2024-03-29T06:29:48Zhttps://research-repository.st-andrews.ac.uk/oai/requestoai:research-repository.st-andrews.ac.uk:10023/35832019-07-01T10:18:35Zcom_10023_123com_10023_30col_10023_125
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2013-05-31T09:22:01Z
2013-05-31T09:22:01Z
St Andrews Research Repository
Genre memory in the twenty-first century American war film : how post-9/11 American war cinema reinvents genre codes and notions of national identity
Trafton, John
2013-05-31T09:22:01Z
THUMBNAIL
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oai:research-repository.st-andrews.ac.uk:10023/207712021-08-06T14:46:49Zcom_10023_123com_10023_30col_10023_125
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2020-10-12T13:56:33Z
2020-10-12T13:56:33Z
St Andrews Research Repository
Human versus where? : navigating the survival space in the 21st century American survival film
Last, Cassice
2020-10-12T13:56:33Z
CC-LICENSE
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/118662018-02-09T13:00:28Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/11866/ore.xml
2017-10-17T13:51:54Z
2017-10-17T13:51:54Z
St Andrews Research Repository
A long way home : cinema and the cultural map of America, 2001-2011
Cicchetti, Pasquale
2017-10-17T13:51:54Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/10152020-09-28T17:40:02Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/1015/ore.xml
2010-09-22T15:11:34Z
2010-09-22T15:11:34Z
St Andrews Research Repository
Russians abroad in postcommunist cinema
Kristensen, Lars Lyngsgaard Fjord
2010-09-22T15:11:34Z
THUMBNAIL
LICENSE
ORIGINAL
TEXT
oai:research-repository.st-andrews.ac.uk:10023/63542022-08-01T09:04:17Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/6354/ore.xml
2015-03-26T14:35:04Z
2015-03-26T14:35:04Z
St Andrews Research Repository
Cosmetic Japaneseness : cultural erasure and cultural performance in Japanese film exports (2000-2010)
Dorman, Andrew
2015-03-26T14:35:04Z
THUMBNAIL
ORIGINAL
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TEXT
oai:research-repository.st-andrews.ac.uk:10023/114172019-12-20T09:58:06Zcom_10023_123com_10023_30com_10023_29col_10023_125col_10023_874
http://hdl.handle.net/10023/11417/ore.xml
2017-08-09T16:02:55Z
2017-08-09T16:02:55Z
St Andrews Research Repository
In search of images : Uruguayan cinema, 1960-2010
Tadeo Fuica, Beatriz
2017-08-09T16:02:55Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/203732021-07-27T11:05:21Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/20373/ore.xml
2020-07-30T11:28:28Z
2020-07-30T11:28:28Z
St Andrews Research Repository
The rise of grassroots voices : Chinese urban identity and independent filmmaking in the post-1989 era
Deng, Huimin
2020-07-30T11:28:28Z
CC-LICENSE
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/255902022-07-02T02:02:38Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/25590/ore.xml
2022-06-30T15:21:11Z
2022-06-30T15:21:11Z
St Andrews Research Repository
Nostalgia and Chinese new waves
Liu, Quan
2022-06-30T15:21:11Z
ORIGINAL
ORIGINAL
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TEXT
THUMBNAIL
oai:research-repository.st-andrews.ac.uk:10023/290112024-03-19T16:45:40Zcom_10023_123com_10023_30col_10023_125
https://hdl.handle.net/10023/29011/ore.xml
2024-01-15T11:46:41Z
2024-01-15T11:46:41Z
St Andrews Research Repository
Watch and learn : film and the British educational life 1895-1910
Ramakrishnan Agrwaal, Anushrut
2024-01-15T11:46:41Z
LICENSE
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TEXT
TEXT
THUMBNAIL
oai:research-repository.st-andrews.ac.uk:10023/292562024-02-21T03:02:43Zcom_10023_123com_10023_30col_10023_125
https://hdl.handle.net/10023/29256/ore.xml
2024-02-15T12:03:13Z
2024-02-15T12:03:13Z
St Andrews Research Repository
Film festivalisation : the rise of the film festival in the UK's postindustrial cities
Smyth, Sarah Elizabeth
2024-02-15T12:03:13Z
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oai:research-repository.st-andrews.ac.uk:10023/233332021-06-08T13:19:29Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/23333/ore.xml
2021-06-08T08:46:00Z
2021-06-08T08:46:00Z
St Andrews Research Repository
An in/divisible whole : time, space, and technologies of mediation in the Musée de l'Homme
Hopmeier, Sophie Kennedy
2021-06-08T08:46:00Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/194972021-07-22T14:22:42Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/19497/ore.xml
2020-02-19T15:28:35Z
2020-02-19T15:28:35Z
St Andrews Research Repository
The Chinese film industry : features and trends, 2010-2016
Diao, Jinuo
2020-02-19T15:28:35Z
LICENSE
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oai:research-repository.st-andrews.ac.uk:10023/69512023-05-29T10:36:53Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/6951/ore.xml
2015-07-09T15:00:04Z
2015-07-09T15:00:04Z
St Andrews Research Repository
Projecting peripheries : allegories of marginality in post-communist Romanian cinema
Iacob, Raluca
2015-07-09T15:00:04Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/174292023-10-17T02:03:19Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/17429/ore.xml
2019-04-03T15:25:21Z
2019-04-03T15:25:21Z
St Andrews Research Repository
Challenging political mythology : representations of the rural in post-communist Hungarian cinema
Mann, Philip
2019-04-03T15:25:21Z
ORIGINAL
TEXT
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LICENSE
oai:research-repository.st-andrews.ac.uk:10023/173832024-03-23T03:04:40Zcom_10023_123com_10023_30col_10023_125
https://hdl.handle.net/10023/17383/ore.xml
2019-03-27T09:42:40Z
2019-03-27T09:42:40Z
St Andrews Research Repository
Andean women's oppositional filmmaking : on and off-screen practices and politics
Seguí, Isabel
2019-03-27T09:42:40Z
ORIGINAL
TEXT
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LICENSE
oai:research-repository.st-andrews.ac.uk:10023/196082021-07-23T11:23:21Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/19608/ore.xml
2020-03-06T12:11:57Z
2020-03-06T12:11:57Z
St Andrews Research Repository
The monsoon crush : rethinking Indian cinema's art-commerce divide in the context of transnationalism, corporatisation and liberalisation
Pal, Shorna
2020-03-06T12:11:57Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/292282024-02-15T03:03:43Zcom_10023_123com_10023_30col_10023_125
https://hdl.handle.net/10023/29228/ore.xml
2024-02-13T16:04:09Z
2024-02-13T16:04:09Z
St Andrews Research Repository
Making meaning of Laurence Olivier : reading queer sensibilities in his Hollywood performances, 1939-1960
Sapountzi, Ana Maria
2024-02-13T16:04:09Z
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oai:research-repository.st-andrews.ac.uk:10023/278402023-07-10T15:14:57Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/27840/ore.xml
2023-06-29T09:48:59Z
2023-06-29T09:48:59Z
St Andrews Research Repository
When the place speaks : an analysis of the use of venues and locations in the international film festival circuit
Li, Peize
2023-06-29T09:48:59Z
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oai:research-repository.st-andrews.ac.uk:10023/283442023-09-12T02:05:38Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/28344/ore.xml
2023-09-11T10:39:44Z
2023-09-11T10:39:44Z
St Andrews Research Repository
Ecuadorian cinema for the 21st century : negotiating neoliberalism? Policy, industry, and memory during the Ley de Cine years
Miño Puga, Maria Fernanda
2023-09-11T10:39:44Z
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oai:research-repository.st-andrews.ac.uk:10023/272772023-11-21T03:06:07Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/27277/ore.xml
2023-03-28T10:52:07Z
2023-03-28T10:52:07Z
St Andrews Research Repository
The material life of world cinema : dynamics of ‘discovery’ and ‘rediscovery’ at the Cineteca di Bologna (1960-2018)
Gelardi, Andrea
2023-03-28T10:52:07Z
THUMBNAIL
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oai:research-repository.st-andrews.ac.uk:10023/19242019-07-01T10:11:57Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/1924/ore.xml
2011-07-20T15:20:13Z
2011-07-20T15:20:13Z
St Andrews Research Repository
South Korean historical drama : gender, nation and the heritage industry
Hwang, Yun Mi
2011-07-20T15:20:13Z
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oai:research-repository.st-andrews.ac.uk:10023/9852023-03-21T09:52:49Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/985/ore.xml
2010-09-13T10:46:29Z
2010-09-13T10:46:29Z
St Andrews Research Repository
Drugs, danger, delusions (and Deleuzians?) : extreme film-philosophy journeys into and beyond the parallel body and mind
Fleming, David H.
2010-09-13T10:46:29Z
ORIGINAL
TEXT
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oai:research-repository.st-andrews.ac.uk:10023/4802020-12-22T13:04:41Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/480/ore.xml
2008-05-15T09:06:30Z
2008-05-15T09:06:30Z
St Andrews Research Repository
A portrait of the artist as a political dissident : the life and work of Aleksandar Petrović
Sudar, Vlastimir
2008-05-15T09:06:30Z
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oai:research-repository.st-andrews.ac.uk:10023/122472023-05-29T15:27:49Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/12247/ore.xml
2017-12-04T15:46:32Z
2017-12-04T15:46:32Z
St Andrews Research Repository
Mnemonic communities : politics of World War II memory in Thai screen culture
Prasannam, Natthanai
2017-12-04T15:46:32Z
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TEXT
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oai:research-repository.st-andrews.ac.uk:10023/19852019-04-01T09:22:06Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/1985/ore.xml
2011-08-16T13:04:03Z
2011-08-16T13:04:03Z
St Andrews Research Repository
Changing pleasures of spectatorship : early and silent cinema in Istanbul
Balan, Canan
2011-08-16T13:04:03Z
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oai:research-repository.st-andrews.ac.uk:10023/203752021-07-29T13:27:55Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/20375/ore.xml
2020-07-30T12:35:11Z
2020-07-30T12:35:11Z
St Andrews Research Repository
Recovering Indian Third Cinema practice : a study of the 1970s films of Ritwik Ghatak, Mrinal Sen, and Satyajit Ray
Sen, Sanghita
2020-07-30T12:35:11Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/33222019-04-01T09:22:06Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/3322/ore.xml
2013-01-09T12:35:05Z
2013-01-09T12:35:05Z
St Andrews Research Repository
Folding cubanidad : a Deleuzian approach to contemporary Cuban cinema
Monaldi, Paola
2013-01-09T12:35:05Z
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LICENSE
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TEXT
oai:research-repository.st-andrews.ac.uk:10023/31382023-05-29T14:21:40Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/3138/ore.xml
2012-09-22T19:50:01Z
2012-09-22T19:50:01Z
St Andrews Research Repository
Framed intimacy : representation of woman in transnational cinemas
Pekerman, Serazer
2012-09-22T19:50:01Z
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TEXT
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oai:research-repository.st-andrews.ac.uk:10023/5162019-07-01T10:16:38Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/516/ore.xml
2008-07-09T14:56:20Z
2008-07-09T14:56:20Z
St Andrews Research Repository
Hong Kong cinema 1982-2002 : the quest for identity during transition
Cheung, Wai Yee Ruby
2008-07-09T14:56:20Z
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oai:research-repository.st-andrews.ac.uk:10023/156872021-06-01T07:53:14Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/15687/ore.xml
2018-07-24T13:30:48Z
2018-07-24T13:30:48Z
St Andrews Research Repository
Mapping constellations : early cinema in the Balkans, archives and cultural memory
Grgić, Ana
2018-07-24T13:30:48Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/160042019-04-01T09:22:09Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/16004/ore.xml
2018-09-11T08:24:26Z
2018-09-11T08:24:26Z
St Andrews Research Repository
In-between worlds : exploring trauma through fantasy
Shields, Amber
2018-09-11T08:24:26Z
TEXT
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oai:research-repository.st-andrews.ac.uk:10023/130752018-04-10T10:43:59Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/13075/ore.xml
2018-04-05T12:37:29Z
2018-04-05T12:37:29Z
St Andrews Research Repository
The cinematic corpography of war : re-mapping the war film through the body
Rositzka, Eileen
2018-04-05T12:37:29Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/200402021-07-26T17:50:16Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/20040/ore.xml
2020-06-03T08:47:33Z
2020-06-03T08:47:33Z
St Andrews Research Repository
The 1950s Hindi film song : between transgression and memory
Magazine, Aakshi
2020-06-03T08:47:33Z
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oai:research-repository.st-andrews.ac.uk:10023/63552019-07-01T10:12:26Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/6355/ore.xml
2015-03-26T14:40:55Z
2015-03-26T14:40:55Z
St Andrews Research Repository
Once upon a time outside the West : rethinking the western in global contexts
Wessels, Chelsea
2015-03-26T14:40:55Z
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oai:research-repository.st-andrews.ac.uk:10023/31222019-04-01T09:22:09Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/3122/ore.xml
2012-09-22T17:47:06Z
2012-09-22T17:47:06Z
St Andrews Research Repository
Mosaic space and mosaic auteurs : Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien, Michael Haneke
Chen, Yun-Hua
2012-09-22T17:47:06Z
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oai:research-repository.st-andrews.ac.uk:10023/34212019-04-01T09:22:10Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/3421/ore.xml
2013-03-25T14:59:51Z
2013-03-25T14:59:51Z
St Andrews Research Repository
Hasse Ekman : a question of authorship in a national context
Gustafsson, Fredrik
2013-03-25T14:59:51Z
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oai:research-repository.st-andrews.ac.uk:10023/168942023-08-21T10:08:37Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/16894/ore.xml
2019-01-18T09:12:44Z
2019-01-18T09:12:44Z
St Andrews Research Repository
Curating film history : film museums and archives in the age of new media
Ingravalle, Grazia
2019-01-18T09:12:44Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/141242024-01-15T11:37:37Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/14124/ore.xml
2018-06-15T13:39:07Z
2018-06-15T13:39:07Z
St Andrews Research Repository
The specificity of the aesthetics of slowness in contemporary Romanian cinema
Popa, Emilia Diana
2018-06-15T13:39:07Z
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oai:research-repository.st-andrews.ac.uk:10023/36242019-04-01T09:22:10Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/3624/ore.xml
2013-06-07T10:15:00Z
2013-06-07T10:15:00Z
St Andrews Research Repository
The modern political film : biopolitical production and cinematic subjectivity
Holtmeier, Matthew
2013-06-07T10:15:00Z
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TEXT
oai:research-repository.st-andrews.ac.uk:10023/215972021-10-10T11:21:25Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/21597/ore.xml
2021-03-10T16:51:48Z
2021-03-10T16:51:48Z
St Andrews Research Repository
‘Americanism in action’ : the 1920s epic western and Hollywood historical cinema
Adamson, Patrick
2021-03-10T16:51:48Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/190532021-04-06T16:07:23Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/19053/ore.xml
2019-12-03T14:25:58Z
2019-12-03T14:25:58Z
St Andrews Research Repository
The textual genealogies of Korean genre cinema
McMorran, Connor Anthony
2019-12-03T14:25:58Z
LICENSE
oai:research-repository.st-andrews.ac.uk:10023/63122019-09-27T02:04:21Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/6312/ore.xml
2015-03-25T10:18:37Z
2015-03-25T10:18:37Z
St Andrews Research Repository
Cinema of exposure : female suffering and spectatorship ethics
Scott, Kathleen
2015-03-25T10:18:37Z
TEXT
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oai:research-repository.st-andrews.ac.uk:10023/189972021-04-19T15:40:46Zcom_10023_123com_10023_30col_10023_125
http://hdl.handle.net/10023/18997/ore.xml
2019-11-25T12:14:49Z
2019-11-25T12:14:49Z
St Andrews Research Repository
"Can Michael the Brave love, or not?" : sex and sexuality in Romanian film culture
Gadalean, Andrei Mihai
2019-11-25T12:14:49Z
LICENSE