St Andrews Research Repository
Digital-Repository@st-andrews.ac.uk
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
oai:research-repository.st-andrews.ac.uk:10023/72822019-04-01T09:09:23Zcom_10023_6580com_10023_6579col_10023_6581
Branscombe, Peter
Kirk, Carolyn
2 v. (456, 374) p.
2015-08-19T08:53:52Z
2015-08-19T08:53:52Z
1985
uk.bl.ethos.259367
http://hdl.handle.net/10023/7282
In the mid-eighteenth century, Vienna, like other
European cities, began to manifest the influence of
modern French culture; In 1752, a troupe of French
players was appointed to the Austrian court to entertain
the aristocracy. Four years later, links were forged
between the Parisian and Viennese stages via Favart who
corresponded with Count Durazzo in Vienna and sent opera
scores and suggestions about personnel. In 1765 problems
with finance and leadership led to dismissal of Vienna's
first French troupe but others performed there for shorter
periods between 1765 and 1780. Opera-comique was introduced
to Vienna by French players.
Occasional performances of opera-comique in German
translation took place in Vienna during the 1770s. When,
in 1778, the Nationalsingspiel was founded, French opera
formed part of the repertoire because of a lack of good
German works.
A renewed interest in opèra-comique began in about
1790 when fear of revolutionary France and the reigns of
Leopold and Franz led to a return of interest in Italian
opera at the court theatres, and the virtual disappearance
of opêra-comique from its repertoire. Once an aristocratic
entertainment, opera-comique now enjoyed popularity at the
suburban theatres. Many recent and historically important
French operas were performed in Vienna during the next
thirty years, putting Italian opera temporarily out of fashion and having an important influence on the emergent
German Romantic opera. After 1802 the Theater an der Wien
and the court theatres engaged in serious competition. Over
120 French operas were performed in Vienna between 1790 and
1819.
Printed French scores and textbooks were purchased from
Paris; they were hastily translated by salaried members
of the Viennese theatres. Before 1790 Viennese versions
of operas-comiques had usually remained close to the originals.
Later, in order to make them more appealing to Viennese audiences, the opera texts and music were often altered. Authentic
performance was not a concern of the theatres.
After 1803, following successful Viennese premieres
of several great operas by Mehul and Cherubini, Vienna
was flooded with operas by lesser men whose entertaining
texts and tuneful music were good for the box office.
The vogue for French opera caused some resentment
among German musicians, though few contemporary German operas
could match the popularity of the French ones. Opera-comique
reminded a Viennese public nourished during the eighteenth
century mostly on Italian opera, of the literary importance
of opera.
Viennese interest in op6ra-comique began to decline
in
1816 with the rise to fame of Rossini. By 1820 Italian opera
was back in fashion.
en
University of St Andrews
The University of St Andrews
Literature
Mass media
Performing arts
ML1723.V5K5
The Viennese vogue for opéra-comique 1790-1819
Thesis
Doctoral
PhD Doctor of Philosophy
THUMBNAIL
CarolynKirkPhDThesis_Vol1.pdf.jpg
CarolynKirkPhDThesis_Vol1.pdf.jpg
Generated Thumbnail
image/jpeg
3755
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/7/CarolynKirkPhDThesis_Vol1.pdf.jpg
7bc32e93bd08401b547cbb86fe2b366f
MD5
7
CarolynKirkPhDThesis_Vol2.pdf.jpg
CarolynKirkPhDThesis_Vol2.pdf.jpg
Generated Thumbnail
image/jpeg
3756
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/8/CarolynKirkPhDThesis_Vol2.pdf.jpg
6087a3f6d305d49980a0a367572c386d
MD5
8
LICENSE
license.txt
license.txt
text/plain
2224
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/2/license.txt
640efec0e2404cd505c2580e38ee6d69
MD5
2
ORIGINAL
CarolynKirkPhDThesis_Vol1.pdf
CarolynKirkPhDThesis_Vol1.pdf
Volume 1
application/pdf
20008004
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/3/CarolynKirkPhDThesis_Vol1.pdf
58846ada1687391da5aca50f81505e19
MD5
3
CarolynKirkPhDThesis_Vol2.pdf
CarolynKirkPhDThesis_Vol2.pdf
Volume 2
application/pdf
18276193
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/4/CarolynKirkPhDThesis_Vol2.pdf
caa1e095a2f5a275ac36530a1987bd5e
MD5
4
TEXT
CarolynKirkPhDThesis_Vol1.pdf.txt
CarolynKirkPhDThesis_Vol1.pdf.txt
Extracted text
text/plain
665234
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/5/CarolynKirkPhDThesis_Vol1.pdf.txt
6ee1f168257cf5a06b3cf6c20cf98be9
MD5
5
CarolynKirkPhDThesis_Vol2.pdf.txt
CarolynKirkPhDThesis_Vol2.pdf.txt
Extracted text
text/plain
714381
https://research-repository.st-andrews.ac.uk/bitstream/10023/7282/6/CarolynKirkPhDThesis_Vol2.pdf.txt
b9967b6da945916209eaece5790ba4aa
MD5
6
10023/7282
oai:research-repository.st-andrews.ac.uk:10023/7282
2019-04-01 10:09:23.799
St Andrews Research Repository
Digital-Repository@st-andrews.ac.uk
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oai:research-repository.st-andrews.ac.uk:10023/65822020-10-29T12:01:55Zcom_10023_6580com_10023_6579col_10023_6581
Kitchen, John, 1950-
Tait, Robin C.
382 p.
2015-04-27T13:45:42Z
2015-04-27T13:45:42Z
1986
uk.bl.ethos.374017
http://hdl.handle.net/10023/6582
en
University of St Andrews
The University of St Andrews
ML410.F2T2
Fauré, Gabriel, 1845-1924
The musical language of Gabriel Fauré
Thesis
Doctoral
PhD Doctor of Philosophy
THUMBNAIL
RobinTaitPhDThesis.pdf.jpg
RobinTaitPhDThesis.pdf.jpg
Generated Thumbnail
image/jpeg
3551
https://research-repository.st-andrews.ac.uk/bitstream/10023/6582/5/RobinTaitPhDThesis.pdf.jpg
3ff4df508d14d531906f96adaf74876a
MD5
5
ORIGINAL
RobinTaitPhDThesis.pdf
RobinTaitPhDThesis.pdf
application/pdf
13359837
https://research-repository.st-andrews.ac.uk/bitstream/10023/6582/3/RobinTaitPhDThesis.pdf
93f82056524aaf53f27d7eeec61637ce
MD5
3
LICENSE
license.txt
license.txt
text/plain
2224
https://research-repository.st-andrews.ac.uk/bitstream/10023/6582/2/license.txt
640efec0e2404cd505c2580e38ee6d69
MD5
2
TEXT
RobinTaitPhDThesis.pdf.txt
RobinTaitPhDThesis.pdf.txt
Extracted text
text/plain
461672
https://research-repository.st-andrews.ac.uk/bitstream/10023/6582/4/RobinTaitPhDThesis.pdf.txt
c8cfcf491b5428e4cfee7a68ba8621b9
MD5
4
10023/6582
oai:research-repository.st-andrews.ac.uk:10023/6582
2020-10-29 12:01:55.392
St Andrews Research Repository
Digital-Repository@st-andrews.ac.uk
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oai:research-repository.st-andrews.ac.uk:10023/156652023-05-30T02:06:33Zcom_10023_6580com_10023_6579col_10023_6581
Downes, Michael
Williams, Bede
Hope Scott Trust
University of St Andrews. School of Philosophical, Anthropological and Film Studies
University of St Andrews. Music Centre
446 p.
2018-07-24T09:11:53Z
2018-07-24T09:11:53Z
2018-06-28
http://hdl.handle.net/10023/15665
https://doi.org/10.17630/sta/10023-15665
In this study the author investigates his interpretive practice as a conductor, revealing how interpretive operations occur not as discrete and isolated activities, but rather an intertwined cyclic process. The study was based on an experiment of the author conducting five scores on two different occasions separated in time by between one day and several months. The study design included extensive content analysis of over 30 hours of video in which more than 12,000 codes were applied and collated. The study design also included traditional texted research, autoethnographic writing (a 25,000-word practice journal), semi-structured interviews, the use of Sonic Visualiser, and the documentation of a range of score study methods which the author describes as ‘listening in silence’. Although there are numerous studies that compare different performances of the same piece, and consider the extent to which differences are intentional and/or creative, none has been undertaken by a conductor in the role of artist-researcher. The study develops what the author calls the ‘ethos of multiple interpretability’, suggesting that a conductor can be ‘animated by’ the belief that there is no single correct way to perform a work specified by a score.
en
University of St Andrews
The University of St Andrews
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
Conducting
New music
Interpretation
Orchestral leadership
Music as performance
Artistic research
MT85.W5
Conducting
Music--Interpretation (Phrasing, dynamics, etc.)
Preparation, rehearsal, performance and reflection : a conductor's autoethnographical study of the process of interpretation
Thesis
Doctoral
PhD Doctor of Philosophy
ORIGINAL
Bede-Williams-PhD-thesis.pdf
Bede-Williams-PhD-thesis.pdf
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Bede-Williams-PhD-thesis.pdf.txt
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oai:research-repository.st-andrews.ac.uk:10023/15665
2023-05-30 03:06:33.753
St Andrews Research Repository
Digital-Repository@st-andrews.ac.uk
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